Live music-making: a rich open task requires a rich open interface (original) (raw)
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Journal of Music, Technology and Education, Intellect Press, 2010
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Mira Magdalena Sickinger
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Damien Charrieras
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The Art of Interaction: Interactivity, Performativity, and Computers, The Journal of Aesthetics and Art Criticism Vol. 55, No. 2, Perspectives on the Arts and Technology (Spring, 1997), pp. 117-127
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Cobi van Tonder
2004
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Henrik Frisk
2008
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ICMC2011 Impett What are we making? The work-without-content in live computer music.pdf
Jonathan Impett
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What are we making? The work-without-content in live computer music
Jonathan Impett
2011
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Mateo P
2018
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A View from the Bus: When Machines Make Music
Paul Lansky
Perspectives of New Music, 1990
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_derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices
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Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects
Jon McCormack
Organised Sound, 2009
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“Circus Tricks with the Sound:” Play, Agency and Manipulation in the DAW.
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Dr Martin Parker Dixon
Contemporary Music Review, 2006
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From Emulation to instigation: Revising the Notion of Etude as Compositional Form in Live Computer Music
Juan Parra
2013
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Laura Zattra (2018), “Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance”, in Live-Electronic Music. Composition, Performance and Study, Friedemann Sallis, Valentina Bertolani, Jan Burle, Laura Zattra eds., Routledge, pp. 83-100
LAURA ZATTRA
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Michael Hamman
1997
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ppig.org
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Computation, Creativity, and Improvised Music
Rene Mogensen
Odradek Vol. VIII Num. 1, 2022
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Music and Interaction: Consequences, Mutations and Metaphors of the Digital Music Instrument
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Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
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Organised Sound
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Bernard Bel
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The Machine as Autonomous Performer
Rob Saunders
Springer eBooks, 2014
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The possibilities of novel formal structures through computer controlled live performance
Lindsay Vickery
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