original ) (raw )All in the Name of Tradition: Ink Medium in Contemporary Chinese Art
Eugene Y Wang
Ink remix: contemporary art from mainland China, Taiwan and Hong Kong, 2014
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Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s
Kuiyi Shen
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Ink in China [Essay in Exhibition Catalogue, Pera Museum, Istanbul]
beth mckillop
Out of Ink, 2019
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Ink Unbound: Paintings by Liu Dan
Yang Liu
Minneapolis Institute of Art, 2016
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Chinese Painting Between Modernity and Tradition: Reflections on an Exhibition and a Conference
Charles Haxthausen
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Contemporary Chinese Art: Primary Documents, edited by Wu Hung, with the assistance of Peggy Wang. NY: The Museum of Modern Art, 2010. 455pp. [Book Review]
Carolyn M Bloomer, PhD
The China Journal, 2011
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REVIEW: Ink Remix: Contemporary Art from Mainland China, Taiwan and Hong Kong
Clare Veal
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Contemporary Chinese Art: Primary Documents. Wu Hung with the assistance of Peggy Wang. NY: The Museum of Modern Art, 2010. 455pp. [Book Review]
Carolyn M Bloomer, PhD
The China Journal, 2011
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"Ink Painting in the Sinophone World: Liu Guosong's Hong Kong Period." Art in Translation 11. 1 (2019): 22-44.
Aida Y Wong
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Reproducing Chinese Painting: Revised Histories, Illustration Strategies and the Self-Positioning of Guohua Painters in the 1930s, Ars Orientalis 2018
Juliane Noth
Ars Orientalis, 2018
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CROSSING INK RIVER. ZHANG YU AND HIS CONTRIBUTION TO THE MOVEMENT OF EXPERIMENTAL INK AND WASH PAINTING
Daniela C . Zhang
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In the Name of Ink: The Discourse of Ink Art
Pedith Chan
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"In the Mischievous Role of Naturalist: Classifying the 'Chinese' in Contemporary Art" in Outside In: Chinese x American x Contemporary Art(Princeton: Princeton University Art Museum, P.Y. and Kinmay W. Tang Center for East Asian Art; and New Haven: Yale University Press, 2009), pp. 141-58.
Cary Liu
Jerome Silbergeld with Cary Y. Liu and Dora C. Y. Ching, Outside In: Chinese x American x Contemporary Art , 2009
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Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting
Eva Man
The Journal of Somaesthetics, 2015
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Sketching the Art Scene: The Chinese Contemporary Art World and How it Has Been Created
Svetlana Kharchenkova
Kharchenkova, Svetlana (2018). “Sketching the Art Scene: The Chinese Contemporary Art World and How It Has Been Created”. A Chinese Journey. The Sigg Collection. Zwolle: WBOOKS, in cooperation with Het Noordbrabants Museum, the Netherlands., 2018
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“Ink Painting in the Sinophone World: Liu Kuo-sung’s Hong Kong Period.” In The Liu Kuo-sung Reader: Selected Texts on and by the Artist, 1950s-Present. Eds. Eugene Y. Wang, Valerie C Doran, Alan C. Yeung (Cambridge: Harvard University Press for Harvard FAS CAMLab, 2024), 125-33.
Aida Y Wong
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Whither the Methods of the Ancients? Huang Binhong’s 黃賓虹 (1865–1955) Clerical-Scripted Painting [論隸體畫圖] as a Response to the "Harmonious Uniting of Red-and-Green and Ink" [丹青水墨合壁]
Shao-Lan Hertel (何小蘭)
Annegret Bergmann/Jeong-hee Lee-Kalisch (eds.): Transcultural Intertwinements in East Asian Art and Culture, 1920s-1950s. Studies of East Asian Art History vol. 5 / Studien zur Ostasiatischen Kunstgeschichte Bd. 5. Weimar: VDG, Verlagsgruppe arts + science weimar, 2018, 101–127.
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Re-Negotiating Chinese Ink in Contemporary Singapore
Vincent Lin
MA Asian Art Histories Thesis, 2019
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Beggars, Black Bears, and Butterflies: The Scientific Gaze and Ink Painting in Modern China
Lisa Claypool
Cross-Currents: East Asian History and Culture Review, 2015
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Assignment 1 Depth Analysis Arts of Asia: Writing a Landscape Chinese Ink Painting
Kate Tyrwhitt
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“Review of Yi Gu’s Chinese Ways of Seeing and Open-Air Painting.” China Review International: A Journal of Reviews of Scholarly Literature in Chinese Studies 26, no. 14 (2019): 287-91.
Aida Y Wong
China Review International: A Journal of Reviews of Scholarly Literature in Chinese Studies
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What is Modern and Contemporary Chinese Painting? : The Complexity and Hybridity of Chinese “Modernity”
Yiwen Xu
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Looking at Asian Art. Edited by Katherine R. Tsiang and Martin J. Powers. Chicago: University of Chicago and Art Media Services, 2012. 90 figs., 208 pp. $40.00 (cloth)
Elizabeth C Brotherton
The Journal of Asian Studies, 2013
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Spilt Ink: Aesthetic Globalization and Contemporary Chinese Art
Ivan Gaskell
The British Journal of Aesthetics, 2012
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Review of Craig Clunas, Chinese Painting and Its Audiences. Princeton: Princeton University Press, 2017.
Jun Hu
The Journal of Asian Studies, 2018
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Luise Guest (In)visible Ink: Outsiders at the Yaji, the ink installations of Bingyi and Tao Aimin
Luise Guest
Journal of Contemporary Chinese Art, 2018
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Contemporary Chinese Art: Three Decades/Themes
Eugene Y Wang
Go Figure! Contemporary Chinese Portraiture, 2012
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Art History: Comparative Methodology, Pragmatism, and the Seeds of Doubt," in A Scholarly Review of Chinese Studies in North America, ed. Haihui Zhang et al., e-book publication http://www.asian-studies.org/publications/Chinese-Studies (Association of Asian Studies, 2013), pp. 455–66.
Cary Liu
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The Chinese photobook: publishing as an ellipsis in Chinese art history
Dr. Rachel Marsden
The Centre: On Art and Urbanism in China, 2019
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Chinese Contemporary Art: where it comes from, where it goes goes
Cláudia Ribeiro
Asiadémica - Revista universitaria de estudios sobre Asia oriental, 2022
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Words as Things: The Materiality of Writing in Chinese Contemporary Art
Joseph R Allen
ASAP/Journal , 2022
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Review: Peggy Wang. The Future History of Contemporary Chinese Art.
Quincy Ngan
China Review International, 2022
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Review of Craig Clunas, Art in China (2009)
Aaron K. Reich
Stanford Journal of East Asian Affairs, 2011
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Histories and Archives of Chinese Contemporary Art: New and Disparate Elements
jean-marc poinsot
Critique d’art
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Reading And Writing Between The Lines of Art History: Challenges and Potentials of Chinese Calligraphy Discourse, A Perspective from Tsinghua University Art Museum / 艺术史之间的阅读和写作: 从清华大学艺术博物馆看中国书法话语的挑战与潜能
Shao-Lan Hertel (何小蘭)
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