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Gregory Stephens
New Formations , 2000
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"Ethnicities-in-Relation: Toward a Multi-Cultural Reading of American Cinema," Unspeakable Images: Ethnicity and the American Cinema, Lester Friedman ed., University of Illinois Press (1991), pp. 215-250.
Ella Shohat
Unspeakable Images: Ethnicity and the American Cinema, 1991
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Mario Van Peebles's Panther and Popular Memories of the Black Panther Party
Kristen Hoerl
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Mainstream African American Cinema: The Struggle for Black Images
Wendy Sung
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Unresolved Subjects: Poverty, Race and Abstraction in the Work of the Last Race Filmmaker
Ellen Scott
Black Camera, 2018
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Which Way to the Promised Land?: Spike Lee's Clockers and the Legacy of the African American City
Paula Massood
African American Review, 2001
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"Negotiations of Mixed-Race Identity and Citizenship in the Postwar Cinema and Beyond." Chapter 3 of "Equivocal Subjects: Between Italy and Africa - Negotiations of Racial and National Identity in the Italian Cinema."
Shelleen Greene
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Doughty, R. (2008). Scoring Blackness. In The Continuum Companion to Sound in Film and the Visual Media. Harper, G., Doughty, R.(Eds) New York: Continuum. pp325-329
Ruth Doughty
Sounds and Music in Film and Visual Media: An Overview: Continuum, 2009
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I’m Blackanese’: Pushing the Limits of Cross-Racial Identification in Rush Hour
LeiLani Nishime
Asian North American Identities: Beyond the Hyphen, 2004
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“‘I Ain’t Scared of No Sheets’: Re-screening Black Masculinity in Michael Jackson’s Black or White.” Journal of Popular Music Studies, 27.1 (March 2015).
Joseph Vogel
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Spike Lee Can Go Straight to Hell! The Cinematic and Religious Masculinity of Tyler Perry
ronald neal
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The Mediatization of Malcolm X
Nash Petropoulos
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FILM, HISTORY AND CULTURAL MEMORY: CINEMATIC REPRESENTATIONS OF VIETNAM-ERA AMERICA DURING THE CULTURE WARS, 1987-1995
nadia REN
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Human Emotions and Human rights- A Critical study of the selected films
Jayshree Singh
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"Not Just the Levees Broke": Jazz Vernacular and and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke
Lisa Corrigan
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Drama and Performance From Civil Rights to Black Arts by Cambridge Univ Press.pdf
Nilgun Anadolu-Okur
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Subverting Hollywood from the Inside Out: Melvin Van Peebles's 'Watermelon Man'
Racquel Gates
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A SHORT HISTORY OF FILM
Baraka Mndeme
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Black Movement Impolitic: Soundies, Regulation, and Black Pleasure
Ellen Scott
African American Review, 2016
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"Not Just the Levees Broke": Jazz Vernacular and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke
Amanda Nell Edgar, Lisa Corrigan
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Burning Mississippi into Memory? Cinematic Amnesia as a Resource for Remembering Civil Rights
Kristen Hoerl
Critical Studies in Media Communication, 2009
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Doughty, R & Griffiths, K. (2006). Racial Reflection: La Haine and the Art of Borrowing. Studies in European Cinema. 3(2), 117-127
Ruth Doughty
Studies in European Cinema, 2006
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The Sapphires were not the Australian Supremes: neoliberalism, history and pleasure in The Sapphires
Jon Stratton
2015
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Viewing Race: A Videoforum Publication. A Videography & Resource Guide
Chon Noriega
Viewing Race a Videoforum Publication, 1999
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Re-Membering Black Greeks: Racial Memory and Identity In Stomp the Yard
Matthew W . Hughey
Critical Sociology, 2011
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Our Fellow Travelers
Adeola Enigbokan
The New Inquiry, 2014
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Michael Jackson’s Panther Dance: Double Consciousness and the Uncanny Business of Performing While Black
Elizabeth Chin
Journal of Popular Music Studies
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L.A. Rebellion. Creating a New Black Cinema
Jan-Christopher Horak
2011
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" We Live Baby, Yah, " : The African Queer Diaspora and a comparative look at Isaac Julien, Marlon Riggs, and the Global Black Queer Network.
Kenneth Norwood
2017
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Do the Right Thing: Música, gueto y rebellion en el cine de Spike Lee
Jordi Revert
L'Atalante. Revista de estudios cinematográficos
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THE CREATION OF BLACK CHARACTER FORMULAS: A CRITICAL EXAMINATION OF STEREOTYPICAL ANTHROPOMORPHIC DEPICTIONS AND THEIR …
Melissa Crum, PhD
2010
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'New Black Music'or'anti-jazz': Free jazz and America's cultural de-colonization in the 1960s
Daniel R McClure
2007
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Análisis de la comunicación política en los medios, después de la elección presidencial de México 2012
Marco Antonio González Pérez
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Film & Making Other History
Alejandro Pedregal
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A Different Tune: Popular Film Music and Masculinity in Action
Amanda Howell
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Sammy Davis, Jr: Public History and Politics
Emilie Raymond
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2012 Come Get These Memories: Gender, History and Racial Uplift in Bill Condon's 'Dreamgirls'
Timothy N Laurie
Social Identities: Journal for the Study of Race, Nation and Culture, 2012
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Review of Bombay Cinema:An Archive of the City in Film International
Ranjani Mazumdar
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Constructing a history from fragments: jazz and voice in Boston, Massachusetts circa 1919 to 1929
Dr Craig Doughty
2017
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Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s
Tom Perchard
American Music, 2011
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