The Illuminated Theatre: Studies on the Suffering of Images by Joe Kelleher (book review) (original) (raw)
Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix
Tomaž Toporišič
Creating for the Stage and Play, Arti della Performance: orizzonti e culture, Collana diretta da Matteo Casari e Gerardo Guccini:, 2021
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Vanhaesebrouck, K. & Jozef Wouters (2019). “Deep space or the re-invention of scenography” in Nele Wynants (ed.), Deep Time of the Theatre. Media Archaeological Approaches to Performance. Series: Avant-gardes in Performance, ed. Sarah Bay-Cheng, Palgrave MacMillan, 115-126.
Karel Vanhaesebrouck
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Conference: Text, Performance, and the Production of Knowledge. A conference by the Amsterdam School of Historical Studies (ASH), research group Historical Theatre Research. 26-28 January 2017. Organized by Elke Huwiler, Suzanne Kooloos and Jan Lazardzig. Program.
Elke Huwiler
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Intermediality in a Solitary Place, Blending the Media. Art in the Theatre/ Theatre in the Arts Conference Gdansk Shakespearean Theatre, the University of Gdansk and the Adam Mickiewicz Institute, 1-5 August, 2009.
Sozita Goudouna
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On a Fruitful Cooperation Between Dance Studies and Philosophy. Re-think Theatre, Dramaturgy and Performance Studies: Re-search, re-consider, re-make. The Association for Nordic Theatre Scholars (ANTS), Aarhus University, 18th – 20th May 2017
Camille Buttingsrud
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Seeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels Rønsholdt and Wojtek Blecharz
Magdalena Figzał-Janikowska
Creating for the Stage and Other Spaces: Questioning Practices and Theories, 2021
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Probing Attitudes. On 'Putting Rehearsals to the Test' (eds. Buchmann, Lafer, Ruhm). In: Texte zur Kunst 106 (June 2017)
Philipp Ekardt
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Ewa Bal, 2010, Toward a Broken Tradition. Dario Fo - Between Theatrical Illusion and a Speech to the Audience, [w:] Worlds in Words. Storytelling in the Contemporary Theatre and Drama, red. Mateusz Borowski, Małgorzata Sugiera, Cambridge Scholars Publishing 2010, s. 211- 237.
Ewa Bal
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Reboot your culture! Theatricalizing the Unbearable. IMAGE [&] NARRATIVE Vol. 14, No. 2 (2013), 19-33
Karel Vanhaesebrouck
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"Demon, A View From Above": When Director and Performers are Scenographers
James Thomas
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A Pathognomy of Performance: Theatre, Performance and the Ethics of Interruption [2002 thesis version]
Simon Bayly
2002
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Holy Theatre: Ritual and the Avant Garde by Christopher Innes
Michael Zelenak
Comparative Drama, 1986
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Twice Johanne, Once Juliet – Kierkegaard, and the phenomena of aesthetical/ethical convergence in theatre performance
Eduardo Abrantes
Ethical Encounters: Boundaries of Theatre, Performance and Philosophy, 2010
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KIERKEGAARD'S EXPERIMENTAL THEATRE OF THE SELF (2017)
Bartholomew Ryan
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From autonomous to generally applicable art. Applied Theatre - Rahmen und Positionen. Berlin, Theater der Zeit 2017.
Eva Fotiadi
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Beth Hoffmann - Programme Notes and the Live Art Almanac (review) - Contemporary Theatre Review 19:4
Beth Hoffmann
Contemporary Theatre Review, 2009
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Performance Research A Journal of the Performing Arts In and Out of the Dark
Mischa Twitchin, Mischa Twitchin
Performance Research, 2019
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Performance, Embodiment, Voice: the Theatre/Dance Crossovers of Dodin, Bausch, and Forsythe
Eugenia Papageorgiou
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Textures of Theatricality: Three Approaches from Canonical Theatre Directors (2016)
Teemu Paavolainen
Tekijä – teos, esitys ja yhteiskunta. Eds Annette Arlander, Laura Gröndahl, and Marja Silde
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Book Review, "Critical Perspectives on Applied Theatre"
Asif Majid
Applied Theatre Research, 2019
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Introduction: Philosophy On Stage: The Concept of Immanence in Contemporary Art and Philosophy
Arno Boehler
Performance Philosophy, 2017
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Performance Studies Floating Free of Theatre. Richard Schechner and the Rise of an Open Interdisciplinary Field, in Alicante Journal of English Studies/Revista alicantina de estudios ingleses, 26, 2013, pp. 13-25
Fabrizio Deriu
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Didaskalia Theatre Journal - English issue nr 2
Justyna Stasiowska, Agata Łuksza, Anna R. Burzyńska
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"Making Music Visible: Robert Lepage's Der Ring des Nibelungen at the Metropolitan Opera." Contemporary Approaches to Adaptation, edited by Vicky Angelaki and Kara Reilly, Houndmills: Palgrave Macmillan, 2018, pp. 44-69.
Melissa Poll
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Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen
Knut Ove Arntzen
2017
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The Applied Theatre Reader. Edited by Tim Prentki and Sheila Preston. New York: Routledge, 2008; xvi + 380 pp. 120.00cloth,120.00 cloth, 120.00cloth,37.95 paper
Sonja Kuftinec
TDR/The Drama Review, 2011
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Worlds, BODIES, MATTERS THEATRE OF THE LATE TWENTIETH CENTURY
valentina valentini
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“The Dumbfounded Participatory Spectator. The Power of Failure in Contemporary Performance”, in: Bleeker, Maaike, Van Heteren, Lucia, Kattenbelt, Chiel en Van der Zalm, Rob (eds.); Concepten en Objecten, Amsterdam: AUP, 2009, p. 71-83. (Theater Topics, 4)
Christel Stalpaert
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The existential meaning of the art of theatre in Kierkegaard's philosophy
Avi Sagi
Man and world, 1991
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Mise en Abyme. International Journal of Comparative Literature and Arts - Theatre and MICROTheatres [IV.1/2017]
Elisa Sartor
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“Everyone Repeats the Same Rhetorical Question: Do We Still Need Theater?” Notes on One Theatrical Scene and One Work of Theater
Vlatko Ilic
Зборник радова Факултета драмских уметности, 2022
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Dramaturgical Essay: THE ILLUSION
Zackary Ross
2011
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Action becomes Art.Performance in the Context of Theatre, Play, Ritualand Life
Göran Sonesson
VISIO, 2000
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Performance Research A Journal of the Performing Arts Body in Ruin Outside the matter of representation
Elizabeth A Stinson
Performance Research, 2019
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Artaudian Writing, Imagery, and Sounds That Conjure the Sublime: Performances Nearing Philosophy Hazel Antaramian Hofman, Institute for Doctoral Studies in the Visual Arts, USA
Hazel Antaramian Hofman
The International Journal of Arts Theory and History, 2023
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