Quo vadis? Medieval Italian Sculpture Studies in the New Millennium. 3 Sessions in Honor of Dorothy F. Glass
Francesco Gangemi, Alison L Perchuk
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The Sculptor-Architect’s Drawing and Exchanges between the Arts. In Donatello, Michelangelo, Cellini. Sculptors’ Drawings from Renaissance Italy, ed. Michael W. Cole, London: Paul Holberton Publishing, 2014, pp. 57-73.
Alina Payne
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Drawing and Painting in the Italian Renaissance Workshop: part 1
carmen bambach
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Pioneering sculptural workshop techniques: Filippo della Valle and Francesco Cerroti in eighteenth-century Rome
Camilla Parisi
Sculpture Journal, 2021
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Introduction: Making and Moving Sculpture in Early Modern Italy
Kelley Helmstutler Di Dio
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“Quattrocento Perspectives on the Historical Value of Sculpture,” in The Art of Sculpture in Fifteenth-Century Italy, ed. Daniel M. Zoli, Amy Bloch (Cambridge: Cambridge University Press, 2020), 416-32.
Joost Keizer
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'Wie das Zeichnen wol zu begreiffen sey?'1 The Role of Sculptors' Drawings in the Seventeenth Century
Nina Stainer
Re·bus A journal of art history and theory, University of Essex , 2020
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Before the Paragone: Visual Intelligence and the Critical Misfortune of Sculptors in the Trecento
Luca Palozzi
Sculpture Journal, 2017
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Drawing and Painting in the Italian Renaissance Workshop: part 2
carmen bambach
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Varietas delectat. Towards a classification of mixed-media sculpture in the Middle Ages
grazia maria fachechi
Peregrinations: Journal of Medieval Art & Architecture, 2011
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Review: N. Melvani, Late Byzantine Sculpture: Studies in the Visual Cultures of the Middle Ages
Fr. Maximos Constas
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"What Drawings Did in Renaissance Italy, " in Renaissance and Baroque Architecture, ed. Alina Payne, 2017; part of The Companions to the History of Architecture, ed. Harry Mallgrave (John Wiley & Sons, Inc., www.companionstohistoryofarchitecture.com)
Cammy Brothers
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The scientific examination of polychrome sculptures in Friuli (Italy): new insights into the materials and panting techniques of German workshops from the 17th to the 19th century
Giuseppina Perusini
Las encarnaciones de la escultura policromada, 2018
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Drawing as an Epistemic Practice: Giovanni Battista Cavalcaselle and his Drawings after Italian Wall Painting before 1550
Susanne Mueller-Bechtel
2022
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Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy
Flavia Barbarini
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“Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini”
Irving Lavin
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Gerardo Boto, Marta Serrano, John McNeill (eds), Emerging Naturalism. Contexts and Narratives in European Sculpture (1140-1220), Turnhout: Brepols, 2020, 436 p
Gerardo Boto, TEMPLA Taller de Estudios Medievales
2020
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Brick and Mortar, Paint and Metal: Architecture and Craft in Renaissance Florence and Beyond
Livia Lupi
Architectural Histories
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Brick and Mortar, Paint and Metal: Reassessing Craftsmanship in Renaissance Florence and Beyond
Livia Lupi
Architectural Histories Special Issue: Intersecting Practices: Architecture and the Visual Arts in Early Modern Europe – Italy and the Netherlands, 2023
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Style and Theory in Italian Renaissance Reliefs
Deborah Stott
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Anita Fiderer Moskowitz. Italian Gothic Sculpture: c. 1250-c. 1400 Cambridge: Cambridge University Press, 2001. xxvi + 401 pp. $95. ISBN: 0-521-44483-7
Anita Moskowitz
Renaissance Quarterly, 2002
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THE ROLE OF DRAWING IN THE FRESCO PAINTINGS OF BENOZZO GOZZOLI AND IN HIS WORKSHOP
Simon Pierse
1992
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The workshop of Jörg Arzt and Jörg Feiss: winged altarpieces as evidence of artistic collaboration in South Tyrol at the end of the Middle Ages
Eleonora Cagol
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The Impact of Technological Advancements on Italian Renaissance Sculpture
Chaim Shulman
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Review of Elisa P. Sani, Matthew Reeves, and Justin Raccanello, Maiolica Before Raphael: Italian Ceramics Before 1500 (Paul Holberton Publishing, 2017), in Renaissance Quarterly 71, n. 1 (Spring 2018): 243-245
Jacqueline Marie Musacchio
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Painting the Sculptural Body in Lucca and Florence: Intermediality in Croci Dipinte
Karl Whittington
Gesta, 2022
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Review, "Italian Renaissance and Baroque Sculpture: Material Manufacture Meaning and Movement," Conference at the University of Vermont, Burlington. caa.reviews, October, 2014.
Yvonne Elet
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The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750. Christy Anderson, Anne Dunlop, and Pamela H. Smith, eds. Studies in Design. Manchester: Manchester University Press, 2014. xvi + 340 pp. $29.95
Bonnie J Noble
Renaissance Quarterly
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Il marmo spirante: Sculpture and Experience in Seventeenth-Century Rome (Berlin: Akademie Verlag, 2013). [first chapter]
Joris van Gastel
2013
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Relief is in the mind: observations on Renaissance Low-Relief sculpture
François Quiviger
Depth of Field Relief Sculpture in Renaissance Italy Peter Lang Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2007. 419 pp., 61 coloured, 80 b/w ill. ISBN 978-3-03911-111-4, 2007
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2019. "Prolegomena to the Study of Sculpture in Sicily in the Archaic and Classical Periods."
Clemente Marconi
Handbook of Greek Sculpture, ed. Olga Palagia, 429–472. Berlin: De Gruyter.
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Drawing in Renaissance Italy
Mary Vaccaro
Bohn and Saslow, ed., A Companion to Renaissance and Baroque Art, 2013
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Robert A. Maxwell and Kirk Ambrose (eds.), Current Directions in Eleventh- and Twelfth-Century Sculpture Studies
Elizabeth Valdez del Álamo
Medievalia, 2012
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Visual Arts in Early Medieval Sardinia. Painting, Sculpture and Metalwork
Alberto Virdis
The Making of Medieval Sardinia, 2021
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Henry Moore, Michael Ayrton and Giovanni Pisano: the reception of medieval sculpture
Giovanni Casini
The Sculpture Journal, 2014
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