Pleasure in Understanding, Pleasure in Not Understanding (original) (raw)

Deleuze and Time, 2023

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The Cinematic Temporalities of Modernity: Deleuze, Quijano and How Tasty was my Little Frenchman

David Martin-Jones

2013

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Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking (monograph)

Hunter Vaughan

Columbia University Press, 2013

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Film as a new philosophical medium: a study of Chris Marker’s La Jetée and Sans Soleil

Audrey Jean

2016

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Inscribing Cinema in Sylviane Agacinski's Time Passing: Modernity and Nostalgia

Kristi McKim

2006

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Cinema as Self

Brandi E Clappsy

2021

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The history of cinema, as experience

Christa Blümlinger

Radical Philosophy, 2015

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Inscribing Cinema in Sylviane Agacinski’s Time Passing: Modernity and Nostalgia (Film-Philosophy)

Kristi McKim

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The Evidence of Film and the Presence of the World: Jean-Luc Nancy’s Cinematic Ontology

Josef Früchtl

Chrono-topologies, 2010

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Film No Longer Telling a Story; Film Itself as the Story: Reflexive Constructions in Alfred Hitchcock and Jean-Luc Godard

Amy Chabassier

2017

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An Instant or an Eternity: Thinking Cinema After Deleuze

Alex Ling

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“Introduction : French films d'histoire: Contesting France's National Memory”, Relief 6/1 (2012), pp. 3-6.

Margriet Hoogvliet

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Cinema: journal of philosophy and the moving image

Saeed Zeydabadi-Nejad

2016

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CINEMA: AESTHETICS OF TIME

Gülşen D Akbaş

CINEMA: AESTHETICS OF TIME, 2012

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Book Review by C. Gardner. Nadine Boljkovac (2013), Untimely Affects: Gilles Deleuze and an Ethics of Cinema, Edinburgh: Edinburgh University Press

Nadine Boljkovac Berressem

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Sans soleil by Chris Marker. The Essay Film and its Cinematic Thinking Process: Reflecting on Postmodernity (ACCEPTED MANUSCRIPT) Studies in European Cinema (2022)

Lourdes Monterrubio Ibáñez

Studies in European Cinema, 2022

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The Intervals of Cinema by Jacques Rancière

Konstantinos Koutras

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Video, the Cinematic, and the Post-Cinematic: On Jean-Luc Godard's Histoire(s) du Cinéma

Jihoon Kim

Journal of Film and Video, 2018

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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression. New Literary History: A Journal of Theory and Interpretation, vol. 47, no.1, Winter 2016. Johns Hopkins University Press

Daniel Yacavone

New Literary History: A Journal of Theory and Interpretation (Johns Hopkins UP), vol. 47, no.1, Winter 2016

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The Sinuous Line of World and Screen: On D. N. Rodowick's ELEGY FOR THEORY and PHILOSOPHY'S ARTFUL CONVERSATIONS (Senses of Cinema, Issue 74 March 2015)

Reno Lauro

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Pure Pleasure and Film Thinking – Watching Instead of Interpreting

Rafał Koschany

2014

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“Thought-Images and The New as a Rarity: A Reevaluation of the Philosophical Implications of Deleuze’s Cinema Books”

Jakob A . Nilsson

Cinema: Journal of Philosophy and the Moving Image #6, 2014.

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"Once More, with Feeling: Cinema and Cinesthesia"

Gregory Flaxman

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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression

Daniel Yacavone

New Literary History, 2016

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Contemporary Perspectives on Film and Philosophy (= Contemporary Aesthetics Special Volume 5) [ed. with Mario Wenning]

Stefan Deines

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Lacan for Cinema Today

Fabio Vighi

Psychoanalysis, Culture and Society, 2005

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Cinema: Journal of Philosophy and the Moving Image 1

Sérgio Dias Branco, Susana Viegas

2010

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Cinema is a dream. New Images and the principles of modernity

Andrea Rabbito

2013

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The Structures of the Film Experience by Jean-Pierre Meunier

Vivian Sobchack

2019

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The future of the past: the cinema

zsuzsa baross

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Review of "Where Film Meets Philosophy," by Hunter Vaughan

Glen W Norton

New Review of Film and Television Studies, 2013

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Jean-Luc Godard's Diptychs. Rethinking Cinema through the Essay Film (ACCEPTED MANUSCRIPT) Quarterly Review of Film and Video 40(1), 2023, pp. 16-55

Lourdes Monterrubio Ibáñez

Quarterly Review of Film and Video, 2021

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Cinema, Chronos/Cronos: Becoming an Accomplice to the Impasse of History

david deamer

Deleuze and History, 2009

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Late style and contrapuntal histories: The violence of representation in Jean-Luc Godard's Le Livre d'image

Alex Fletcher

Radical Philosophy 2.04, 2019

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Pleasure in Understanding, Pleasure in Not Understanding (original) (raw)

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