original ) (raw )Musical Time Machine-ethnoarchaeology of musical instruments Musical instruments from the archaeological collections in museums in Serbia
Marija Rakić-Lovrić
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Music and Sound in Ancient Europe: Contributions from the European Music Archaeology Project
Cajsa S Lund , Stefan Hagel
2018
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Musical instruments in the Central Balkan Neolithic
Selena Vitezović
Archaeological small finds and their significance. Proceedings of the Symposium Games and Toys, 2017
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Ancient Musical Discoveries in Slovakia
Mária Strenáčiková ml.
ICONI, 2019
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TELESTES AN INTERNATIONAL JOURNAL OF ARCHAEOMUSICOLOGY AND ARCHAEOLOGY OF SOUND I · 2021 ISTITUTI EDITORIALI E POLIGRAFICI INTERNAZIONALI PISA · ROMA
Angela Bellia , Dimitrij Mlekuz Vrhovnik , Arnaud Saura-Ziegelmeyer , Manolis Mikrakis , Agnès Garcia-Ventura , Ingrid Furniss , Alexandre Vincent , Audrey Gouy
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Feasting with music? A musical instrument and its context from the later 5 th millennium BC Hungary
Eszter Banffy
Germania 99, 2022
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Music and Sounds in Ancient Europe
Stefan Hagel
2018
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AAVV. Music and Sounds in Ancient Europe. Contributions from the European Music Archaeology Project. 2018. Ed. by Stefano De Angeli, Arnd Adje Both, Stefan Hagel, Peter Holmes, Raquel Jiménez Pasalodos, Cajsa S. Lund
Raquel Jiménez Pasalodos , Stefano De Angeli , Cajsa S Lund
2018
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Metallic Idiophones 800 BCE-800 CE in Central Europe: Function and Acoustic Influence - A Progress Report
Kayleigh Saunderson
Journal of Music Archaeology, 2023
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Acoustic Vessels as an Expression of Medieval Music Tradition in Serbian Sacred Architecture
Kristina Penezić
Muzikologija/Musicology 22, 2017
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TELESTES. An International Journal of Archaeomusicology and Archaeology of Sound Istituti editoriali e poligrafici internazionali, Pisa · Roma, III 2023
Angela Bellia
Telestes, 2023
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The project “Metallic Idiophones between 800 BC and 800 AD in Central Europe – Their Function and Acoustic Influence in Daily Life” (First reports)
Beate Maria Pomberger , Jörg Mühlhans
ORBIS MEDIAEVALIS III, 2021
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New evidence for the origins of music from the caves of the Swabian Jura.
Nicholas John Conard
Studien zur Musikarchäologie VI, Orient-Archäologie, 2008
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Interpreting Three Upper Palaeolithic Wind Instruments from Germany and One from France as Flutes (Re)construction, Playing Techniques and Sonic Results.
Susanne C Münzel , Nicholas John Conard , Wulf Hein
Studien zur Musikarchäologie X: Klang – Objekt – Kultur – Geschichte. 9. Symposiums der Internationalen Studiengruppe Musikarchäologie im Ethnologischen Museum der Staatlichen Museen zu Berlin, 9.–12. September 2014. Edited by R. Eichmann, L.-C. Koch, F. Jianjun. Verlag Marie Leidorf: Rahden/Westf., 2016
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Sounds of Prehistory and Antiquity
Zdravko Blazekovic
2017
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Analysis and interpretation of Material from the Collection of Musical Instruments in Ethnographic Museum in Zagreb
Zeljka Petrovic Osmak
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Angela Bellia and Clemente Marconi (eds.), Musicians in Ancient Coroplastic Art: Iconography, Ritual Contexts, and Functions, («TELESTES. Studi e Ricerche di Archeologia musicale nel Mediterraneo», II), Pisa-Roma, Istituti Editoriali e Poligrafici Internazionali, 2016.
Angela Bellia , Aura Piccioni , Manolis Mikrakis , Maria Chidiroglou , Agnès Garcia-Ventura , Elçin Doğan Gürbüzer , Regine Pruzsinszky , Mireia López-Bertran
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New flutes document the earliest musical tradition in southwestern Germany
Nicholas John Conard
2009
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[with A. Tamboer] Celtic bugle, Roman lituus or Medieval ban horn? An evaluation of cast bronze horns with an upturned bell. In: E. Hickman (ed.), Music Archaeology in context; Papers of 4th Symp. of the Internat. Study Group on Music Archaeology at Michaelstein Sept. 2004, Rahden (2006), 221-236
Annemies Tamboer , Vincent Van Vilsteren
2006
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Fol A., Fol V.2018. Music in the sacred spaces of the Thracians. In: Collection in honour of 85 years since the birth of Alexander Fol, Doctor of Science]. Bulgarian Institute of Egyptology at NBU. 2018, Sofia, 77-95.
Alexandra Fol , Valeria Fol
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The Upper Paleolithic phonic instruments: classifcation and methods of research
Людмила Лбова
SUYANGGAE AND HER NEIGHBOURS IN HAIFA, ISRAEL, 2017
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Identifying popular musical instruments in the iconography and archaeology in the Medieval and Renaissance period in Europe
Roger Blench
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Sound Tools, Symbols or Something Quite Different? On Possible Percussion Instruments from Bronze-Age Sweden − Including Methodological Aspects of Music- Archaeological Research Studien zur Musikarchäologie VIII
Cajsa S Lund
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EAA 26th congress, Session #146 "Materializing Sound in Antiquity : Materials as a bodily and symbolic component of sound objects", Virtual Meeting, 28 August 2020, 14:00-18:00
Kamila Wyslucha , Heidi Köpp-Junk , Angela Bellia , Mirco Mungari , Arnaud Saura-Ziegelmeyer , Daniel Sánchez Muñoz
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2022 - with Daniel Sanchez Munoz and Sylvain Perrot "Sounds of Copper and Bronze Metonymies of Copper and Bronze as Sound Objects in the Ancient World" in Telestes, II, 13-26
Arnaud Saura-Ziegelmeyer , Daniel Sánchez Muñoz
2022
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Archaeoacoustics, Experimental Archaeology and Music: Theoretical and Methodological Challenges In Music Archaeological Research
Carlos García Benito
Cascalheira, J. and Gonçalves, C. (Eds.) Actas das IV Jornadas de Jovens em Investigação Arqueológica - JIA 2011 Vol. I (Faro, 11 a 14 da Maio de 2011). Promontoria Monográfica 16, Faro, Universidade do Algarve., 2012
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Ars musica and its contexts in medieval and early modern culture, ed. by Paweł Gancarczyk
Paweł Gancarczyk
2016
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“The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East”, in Hickmann, E./Eichmann, R. (eds.), Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen. Serie Studien zur Musikarchäologie 5 (Rahden, 2006), 379–98.
John C Franklin
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Intangible Mosaic of Sacred Soundscapes in Medieval Serbia
Zorana Dordevic
Acoustics, Special Issue "Acoustics, Soundscapes and Sounds as Intangible Heritage", 2023
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Metallic idiophones 800 BCE to 800 CE in Central Europe: their function and acoustic influence in daily life (GRÖMER, K., K. SAUNDERSON & B.M. POMBERGER )
Karina Grömer
Archaeological Textiles Review 63, 2021, 129-133., 2021
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Reclassifying misidentified musical instruments among archaeological finds; Three gongs from the bulgarian lands
Alexandra Fol
ДРЕВНА ТРАКИЯ И ТРАКИТЕ: МАСКАТА НА БОРЕЙ In Honorem Vanya Lozanova-Stancheva, 2023
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Sound boxes of Ancient Greek Lyre from Roca (Lecce-Italy), Challenges and Objectives in Music Archaeology, Proceedings of the 5th Symposium of the International Study Group on Music Archaeology, Rhaden.Westf., Rahden 2008, pp. 353-358
Daniela Castaldo
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Appel à communications / Call for papers "De la cacophonie à la musique : la perception du son dans les sociétés antiques" / "From cacophony to music: sound perception in ancient societies"
Sibylle Emerit
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Tonal organization in tuning of Paleolithic and Neolithic pipes (flutes): a new method of reconstructing prehistoric music
Aleksey Nikolsky
Frontiers in Psychology, 2015
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Angela Bellia, An Overview of How Virtual Reconstructions and Sound Simulations can Improve Our Knowledge of Ancient Musical Instruments, Webinar From the Digitalisation to the Virtual Reconstruction and Sound Simulation of Ancient Musical Instruments: Methods, Results, Perspectives
Angela Bellia , Stefan Hagel
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