Eyes: identity and commemoration in British 18th and 19th century sculpture (original) (raw)

Century Sculpture

Anna Vermehren

2008

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Karin Leonhard Review_Hanneke Grootenboer . Treasuring the Gaze: Intimate Vision in Late Eighteenth-Century Eye Miniatures . xvii + 223 pp., bibl., index. Chicago/London: University of Chicago Press, 2012. $45 (cloth)

Karin Leonhard

Isis, 2014

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Hanneke Grootenboer: Treasuring the Gaze: Intimate Vision in Late Eighteenth-Century Eye Miniatures

Elsje van Kessel

caa.reviews, 2014

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Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880-1930

David J Getsy

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Body Doubles: Sculpture in Britain, 1877-1905

David J Getsy

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‘Reading Victorian Sculpture’, 19: Interdisciplinary Studies in the Long Nineteenth Century, 22 (Summer 2016): 1-14 http://doi.org/10.16995/ntn.776.

Angie (Angela) Dunstan

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Eighteenth-century sculpture and its interpretation

Malcolm Baker

2003

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A Perfect 'Likeness'? Viewing archaising Late Period sculpture in context

Campbell Price

A. Masson-Berghoff (ed.) Statues in Context. Production, Meaning and (Re)uses (Peeters, Leuven), 21-34., 2019

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Introduction to Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture

Jacqueline Jung

Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture, 2020

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Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014

Jonathan Shirland

19, 2016

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‘Nineteenth Century Sculpture and the Imprint of Authenticity’, 19: Interdisciplinary Studies in the Long Nineteenth Century, 19 (November 2014): 1-22 http://www.19.bbk.ac.uk/articles/10.16995/ntn.704/.

Angie (Angela) Dunstan

19: Interdisciplinary Studies in the Long Nineteenth Century , 2014

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Co-convenor, ‘Sculpture and the Decorative Arts’ session, with Imogen Hart, Association of Art Historians annual conference, 7-9 April 2016

Claire Jones

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What we see is looking on us. On Figure in 20th Century Sculpture

Ursula Ströbele

Figur! Sculptural Masterpieces from the Von der Heydt-Museum Wuppertal, 2023

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The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 - By Matthew Craske

Martin Myrone

Journal for Eighteenth-Century Studies, 2010

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Metropolitan styling: figurines from London and Colchester

Emma Durham

Small Finds and Ancient Social Practices in the Northwest Provinces of the Roman Empire, 2016

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Afterword: Victorian Sculpture for the Twenty-First Century

David J Getsy

2016

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Dangerous Liaisons: Relationships between Design, Craft and Art || The Ethics of Making: Craft and English Sculptural Aesthetics c. 1851-1900

Linda Sandino, Jo Turney, Grace Lees-Maffei, Martina Droth

Journal of Design History, 2004

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The body on display: Exploring the role and use of figurines in early Anglo-Saxon England

Lisa Brundle

Journal of Social Archaeology 2013;13 197-219, 2013

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IDOLS AND MUSEUM PIECES: Table of Contents and Introduction

caroline van eck

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Mapping the eye: Laocoon and the eye movement in art

Christoph Wagner

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'Pride and Prejudice: Eighteenth-Century Women Sculptors and Their Material Practices', in Women and Material Culture, 1660-1830, ed. by Jennie Batchelor and Cora Kaplan (London, UK ; New York, NY, USA: Palgrave Macmillan, 2007), pp. 86-102.

Marjan Sterckx

2007

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A Drawer Full of Noses Shifting Tastes and Ancient Sculpture

Jerry Podany

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Sculpture and Aesthetic Intent in the Late Victorian Interior. 2010

Imogen Hart, Martina Droth

Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts. Jason Edwards and Imogen Hart, eds. Ashgate 2010, 2010

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Aesthetics and the Imitation of Antiquity in Early Gothic Sculpture

Laurence Terrier Aliferis

Emerging Naturalism. Contexts and Narratives in European Sculpture 1140-1220, ed. G. Boto Varela, M. Serrano Coll, J. McNeill, Brepols, 2020

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Wandering Things. Agency and Embodiment in Late Sixteenth-Century English Miniature Portraits

Marianne Koos

Art History 37 (2014), H. 5, S. 836-859.

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Augmented Portraits: An Alternative Approach to Seventeenth-Century Mourning Jewellery

Anna Venturini

Jewellery Studies: Journal of the Society of Jewellery Historians, 2020

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REENCHANTING THE GAZE . ART FROM WWII TO THE 1970s.

Idalina Sardinha

Da compreensão da arte ao ensino da história da arte, hoje.

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The Deceptive Surface: Perception and Sculpture’s “Skin”

Christina Ferando

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Les Images de la cité – the Vase Painter’s Gaze

Dyfri Williams

Images at the Crossroads. Media and Meaning in Greek Art, eds. J. Barringer and F. Lissarrague, 2022

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Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens

Katherine M Bentz

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600, 2015

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Drawn from the Antique: Artists & the Classical Ideal. An exhibition at Teylers Museum, Haarlem, 11 March – 31 May 2015 and at the Sir John Soane’s Museum, London, 25 June –26 September 2015

Adriano Aymonino, Anne Varick Lauder

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“Framing and social identity in Roman portrait statues.” In Verity Platt and Michael Squire, eds. The Frame in Classical Art: A Cultural History. Cambridge University Press, 2017: 317-52.

Jennifer Trimble

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Like Life. Sculpture, Color, and the Body (1300–Now).

Christina Neilson

The Sculpture Journal , 2019

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‘Dove-like looks’ and ‘serpents eyes’

Jackie Watson

The senses in early modern England, 1558–1660, 2020

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“What is the Value of Images? On the Social Significance of Time Spent Looking at Classical Art”, in C. Draycott, R. Raja, K. Welch and W. T. Wootton (eds.), Visual Histories: Visual Remains and Histories of the Classical World. Essays in Honour of R.R.R. Smith, Turnhout: Brepols, 2018, 34–46.

Caspar Meyer

2018

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