original ) (raw )AFRICAN CINEMA IS "A CINEMA FOR THE PEOPLE BY THE PEOPLE" AND THE INFLUENCE OF ITALIAN REALISM CINEMA
Samclinton Obed Kaondo
Limkokwing University Postgraduate Centre, 2023
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Le cinéma d’Abdellatif Kechiche: prémisses et devenir
Nabil Boudraa
The Journal of North African Studies, 2019
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On the Waterfront Truth and Fiction in Postcolonial Cinema from the South of Europe.
sandra ponzanesi
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(2014) The Biography of a Visual Archive: The Production of Hermic Films in Spanish Guinea (1944–46)
Alba Valenciano Mañé
http://dx.doi.org/10.1080/08949468.2014.919211
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CHAPTER FIVE ENTERTAINMENT, POLITICS AND COLONIAL IDENTITY IN POST-WAR ITALIAN AND BRITISH CINEMA (1945‒1960) MAURIZIO ZINNI
Maurizio Zinni
Images of Colonialism and Decolonisation in Italian Media, edited by P. Bertella Farnetti, C. Dau Novelli, 2017
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ITALIAN CINEMA AND THE WORLD CINEMA STRESS TEST
Luca Caminati
Canadian Journal of Film Studies, 2020
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Contemporary Cinema of Africa and the Diaspora
Anjali Prabhu
The Cambridge Journal of Postcolonial Literary Inquiry, 2016
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Domestiquer, produire et diffuser les images de la révolution. Ou comment la solidarité pro-palestinienne en Belgique a participé aux expériences d’un cinéma du réel et de l’errance (1969-1975)
John Nieuwenhuys
2019
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Gezinema World Cinema Documentaries, Q&A Session with Marlon Miguel
Şirin Erensoy
2023
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On the Borders of the Document: Trip to Turakia
Sabine Roux
Proceedings from the Document Academy, 2017
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A New Breath in Algerian Cinema: Reterritorialisation as Appropriation of History and National Identity
Astrid Silva
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Discovering Films, Making Canons: The Archives of Italian Film Festivals in the Histories of Third World Cinema
Andrea Gelardi
Penser les Festivals de Films. Approaches Universitaire, Institutionnelles et Professionnelles: Regardes Croisés, Université Cõte d'Azur, Nice (October), 2024
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Film & Making Other History
Alejandro Pedregal
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The transnational trajectories of Moroccan filmmakers: Film training between socialist Poland and postcolonial France in the 1960s and 1970s
Marie Pierre-Bouthier
International Journal of African Historical Studies, 2021
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The Journal of North African Studies Fifty years of The Battle of Algiers. Past as Prologue/Maghrebs in motion. North African Cinema in nine movements
Meryem Belkaïd
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Abderrahmane Sissako: "Les lieux provisoires" of transnational cinema
Michelle Stewart
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Rachid Bouchareb: A Global French Filmmaker (Introduction to ReFocus: The Films of Rachid Bouchareb)
Michael Gott , Leslie Kealhofer-Kemp
ReFocus: The Films of Rachid Bouchareb, 2020
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Migrations in Moroccan cinema (1958-2015): main thematic lines and evolution
Lidia Peralta García
This is an Accepted Manuscript of an article published by Taylor & Francis in The Journal of North African Studies on 24 July 2018, available online: http://www.tandfonline.com/.” , 2018
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Re-writing History / Re-constructing Memory: Uses and Re-uses of Archival and Found Footage in Yervant Gianikian and Angela Ricci Lucchi’s Barbaric Land ( Pays Barbare , 2013)
Mariana Martínez Bonilla
2020
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Colonial imaginaries: propaganda, militancy and “resistance” in the cinema
Teresa Castro , Maria do Carmo Piçarra
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Algiers-Buenos Aires-Montreal: Thirdworldist links in the creation of the Latin American Filmmakers Committee (1974)
Mariano Mestman
Canadian Journal of Film Studies, Vol. 24, No. 2. (2015); pp. 29-40., 2015
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african film new forms of aesthetics and politics pRESTEL
瀚晨 王
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"Zummurud in her 'Camera': Pier Paolo Pasolini and the Global South in Contemporary Italian Film." Chapter Five of "Equivocal Subjects: Between Italy and Africa - Constructions of Racial and National Identity in the Italian Cinema."
Shelleen Greene
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The White Male Gaze in Italian Cine-reportage: Masculinity and Otherness between Colonialism and Decolonisation (1960s‒1970s), in Paolo Bertella Farnetti, Cecilia Dau Novelli (eds.), Images of Colonialism and Decolonisation in the Italian Media.
Gaia Giuliani
Cambridge Scholars Publishing, 2017
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“The ethnocultural film festival as media happening: French-Maghrebi film in Marseille.”
Michelle Stewart
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In the first instance, the course introduces films of outstanding importance that have made significant contributions to the concept of 'world cinema' but are also difficult to see in this country and derive from unfamiliar film cultures. The course is then designed to introduce these film cultur...
Glauber Rocha
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Transnational Cinema Notes on a Developing Field of Study De Montfort keynote
deborah shaw
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Mhando, M. and Traverso, A. (2004) Salaam cinema: Unlikely journeys in documentary. In: Australian International Documentary Conference
Martin Mhando
2004
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Imruh Bakari, Mbye Cham, African Experiences of Cinema
martin stollery
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ADFF-NYUADI | Journeys in Film History (spring 2012)
Dale Hudson
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Introduction to 'Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation
Austin Fisher
2016
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"Tragedia all’italiana. Italian Cinema and Italian Terrorisms 1970–2010" by Alan O'Leary
Daniele Salerno
Historical Journal of Film, Radio and Television
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Mediterraneo Interrupted: Perils and Potentials of Representing Italy’s Occupations in Greece and Libya Through Film.
Clarissa Clò
Italian Culture , 2009
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Treatise on Nomadology – Ruy Guerra's Camera in African Projects of National Projection and an Internationalist Cinema
Maria do Carmo Piçarra
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Ambitions of Cinema: Revolution, Event, Screen
Ros Gray
2008
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