Willful voices: a/synchronic sound in Chantal Akerman’s self-portrait films (original) (raw)

Voicing Dissonance: Resistant Soundscapes in 1960s Feminist Experimental Film

Shana MacDonald

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Chantal Akerman as auteur: contradictions of the discourse and posture of a filmmaker

Fanny Cardin

Crossways Journal, 2024

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Intermedial voices: Intersections in feminist sound and moving image

Claire M Holdsworth

The Moving Form of Film: Historicizing the Medium through Other Media, 2023

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Between home and flight: interior space, time and desire in the films of Chantal Akerman

Irene Valle Corpas

Journal of Aesthetics & Culture, 2021

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The Politics of Sound and Image: Eisenstein, Artifice and Acoustic Montage in Contemporary Feminist Cinema’ in Amsterdam

Debbie Ging

The Montage Principle: Eisenstein in New Cultural and Critical Contexts (Critical Studies 21), 2004

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Kitchen Noise: The Sounds and Politics of Housekeeping in Chantal Akerman's Films

Manuel Garin

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Identity Slips: The Autobiographical Register in the Work of Chantal Akerman

Alisa Lebow

Film Quarterly, 2016

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Film, Corporeality, Transgressive Cinema: A Feminist Perspective

Martine Beugnet

Feminisms

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The Disappearing Work: Chantal Akerman and Phenomenologies of the Ephemeral

Jenny Chamarette

2013

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ASMR and the "reassuring female voice" in the sound art practice of Claire Tolan | Feminist Media Studies (2016)

Miranda Iossifidis

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The Politics of Sound and Image: Eisenstein, Artifice and Acoustic Montage in Contemporary Feminist Cinema

Debbie Ging

2004

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Sound and Feminist Modernity in Black Women’s Film Narratives

Geetha Ramanathan

Feminisms, 2015

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La Ressasseuse: Chantal Akerman, 1950-2015

Kate Rennebohm

Cinema Scope, 2016

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A feminine language in cinema

dorthe scheffmann

A Feminine Language in Cinema, 2011

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Women and Film: A Discussion of Feminist Aesthetics

Julia Lesage

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Queer and Feminist Politics in Cinematic Practices

Rebecca Lavoie

2012

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Gendered Music and Silence in Neo-Noir and Melodrama: Analysing Drive (2011)

Cáit Murphy

Sonic Scope: New Approaches to Audiovisual Culture, 2022

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Feminism and Women's Cinema

Claudia Sandberg

The German Cinema Book , 2020

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Not so Silent: Women in Cinema Before Sound

Sofia Bull

2010

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Quarterly Review of Film and Video A Review of " Feminine Look: Sexuation, Spectatorship, Subversion "

Jennifer Friedlander

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Koivunen, Anu (2015) “The Promise of Touch: turns to affect in feminist film theory”. In Laura Mulvey & Anna Backmann Rogers (eds) Feminisms. The Key Debates Vol. 5. Amsterdam: Amsterdam University Press, 2015, 97-110.

Anu Koivunen

Feminisms. The Key Debates Vol. 5, 2015

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Cinematic Polyphony in Lucrecia Martel’s Cinema the Musicality of Narrative Film in ‘The Headless Woman’

Jerónimo Sarmiento

INTERNATIONAL JOURNAL OF FILM AND MEDIA ARTS

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Whose Voice is this anyway? Asks a feminist film maker and artist

Shira Richter

2009

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Ventriloquial bodies: re-framing ephemerality in artists’ film and video

Claire M Holdsworth

Film Forum, Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History [conference 2020], 2022

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The Errant Voice. Echo and Soundscape in Chantal Akerman's Installations

Annalisa Pellino

NECS Conference | Transitions: Moving Images and Bodies, 2021

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Sensible bodies: feminist experimental cinema and embodied subjectivities

maria ramadori

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Between women: gesture, intermediality and intersubjectivity in the installations of Agnès Varda and Chantal Akerman’

Jenny Chamarette

Studies in European Cinema, 10:3, 2013

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XXV International Conference of Film Studies "Contemporary Women’s Cinema and Media: Aesthetics, Identities, and Imaginaries "

Ilaria Antonella De Pascalis, Marta Perrotta

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Feminist Performance as Challenging Voice-Body Regimentation

Laura Jordan Gonzalez

Studies in Latin American Popular Culture, Vol. 41, 2023

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Chantal Akerman, 1950–2015

David Sterritt

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Femininity and Psychoanalysis: Cinema, Culture, Theory

Ben Tyrer

2019

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Woman and the frame: Sight, sound and perception

Erna R. Cooper

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COM 491: Feminism in Cinematic Art

Nicholas Quin Serenati

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Semiotics of the Living Room: Domestic Interiors in Chantal Akerman’s Cinema (from CHANTAL AKERMAN: TOO FAR, TOO CLOSE (Ludion, 2012)

steven jacobs

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Feminism, film, and theory now

Professor Emeritus Elizabeth Cowie

Re-reading the Monstrous Feminine: Art, Film, Feminism and Psychoanalysis, eds Nicholas Chare, Jeanette Hoorn and Andrey Yue, Routledge, London, 2020

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