REVIEW: Ink Remix: Contemporary Art from Mainland China, Taiwan and Hong Kong (original) (raw)

All in the Name of Tradition: Ink Medium in Contemporary Chinese Art

Ink remix: contemporary art from mainland China, Taiwan and Hong Kong, 2014

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In the Name of Ink: The Discourse of Ink Art

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A New Definition of Chinese Ink Painting

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Re-Negotiating Chinese Ink in Contemporary Singapore

MA Asian Art Histories Thesis, 2019

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Ink Remix: Contemporary art from mainland China, Taiwan and Hong Kong

Sophie McIntyre

2015

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Beyond Ink: Contemporary Experimental Ink Art

Xu Bing, Beyond the Book from the Sky, 2020

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Curatorial Essay, Scholars and Ink: Artists from NUS and the Alumni (2015), NUS Museum

Yueh Siang Chang

2015

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The Curious Case of Contemporary Ink Painting

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Ink Unbound: Paintings by Liu Dan

Minneapolis Institute of Art, 2016

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Luise Guest (In)visible Ink: Outsiders at the Yaji, the ink installations of Bingyi and Tao Aimin

Journal of Contemporary Chinese Art, 2018

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Ink in China [Essay in Exhibition Catalogue, Pera Museum, Istanbul]

Out of Ink, 2019

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Whither the Methods of the Ancients? Huang Binhong’s 黃賓虹 (1865–1955) Clerical-Scripted Painting [論隸體畫圖] as a Response to the "Harmonious Uniting of Red-and-Green and Ink" [丹青水墨合壁]

Shao-Lan Hertel (何小蘭)

Annegret Bergmann/Jeong-hee Lee-Kalisch (eds.): Transcultural Intertwinements in East Asian Art and Culture, 1920s-1950s. Studies of East Asian Art History vol. 5 / Studien zur Ostasiatischen Kunstgeschichte Bd. 5. Weimar: VDG, Verlagsgruppe arts + science weimar, 2018, 101–127.

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Ink as source and resource in Walasse Ting; the flower thief [Paris: musée Cernuschi, 6 octobre 2016 - 26 février 2017], Paris: Paris Musées, 2016

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Chinese Painting Between Modernity and Tradition: Reflections on an Exhibition and a Conference

Charles Haxthausen

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Chapter 4: Taoist Calligraphy (from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice)

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Deterritorializing Chinese Calligraphy: Wang Dongling and Martin Wehmer's Visual Dialogue (2010)

Shao-Lan Hertel (何小蘭)

The Journal of Transcultural Studies, 11, no. 2 (Winter 2020), 2020

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On Interventions in Contemporary Ink

Interventions and Contemporary Chinese Ink: Lim Choon Jin, 2017

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Interventions and Contemporary Ink (Essay for Singapore-based art journal, SingArt)

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Exploring Reconstructivism in Modern Chinese Ink Art

Illusions in Mist, 2015

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Art Writing and its Circulation: Three Moments in Hong Kong

Michelle Wun Ting Wong

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"Ink Painting in the Sinophone World: Liu Guosong's Hong Kong Period." Art in Translation 11. 1 (2019): 22-44.

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Spilt Ink: Aesthetic Globalization and Contemporary Chinese Art

The British Journal of Aesthetics, 2012

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Histories and Archives of Chinese Contemporary Art: New and Disparate Elements

jean-marc poinsot

Critique d’art

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CROSSING INK RIVER. ZHANG YU AND HIS CONTRIBUTION TO THE MOVEMENT OF EXPERIMENTAL INK AND WASH PAINTING

Daniela C . Zhang

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Time-Space Alterations: A New Media Abstraction of Traditional Chinese Painting and Calligraphy Aesthetics

Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2020

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Looking at Asian Art. Edited by Katherine R. Tsiang and Martin J. Powers. Chicago: University of Chicago and Art Media Services, 2012. 90 figs., 208 pp. $40.00 (cloth)

Elizabeth C Brotherton

The Journal of Asian Studies, 2013

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"In the Mischievous Role of Naturalist: Classifying the 'Chinese' in Contemporary Art" in Outside In: Chinese x American x Contemporary Art(Princeton: Princeton University Art Museum, P.Y. and Kinmay W. Tang Center for East Asian Art; and New Haven: Yale University Press, 2009), pp. 141-58.

Jerome Silbergeld with Cary Y. Liu and Dora C. Y. Ching, Outside In: Chinese x American x Contemporary Art , 2009

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Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s

Shao-Lan Hertel (何小蘭)

Yishu: Journal of Contemporary Chinese Art, vol. 15, no. 4 (July/August 2016), 6–28.

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Contemporary Chinese Art: Three Decades/Themes

Go Figure! Contemporary Chinese Portraiture, 2012

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Entexted Heritage: Calligraphy and the (re)Making of a Tradition in Contemporary China

China Perspectives, 2021

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A Brief Account on the Contemporary Digital Ink-Wash Animation in Hong Kong – An Aesthetics Endeavor + https://bit.ly/2Hx19eM (with Chinese names and nouns, for my students)

Academia Letters, 2022

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“Ink Painting in the Sinophone World: Liu Kuo-sung’s Hong Kong Period.” In The Liu Kuo-sung Reader: Selected Texts on and by the Artist, 1950s-Present. Eds. Eugene Y. Wang, Valerie C Doran, Alan C. Yeung (Cambridge: Harvard University Press for Harvard FAS CAMLab, 2024), 125-33.

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Lopes, R. O. (ed.) (2013). Face to Face. The transcendence of the arts in China and beyond – Approaches to Modern and Contemporary art. Lisbon: CIEBA/FBAUL (Artistic Studies Research Centre / Faculty of Fine Arts, University of Lisbon) Global Art Monograph Series. ISBN: 978-989-8300-47-2

Rui Oliveira Lopes

Global Art Monograph Series, 2013

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Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s

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Beyond the Brush—Abstract Ink Painting since 1960

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