A Fifteenth Century Painting made by a Follower (?) of Rogier van der Weyden in the Antwerp Cathedral (original) (raw)
C.A. Chavannes-Mazel, 'Epilogue: After Hoogewerff, in: A.M.J van Egmond & C.A.Chavannes-Mazel (eds), Medieval Art in the Northern Netherlands before Van Eyck. New Facts and Features, Utrecht 2014, pp 188-195, 220-221.
Claudine A Chavannes-Mazel
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Bringing the Counter-Reformation home: the domestic use of artworks at the Antwerp Beguinage in the seventeenth century: Simiolus 38.3 2015-16
Sarah Joan Moran
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New Perspectives on Flemish Illumination, Conference Proceedings, Corpus of Illuminated Manuscripts 22, Table of Content; Eds. By Lieve Watteeuw, Jan Van der Stock, Bernard Bousmanne and Dominique Vanwijnsberghe, Peeters Publishers Leuven-Paris-Bristol CT, 2018.
Lieve Watteeuw
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‘Review of A.-M. J. van Egmond, C. A. Chavannes-Mazel, Medieval Art in the Northern Netherlands before Van Eyck. New Facts and Features (Utrecht: Clavis Stichting Publicaties Middeleeuwse Kunst, 2014)’, The Medieval Low Countries 2 (2015), p. 269-272.
Katrien Lichtert
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Natasja Peeters
Niederlande und Frankreich, 2020
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Review of Medieval art in the Northern Netherlands
Anne-Maria van Egmond
The Medieval Review
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10 entries on sixteenth-century prints, in Marijke Hellemans et al., Grotesken. Een fascinerende fantasiewereld / Grotesques. Fantasy portrayed, Antwerp: Museum Plantin-Moretus/Prentenkabinet, 2019, pp. 18-21, 24-25, 48-49, 54-55, 58-59, 64-65, 70-71, 78-79, 82-83.
Jeroen Luyckx
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Elizabeth Morrison and Thomas Kren, eds, Flemish Manuscript Painting in Context Recent Research. Los Angeles: The J. Paul Getty Museum, 2006 – published in The Sixteenth Century Journal, 39. 3 (2008), 844-845
Nicole Hochner
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The Antwerp religious painter Frans Francken and his altarpieces
Natasja Peeters
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Review of Ulrike Kern, Light and Shade in Dutch and Flemish Art (Turnhout: Brepols, 2014), in Historians of Netherlandish Art Newsletter and Review of Books, vol. 34, no. 1 (April 2017): 32-33.
Lara Yeager-Crasselt
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Review of Carlvant, Kerstin. Manuscript Painting in Thirteenth-Century Flanders: Bruges, Ghent and the Circle of the Counts in "Manuscripta: A Journal for Manuscript Research" 58.2 (2014)
Margaret Goehring
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'Defenders of the Image. Painted Collectors' Cabinets and the Display of Display in Counter-Reformation Antwerp', Netherlands Yearbook for History of Art
Marlise Rijks
Netherlands Yearbook for History of Art vol. 65: Arts of Display , 2015
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A Story of the Image Thoughts on an Exhibition and on 15th-and 16th-centuries Flemish Painting
Shamiera Azni
epress.nus.edu.sg
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Early Netherlandish Paintings: Rediscovery, Reception, and Research
Henk Veen
Renaissance Quarterly, 2006
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The Right Hand of Pictura's Perfection: Cornelis de Bie's Het Gulden Cabinet and Antwerp Art in the 1660s, NKJ, 2014
Sarah Joan Moran
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David III Ryckaert : a seventeenth-century Flemish painter
Bernadette Van Haute
1996
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Clandestine splendor. Paintings for the Catholic Church in the Dutch Republic, pp. 44-85
Xander van Eck
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Flemish, Portrait of a Man, 1575/80
Susan F Jones
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CFP: 17th-C Foreign insights on Dutch Art (Geneva 17-19/3/2022, DL: 15/9/2021))
Marije Osnabrugge, Lucie Rochard, Susanne Bartels, Angela Jager
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Philips Galle (1537-1612): engraver and print publisher in Haarlem and Antwerp
Manfred Sellink
1997
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• Willem Key (1516-1568). Portrait of a Humanist Painter, Pictura Nova. Studies in 16th- and 17th-Century Flemish Painting and Drawing. 17, Hans Vlieghe and Katlijne van der Stighelen eds. Turnhout (Brepols Publishers) 2011 - Intro
Koenraad Jonckheere
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'Mediaeval Painting in the Netherlands'
Jos Koldeweij
in: Nelly de Hommel, Jos Koldeweij, Flemish Apocalypse, Barcelona 2005, p. 11-57.
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Carlvant, Kerstin. Manuscript Painting in Thirteenth-Century Flanders: Bruges, Ghent and the Circle of the Counts . London: Harvey Miller Publishers, 2012
Margaret Goehring
Manuscripta, 2014
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chief editor of A.J. van Egmond en C.A. Chavannes-Mazel (red.), Medieval art in the Northern Netherlands before Van Eyck. New facts and features, Utrecht 2014
Anne-Maria van Egmond
2014
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Mapping Time The Netherlandish Carved Altarpiece in the Early Sixteenth Century
Ethan Matt Kavaler
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Medieval Art in the Northern Netherlands before Van Eyck. New Facts and Features—Review by Anne-Maria J. van Egmond and Claudine A. Chavannes-Mazel
Richard de Koster
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Recto and Verso: The Pictorial Fronts and the Marbled Reverses of Two Flemish Panel Paintings
Kathrin Borgers
Arts, 2022
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with A.-L. Van Bruaene, ‘Towering piety. Sacrament houses, local patronage and an early Counter-Reformation spirit (1520-1566),’ in E.M. Kavaler, F. Scholten & J. Woodall (eds.) Netherlandish sculpture of the 16th century (Nederlands Kunsthistorisch Jaarboek 67), Leiden & Boston 2017, pp. 118-159
Ruben Suykerbuyk, Anne-Laure Van Bruaene
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Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 86-167
Xander van Eck
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Hiëronymus Janssens (1624-1693), the Antwerp 'à la Mode' Painter: Fashion and Dance in Southern Netherlandish Genre Painting, 1645-1685
Hannelore Magnus
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Review of The Religious Paintings of Hendrick ter Brugghen. Reinventing Christian Painting after the reformation in Utrecht, by Natasha Seaman: The Burlington Magazine, Vol. 155 (2013), pp. 101-102
Xander van Eck
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Review of Theodoor van Loon, by Sabine van Sprang, ed. Exh. Cat. Paleis voor Schone Kunsten, Brussels (BOZAR); Musée National d’Histoire et d’Art, Luxembourg (MNHA). (Brussels: BOZAR Books, Mercatorfonds, 2018). Historians of Netherlandish Art Reviews, January 2021.
Lara Yeager-Crasselt
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Goossen van der Weyden and the Transmission of the Rogeresque Tradition from Brussels to Antwerp
Annick Born
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Review of Eric Jan Sluijter Seductress of Sight: Studies in Dutch Art of the Golden Age Waanders, 1999, CAA reviews, 2001
Aneta Georgievska-Shine
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Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic, Zwolle 2008, pp. 1-43
Xander van Eck
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