original ) (raw )»Liberating« Sound and Perception. Historical and Methodological Preconditions of a Morphosyntactic Approach to Post-Tonal Music
Christian Utz
Organized Sound. Klang und Wahrnehmung in der Musik des 20. und 21. Jahrhunderts (musik.theorien der gegenwart 6), hrsg. von Christian Utz, Saarbrücken: Pfau 2013, 11–46, 2013
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In Defence of 'Structural Listening': Some Problems With the New Musicology
Christopher Norris
Musicological Annual
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Materials, Meaning and Metaphor: Unveiling Spatio-Temporal Pertinences in Acousmatic Music
Elizabeth Anderson
2007
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Sonic Identification and Listening Strategies - Towards a 'Natural' Narratology for Electroacoustic Musics
Nicolas Marty
Electroacoustic Music Studies Network (http://www.ems-network.org/ ), EMS-12 Proceedings, « Meaning and meaningfulness in electroacoustic musics », Stockholm, June 2012., 2012
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Auditory Streams in Ligeti's Continuum: A theoretical and perceptual study
Arshia ghorbani
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Space: The Common Denominator in Acousmatic Music
Elizabeth Anderson
Musimédiane, 2015
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Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf
Ryan Taycher
Journal of Schenkerian Studies 6: 93-113, 2012
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Auditory Streams in Ligeti's Continuum: A Theoretical and Perceptual Approach
Costas Tsougras , E. Cambouropoulos
Citeseer
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Sound's Arguments: Philosophical Encounters with Music Theory
Bryan J . Parkhurst
Dissertation, University of Michigan, 2014
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Three Analyses after Theory: Listening to Music by Tsuda, Yom, and Onishi
Scott Gleason
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Layers of Musical Meaning. By Finn Hansen (review)
Anthony Gritten
Music and Letters
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The Listener and the Work as the Dualistic Basis for the Morphological Analysis of Music
Valery V. Glivinsky Валерий Викторович Гливинский
Paper [Рукопись]
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Listening to Ekphrastic Musical Compositions
Orit Hilewicz
2017
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“How to do more with words. Two views of (musical) ekphrasis,” British Journal of Aesthetics, 50 (4), 389-410. 2010
Lydia Goehr
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Readings of a Work: a musical analysis of All Round Me by Russell Pinkston
Leandro Gumboski
2019
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The Musical Timespace 2012: An Investigation of Music Listening based on the music of Xenakis, Ligeti, Lutoslawski, Ives and Coleman Hawkins
Erik Christensen
Music Listening, Music Therapy, Phenomenology and Neuroscience, 2012
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Semantical Investigations From the Acoustic Signal to the Musical Event Sketches Towards a Compositional Poetics 1
clemens gadenstaetter
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Isabel Mundry’s 'Ich und Du' and the Elusiveness of Musical Meaning. Variations on Music, Body, Structure, Perception
Christian Utz
Bodily Expression in Electronic Music (Routledge Research in Music), edited by Andreas Dorschel, Gerhard Eckel and Deniz Peters, 97–113, 2012
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Music Beyond the Senses: Musica textualis [5th Annual Conference of the Royal Musical Association Music & Philosophy Study Group, King's College London, 2015]
Jan Czarnecki
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Musical Worlding in a " Roundabout " Way (Yale, 1998)
John Covach
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Sound/Society/Subjectivation: Epistemological Consequences of Sound Studies for Musical Analysis (Music in the Prism of Sound Studies, International Conference, 24-26 January 2019, EHESS Paris)
José Gálvez
2019
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Mapping the Listening Experience: Approaches to the Analysis of Electroacoustic Music
Cathy Cox
2008
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Charting the Phenomenology of Music [preprint]
Miklos Mezosi
2016
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They Fly Into One's Head Like Birds: Organization of Sound in John Cage and Gary Snyder
Steven Schroeder
2004
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Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships, and the Musical Work
Michael Gardiner
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Review of Simon Høffding, A Phenomenology of Musical Absorption, Cham: Palgrave
Anna Petronella Foultier
Phenomenology and the Cognitive Sciences, 2020
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What do we hear when we hear music? A radical phenomenology of music
Ruud Welten
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Engaging with musical texts : Narrato-semiosis in composers and listeners
Adam Ferguson
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Musical Ekphrasis: Composers Responding to Poetry and Painting (review)
James Melo
Notes, 2002
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Analyses/Rereadings/Theories Journal #3 - Music and Transformations/Metamorphoses
Maciej Wieczorek
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Formulating the Essence All Together. Of Essence and Context: Between Music and Philosophy. Springer. 2019
Nicolas Royer-Artuso (PhD)
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Materialising Time and Space within Acousmatic Music (Joint paper with Stephen Kilpatrick)
Adam Stanovic (Stansbie)
L'espace du Son III, Musique et Recherches, Belgium, 2011
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Irreducible listening: sound unseen and unspoken (review of Sound Unseen: Acousmatic Sound in Theory and Practice, by Brian Kane, and The Order of Sounds: A Sonorous Archipelago, by François J. Bonnet) (2016)
Iain Campbell
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A review of Simon Høffding's book "A Phenomenology of Musical Absorption"
Camille Buttingsrud
Phenomenological Reviews, 2019
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But what does it sound like? A traditional Listener and a 'New Listener' hear Kashchey the Deathless
John D , Vandevert
N/A, 2020
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