Reflections on Aspects of Music Interactivity in Performance Situations (original) (raw)
Related papers
Interactive Technologies in Music Composition: Towards a Theory of Interactivity
Music Research: New Directions for a New Century (Cambridge Scholars Press), 2004
Music Composition and Performance in Interactive Computer/Human Systems
2004
The Art of Engaging: Implications for computer music systems
2014
Gesture and Emotion in Interactive Music: Artistic and Technologial Challenges
Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects
Organised Sound, 2009
Interaction, Simulation and Invention: a Model for Interactive Music
Situating the invention in interactive music
Organised Sound, 2000
Real-Time Interaction Among Composers, Performers, and Computer Systems
Sounds, Agents, Works and Listeners: a model of computer music performance
Journal of Music, Technology and Education, Intellect Press, 2010
Improvisation, Computers, and Interaction: Rethinking Human-Computer Interaction Through Music
2008
Live music-making: a rich open task requires a rich open interface
Interaction and music technology
Proceedings of the 13th Ifip Tc 13 International Conference on Human Computer Interaction Volume Part Iv, 2011
Human-Computer Interaction Models in Musical Composition
Interactive Notation: Towards a Computer Model for Interactive Musical Composition
2020
New musical interfaces and new music-making paradigms
2001
Musicians (Don't) Play Algorithms. Or: What makes a musical performance
Kriterion, 2019
Music Interaction: Understanding Music and Human-Computer Interaction
Springer series on cultural computing, 2013
A vision of creative computation in music performance
Frontiers in psychology, 2017
Screen-based musical interfaces as semiotic machines
Proceedings of the 2006 conference on New interfaces …, 2006
Echo's body: Play and representation in interactive music software
Contemporary Music Review, 2006
Physically inspired interactive music machines – making contemporary composition
2015
Material-Oriented Musical Interaction
2016
BLURRING THE LINES: AN INTEGRATED COMPOSITIONAL MODEL FOR DIGITAL MUSICAL INSTRUMENT DESIGN
mat dalgleish, Steve Spencer, chris foster
Proceedings of 9th Conference on International Musicology (CIM14), 2014
Exploring Novel ways of interaction in musical performance
Proceedings of the third conference on Creativity & cognition - C&C '99, 1999
Music and Interaction: Consequences, Mutations and Metaphors of the Digital Music Instrument
Antonio Sousa Dias, paulo ferreira-lopes
What Can the Language of Musicians Tell Us about Music Interaction Design?
Computer Music Journal, 2010
Embodiment and agency: Towards an aesthetics of interactive performativity
Proceedings of the IEEE, 2004