Speak, Photographs? Visual Transparency and Verbal Opacity in Nabokov's Speak, Memory (original) (raw)

The Self as Myth, Mask and Construct in Vladimir Nabokov’s Speak, Memory!

Judit Pieldner

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Michael Sala

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Jovanka Denkova

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Shafag Dadashova

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Alexander PONOMARIOV

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Elsa Court

2016

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Irena Ksiezopolska

2019

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The Writer's Invention. Fake biographies and realistic effects in Nabokov's Sebastian Knight

Oana Fotache Dubalaru

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Irena Ksiezopolska

2014

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Writing the Self : Essays on Autobiography and Autofiction

Karen Ferreira-Meyers

2015

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The Autobiography as a Photograph

Soji Cole

Academia Letters, 2021

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Autobiografiction: Experimental Life-Writing from the Turn of the Century to Modernism 1

Max Saunders

Literature Compass, 2009

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inma garin

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Elisabeth Snyman

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Erik Eklund

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Marijeta Bozovic

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Reflections in the Author\u27s Eye: Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov

Amelia Oliver

2015

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inma garin

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Louis Renza

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Julian Connolly

2005

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“The Shadow of Fool-Made History”: History as Narrative in Nabokov’s Work

Siggy Frank

CoSMo | Comparative Studies in Modernism, 2015

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“My name or any such‐like phantom”: A Reading of Nabokov's

Boris Katz

The Russian Review, 1999

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Nabokov’s Critics: a Review Article

Priscilla Meyer

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Svetlana Melnic

Zenodo (CERN European Organization for Nuclear Research), 2022

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When the Eye Refuses to Blind Itself: Nabokov’s Writing on Literature

Natasa Govedic

2001

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Diana Hitzke

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Confessing to Leviathan: The Mass Practice of Writing Autobiographies in the USSR

Yury Zaretskiy

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Violeta Stojmenovic

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Hannah Sullivan

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Peter Tamas

Nabokov Online Journal (Vol. XII), 2018

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(Review) Dana Dragunoiu, Vladimir Nabokov and the Art of Moral Acts (Northwestern University Press, 2021)

Erik Eklund

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RETICENCE AS A STRATEGY OF WOMEN’S AUTOBIOGRAPHIES IN SOVIET TIMES: A CASE STUDY OF IVANENKO’S “ALWAYS IN LIFE” (1986)

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