A phenomenological appreciation of dancers’ embodied self-consciousness (original) (raw)
Bodies in Skilled Performance: How dancers reflect through the living body
Camille Buttingsrud
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The creative process of dance and performance artists. On the relevance of bodily experience.
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A Phenomenological Appreciation of Dancers’ Embodied Self-consciousness. Expanding Notions - Dance, Practice, Research, Method; 12th International NOFOD Conference, Reykjavík 28th - 31st May 2015
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I-Reflexes: The Affective Implications of Bodies in Dance Improvisation Performance (extract)
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2019
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rachel sweeney
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The Body and the Scene. Territories of the Aesthetic-Cognitive Experience in the Artistic Practice of Dance.
Gabriella Riccio
Anglistica AION, 2016
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Richard Shusterman
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I-Reflexes: The Affective Implications of Bodies in Dance Improvisation Performance
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Yotam Shibolet
Junctions, 2018
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Martin Leach
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Understanding in Our Bodies: Nonrepresentational Imagery and Dance
Sarah Rubidge
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Beyond Mind-Body Duality: Merging Performance and Visual Art Practices
Melanie Manos
2008
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Dance for Empathy; Embodied Practice and the Physical-Mental Act of Understanding (Book of abstracts - Dance fields).
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The Body in Phenomenology and Movement Observation
Janet Kaylo
2007
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South African Theatre Journal
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The Vastness of the Embodied Self - A Phenomenological Investigation of Dancers' Self-consciousness. The CRAG Confluence, Edinburgh 3rd - 5th December 2015
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Perceiving subjectivity in bodily movement: The case of dancers
susanne Ravn
Phenomenology and the Cognitive Sciences, 2009
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Capturing Movement That Evades the Eye : A Sensory Ethnography of the 'Hidden' Qualities of Embodied Agency in Professional Dance
Suvi Satama
2017
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The "Body in Motion" as the Substance of Dance Improvisation? Based on Motifs from Maurice Merleau-Pont/s Phenomenology of Perception
Lilianna Bieszczad
2021
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Somatic Knowledge: The Body as Content and Methodology in Dance Education
Jill Green
Journal of Dance Education, 2002
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The experience of watching dance: phenomenologicalneuroscience duets
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