Texts and Icons in Heidegger's Metaphysical Tradition (original) (raw)
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(ed. with Agnès Guiderdoni), Rethinking the Dialogue between the Verbal and the Visual. Methodological Approaches to the Relationship Between Religious Art and Literature (1400–1700)
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Illuminated Darkness: The Image of the Blind or Blindfold Man in Some Thirteenth- and Fourteenth-century European Manuscripts
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Origins and use of symbols and types...early Christian art
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Giakoumis K. (2017), “Textual Visuality and Visual Textuality in Texts Correlated with Artworks. Nektarios Terpos’ Pistis and Last Judgement Scenes from Myzeqe, Central Albania.” In Moutafov E. – Erdeljan J. (2017), “Texts, Inscriptions, Images.” Art Readings, v. 1/Old Arts (2016), pp. 203-245.
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[2017] Classifying Image Content in Visual Collections; A Selective History, in: The Routledge Companion to Medieval Iconography, ed. Colum Hourihane, 2017, pp. 184-191
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The Routledge Companion to Medieval Iconography, ed. Colum Hourihane, 2017, 2017
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OA: AVREA CONCISIS SVRGIT PICTVRA METALLIS. An Epistemological and Methodological Approximation of Early Christian Multimedia Visuality, in A Second Gaze. Intertextuality and Transient Meaning in Roman Texts and Objects, Matthias Grawehr, Markus Kersten, Heidelberg 2024
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