Hearing and Feeling Film: Cognitive Psychology's Odyssey (original) (raw)

Meanings of music in film from a cognitive perspective

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Music cognition and the cognitive psychology of film structure.

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Affective Responses to Music Without Recognition: Beyond the Cognitivist Hypothesis

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"Film Music as Embodiment" In Maarten Coëgnarts and Peter Kravanja (eds.) Embodied Cognition and Cinema. Leuven: Leuven University Press, 2015: 81-112.

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Bimodality in films: the meaning of music in the sound-track

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Quantitative and visual analysis of the impact of music on perceived emotion of film

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Emotion in Motion: A Study of Music and Affective Response

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The Role of Music, Sound Effects & Speech on Absorption in a Film: The Congruence-Associationist Model of Media Cognition

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Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music

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Film Music: Cognition to Interpretation - Previewpdf

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The Role of Sound in Filmic Experience: A Cognitive Semiotics Approach

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The emotional power of music: How music enhances the feeling of affective pictures

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A Constructionist Approach to Emotional Experiences with Music

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Perspective of the Audiovisual Arts: On Ways and Tools of Studying Emotions in the Current Visuals

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How Soundtracks Shape What We See: Analyzing the Influence of Music on Visual Scenes Through Self-Assessment, Eye Tracking, and Pupillometry

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The Influence of Music on the Emotional Interpretation of Visual Contexts

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Film Music Influences How Viewers Relate to Movie Characters

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Psychology of Aesthetics Creativity and The Arts, 2011

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Feelings and the enjoyment of music

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Arousal Rules: An Empirical Investigation into the Aesthetic Experience of Cross-Modal Perception with Emotional Visual Music

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A Gestalt Approach to the Analysis of Music in Film

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Music induced emotions: Some current issues and crossmodal comparisons

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An exploration of the effect of structural and acoustical features on perceived musical emotion

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