Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880-1930 (original ) (raw )‘Reading Victorian Sculpture’, 19: Interdisciplinary Studies in the Long Nineteenth Century, 22 (Summer 2016): 1-14 http://doi.org/10.16995/ntn.776 .
Angie (Angela) Dunstan
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Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014
Jonathan Shirland
19, 2016
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Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at Tate Britain, 25 February to 25 May 2015
Jonathan Shirland
19: Interdisciplinary Studies in the Long Nineteenth Century, 2016
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Afterword: Victorian Sculpture for the Twenty-First Century
David J Getsy
2016
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Body Doubles: Sculpture in Britain, 1877-1905
David J Getsy
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Co-convenor, ‘Sculpture and the Decorative Arts’ session, with Imogen Hart, Association of Art Historians annual conference, 7-9 April 2016
Claire Jones
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Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s
Nick Baker
British Art Studies, 2016
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Renewing the New: British Sculpture in the 1980s
Greg Hilty
British Art Studies, 2016
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‘Nineteenth Century Sculpture and the Imprint of Authenticity’, 19: Interdisciplinary Studies in the Long Nineteenth Century, 19 (November 2014): 1-22 http://www.19.bbk.ac.uk/articles/10.16995/ntn.704/ .
Angie (Angela) Dunstan
19: Interdisciplinary Studies in the Long Nineteenth Century , 2014
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Eighteenth-century sculpture and its interpretation
Malcolm Baker
2003
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Modern British Sculpture
Helena Bonett , Jonathan Law
2011
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Sculpture and Aesthetic Intent in the Late Victorian Interior. 2010
Imogen Hart , Martina Droth
Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts. Jason Edwards and Imogen Hart, eds. Ashgate 2010, 2010
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On Re-Displaying Victorian Sculpture. 2014
Martina Droth
Sculpture Journal, 2014
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SCULPTURE: An Annotated Bibliography. Oxford Bibliographies, 2018.
Martina Droth
Oxford Bibliographies, 2018
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“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA
Arie Hartog
British Art Studies, 2016
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The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 - By Matthew Craske
Martin Myrone
Journal for Eighteenth-Century Studies, 2010
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Dangerous Liaisons: Relationships between Design, Craft and Art || The Ethics of Making: Craft and English Sculptural Aesthetics c. 1851-1900
Linda Sandino , Jo Turney , Grace Lees-Maffei , Martina Droth
Journal of Design History, 2004
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A Biographical Dictionary of Sculptors in Britain 1660-1851 by Ingrid Roscoe, Emma Hardy and M G Sullivan
Rosa Somerville
The Art Book, 2010
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Sculpture Since 1960 [entry for revised edition of the Encyclopedia of Aesthetics, 2014]
David J Getsy
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‘Modern Sculpture in the South Bank Townscape’
Robert Burstow
Twentieth Century Architecture (special issue on the Festival of Britain), 2001
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Sculptors and Design Reform in France, 1848 to 1895: Sculpture and the Decorative Arts (Ashgate, 2014)
Claire Jones
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COMMENTS INVITED. Sculpture, Annotated Bibliography
Martina Droth
Oxford Bibliographies
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Writing about displays of sculpture: historiography and some current questions
Malcolm Baker
Les cahiers de l'École du Louvre, 2016
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From ‘The New Sculpture’ to Garden Statuary: the suppression of Abstract Expressionist sculpture
Meghan Bissonnette
2015
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Eyes: identity and commemoration in British 18th and 19th century sculpture
Anna Vermehren
2007
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'Nathaniel Hitch and the Making of Church Sculpture', in Special Issue on Victorian Sculpture, 19: Interdisciplinary Studies in the Long Nineteenth Century, 22 (2016)
Claire Jones
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‘Thomas Woolner’s “Bad Times for Sculpture”: Framing Victorian Sculpture in Vocabularies of Neglect’, Australasian Journal of Victorian Studies (2014): 32-44.
Angie (Angela) Dunstan
Journal of Australasian Victorian Studies, 2014
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British sculptors in Rome in the 18th and 19th century
Tiziano Casola
Roma-Londra: scambi, modelli e temi tra l’Accademia di San Luca e la cultura artistica britannica nei secoli XVIII e XIX, catalogo della mostra (Roma, Accademia Nazionale di San Luca, 2018-2019), a cura di C. Brook, E. Camboni, G. P. Consoni, A. Aymonino, F. Moschini, pp. 266-270, 2020
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'Pride and Prejudice: Eighteenth-Century Women Sculptors and Their Material Practices', in Women and Material Culture, 1660-1830, ed. by Jennie Batchelor and Cora Kaplan (London, UK ; New York, NY, USA: Palgrave Macmillan, 2007), pp. 86-102.
Marjan Sterckx
2007
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British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors, in "British Art Studies", Yale University, Issue 3, Summer 2016
Emanuela Pezzetta
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Institutional patronage of central and Eastern European émigré sculptors in Britain, c1945-65: moderate modernism for the social-democratic consensus
Robert Burstow
2018
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Sculpture in the Home': selling modernism to post-war British homemakers
Robert Burstow
Sculpture Journal, 2008
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Century Sculpture
Anna Vermehren
2008
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The Body of Sculpture in Twenty-First-Century Cities: Alois Riegl’s Cults of Monuments and Four Public Sculpture Artworks from Britain (2000-2013)
elio ticca
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‘A series of surfaces’: The New Sculpture and Cinema
Rebecca Sheehan
19: Interdisciplinary Studies in the Long Nineteenth Century, 2016
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