original ) (raw )The Ghent Altarpiece and the Legend of Saint Christopher
Mikhail Rogov , Rogov Mike
Actual Problems of Theory and History of Art: Collection of articles. Vol. 13. Eds A. V. Zakharova, S. V. Maltseva, E. Iu. Staniukovich-Denisova. — Lomonosov Moscow State University / St. Petersburg: NP-Print,. ISSN 2312-2129., 2023
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Clandestine splendor. Paintings for the Catholic Church in the Dutch Republic, pp. 44-85
Xander van Eck
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‘Review of A.-M. J. van Egmond, C. A. Chavannes-Mazel, Medieval Art in the Northern Netherlands before Van Eyck. New Facts and Features (Utrecht: Clavis Stichting Publicaties Middeleeuwse Kunst, 2014)’, The Medieval Low Countries 2 (2015), p. 269-272.
Katrien Lichtert
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Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 86-167
Xander van Eck
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Bernhard Ridderbos, The Ghent Altarpiece: Iconography and patronage.
H.N.B. Ridderbos
Oud Holland 2022 (135), 8-39 , 2022
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with A.-L. Van Bruaene, ‘Towering piety. Sacrament houses, local patronage and an early Counter-Reformation spirit (1520-1566),’ in E.M. Kavaler, F. Scholten & J. Woodall (eds.) Netherlandish sculpture of the 16th century (Nederlands Kunsthistorisch Jaarboek 67), Leiden & Boston 2017, pp. 118-159
Ruben Suykerbuyk , Anne-Laure Van Bruaene
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Art and archives, clerics and counts. New insights on the mural in the Utrecht burial chapel of Guy of Avesnes
Anne-Maria van Egmond
Anne-Maria van Egmond en Claudine Chavannes-Mazel (red.), Medieval art in the Northern Netherlands. New facts and features, Utrecht 2014., 2014
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Dutch Painters in Roman Churches in the Early Seventeenth Century: The Entombment of Christ by Dirck van Baburen in the Context of Patronage
Michiko Fukaya
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Review of Medieval art in the Northern Netherlands
Anne-Maria van Egmond
The Medieval Review
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“Levende beelden Gods” – A note on the depiction of saints in Netherlandish art after 1585, in: Eckhardt Leuschner ed., Antwerpener Malerei, pp. 101-116.
Koenraad Jonckheere
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The Antwerp religious painter Frans Francken and his altarpieces
Natasja Peeters
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Review of The Religious Paintings of Hendrick ter Brugghen. Reinventing Christian Painting after the reformation in Utrecht, by Natasha Seaman: The Burlington Magazine, Vol. 155 (2013), pp. 101-102
Xander van Eck
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A Fifteenth Century Painting made by a Follower (?) of Rogier van der Weyden in the Antwerp Cathedral
Jeroen Reyniers
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The Relic Shrine of Saint Odilia (1292). Iconographical Study of the Oldest Dated Panel Paintings in the Netherlands
Jeroen Reyniers
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Clandestine splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 168-201
Xander van Eck
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A supplement to Koert van der Horst, Illuminated and decorated medieval manuscripts in the University Library, Utrecht (1989). Vol. 1: Manuscripts acquired 1989-2011; Loose manuscript fragments (first section).
Bart Jaski
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Bringing the Counter-Reformation home: the domestic use of artworks at the Antwerp Beguinage in the seventeenth century: Simiolus 38.3 2015-16
Sarah Joan Moran
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Mapping Time The Netherlandish Carved Altarpiece in the Early Sixteenth Century
Ethan Matt Kavaler
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'Mediaeval Painting in the Netherlands'
Jos Koldeweij
in: Nelly de Hommel, Jos Koldeweij, Flemish Apocalypse, Barcelona 2005, p. 11-57.
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Early Netherlandish Paintings: Rediscovery, Reception, and Research
Henk Veen
Renaissance Quarterly, 2006
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Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 1-43
Xander van Eck
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A supplement to Koert van der Horst, Illuminated and Decorated Medieval Manuscripts in the University Library, Utrecht (1989). Vol. 2: Loose manuscript fragments (second section); Bound maculature (first section)
Bart Jaski
2011
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Art and Iconoclasm, 1525-1580: The Case of the North Netherlands
David Freedberg
J.P. Filedt Kok et al. (eds.), Kunst voor de Beeldenstorm [Cat. Exhib., Amsterdam, Rijksmuseum], 1986
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New Perspectives on Flemish Illumination, Conference Proceedings, Corpus of Illuminated Manuscripts 22, Table of Content; Eds. By Lieve Watteeuw, Jan Van der Stock, Bernard Bousmanne and Dominique Vanwijnsberghe, Peeters Publishers Leuven-Paris-Bristol CT, 2018.
Lieve Watteeuw
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Visualising Cohesion, Identity and Piety: Altarpieces of Guilds and Brotherhoods in Early Netherlandish Painting (1400–1550)
Ingrid Falque
"Material Culture. Präsenz und Sichtbarkeit von Künstlern, Zünften und Bruderschaften in der Vormoderne. Presence and Visibility of Artists, Guilds and Brotherhoods in the Pre-modern Era", ed. Andreas Tacke, Birgit Ulrike Münch, Wolfgang Augustyn (Petersberg, Michael Imhof Verlag: 2018), 2018
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The Ghent Altarpiece.The Clients A noble altarpiece: the socio-historical context of the painting
Erik Verroken
Frederik Buylaert & Erik Verroken, THE CLIENTS A noble altarpiece: the socio-historical context of the painting in: Danny Praet & Maximiliaan P.J. Martens (eds.), The Ghent Altarpiece - Van Eyck - Art, History, Science and Religion, (Veurne, 2019), 50-115.
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E M Kavaler -- Prayer Nuts and Early Modern Sculplture in the Netherlands 2017.pdf
Ethan Matt Kavaler
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Ars longa vita brevis. Altar Decoration and the Salvation of the Soul in the Seventeenth Century, in Antwerp Royal Museum Annual, 2010 (2012), pp. 85-111.
Valerie Herremans
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Review of Carlvant, Kerstin. Manuscript Painting in Thirteenth-Century Flanders: Bruges, Ghent and the Circle of the Counts in "Manuscripta: A Journal for Manuscript Research" 58.2 (2014)
Margaret Goehring
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(with. M. Martens e.a.), 'The Van Pottelsberghe-Van Steelant Memorial by Gerard Horenbout: Lordship, Piety and Mortality in Early Sixteenth-Century Flanders', Zeitschrift für Kunstgeschichte 4 (2014), 491-516
Frederik Buylaert
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The Representation of Martyrdoms during the Early Counter-Reformation in Antwerp
David Freedberg
Burlington Magazine, 1976
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Frequin, S.: ‘A Voice from the Grave: the Tomb of Guy of Avesnes in Saint-Martin’s Cathedral in Utrecht.’ in: Medieval Art in the Northern Netherlands before van Eyck. New facts and features. Anne Egmond en Claudine Chavannes (eds.) (2014) 160-171.
Sanne Frequin
Medieval Art in the Northern Netherlands before Van Eyck. New facts and features, 2014
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Medieval Art in the Northern Netherlands before Van Eyck. New Facts and Features—Review by Anne-Maria J. van Egmond and Claudine A. Chavannes-Mazel
Richard de Koster
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Clandestine splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 202-240
Xander van Eck
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chief editor of A.J. van Egmond en C.A. Chavannes-Mazel (red.), Medieval art in the Northern Netherlands before Van Eyck. New facts and features, Utrecht 2014
Anne-Maria van Egmond
2014
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