The Improvisation of Musical Dialogue: A Phenomenology of Music , Bruce Ellis Benson (original) (raw)
Conventional Wisdom: The Content of Musical Form (review)
Douglass Seaton
Notes, 2001
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The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers.
Alexis Porfiriadis
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The improvisation of musical dialogue: a phenomenology of music
Yingjun Liu
2003
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On Improvisation and the Musical Work: An Ontology of Difference
Melvin Backstrom
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The trembling of the sensible: another way to think musical autonomy
Vladimir Safatle
Continental Though and Theory, 2021
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Towards a consideration of the contemporary musical work as 'a work in progress' Closing the gaps between the score, the form and the work's 'becoming'
Pierre MICHEL
Investigating Musical Performance, 2020
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Classical and Romantic Music, the Library of Essays on Music Performance Practice." By David Milsom
Colin Lawson
Performance Practice Review, 2012
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Music Philosophy and the Relationship between Score and Performance
João Moreira
Music Philosophy and the Relationship between Score and Performance, 2023
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Ruminations on music as an exemplary art
Arnold Berleant
New Sound, 2012
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Formulating the Essence All Together. Of Essence and Context: Between Music and Philosophy. Springer. 2019
Nicolas Royer-Artuso (PhD)
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Disseration: "A holistic view of the creative potential of performance practice in contemporary music"
Barbara Lüneburg
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Text, Sound and the Freedom of Interpretation: Observations on Beethoven's Music (Musiktheorie: Zeitschrift für Musikwissenschaft, 28(4), 2013, 325-350)
Antonio Baldassarre
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Social Dynamics at the Heart of Composition: Implications of Christian Wolff’s Indeterminate Music
Mark Nelson
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THE CRAFT OF MUSICAL COMPOSITION
Jordi Bonilla
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PERFORMANCE AND MUSIC CREATION. CHAPTER FOUR
Francisco Monteiro
Performance Analysis: A Bridge between Theory and Interpretation, 2018
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Music as Discourse: Semiotic Adventures in Romantic Music
Sara Haefeli
Journal of Music Theory, 2013
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Performing the Practice of Composition
alison isadora
2020
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An Incomplete Project: Modernism, Formalism and the 'Music Itself
Giles Hooper
Music Analysis, 2004
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Improvisation. Analytical, Theoretical, and Critical Approaches. Selected Proceedings of the Ninth International Conference of the Dutch-Flemish Society for Music …
Scott Spiegelberg
Dutch Journal of …, 2008
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Review: Jerrold Levinson. Musical Concerns: Essays in Philosophy of Music. Oxford: Oxford University Press, 2015. 176 pages; $45.00/hardcover
Erum Naqvi
Philosophical Forum, 2016
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THE WAY WE LOOK TO A SONG: Five compositions and the envoicing of musical inheritance
Celeste Oram
PhD dissertation, UC San Diego, 2022
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Revisiting composition and improvisation with a historical perspective
Reinhard Kopiez
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EMS-Beijing 2006 Negotiating the Musical Work . An empirical study on the interrelation between composition , interpretation and performance
Henrik Frisk
2007
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Composing Performances
Daniel Barolsky
Quodlibet. Revista de Especialización Musical
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Larsson, A. H. (2017), "An Ontological Perspective on Contemporary Music," Nutida Musik 269–70 (60), pp. 60–7.
Andreas Hiroui Larsson
Nutida Musik, 2018
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Meta-Variations and the Art of Engaging Music
Marianne Kielian-Gilbert
Perspectives of New Music, 2005
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Ch. 18 - In Defense of the Work of Art: I and Thou in Music Education
Øivind Varkøy
2019
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A Critique of Nelson Goodman's Aesthetics: Music As Process
William S Gilbert
Pandion, 2020
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'Musicality and Modernist Form'
David James
Published in Modernist Cultures (May 2013)
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Composers and Performers
Junyeol Kim
Philosophia, 2020
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The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’
Anthony Pryer
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Composer and Performer: An Experimental Turn and its Consequences
Tom Armstrong, Simon Desbruslais
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Composition, Performance, Reception: Studies in the Creative Process in Music. Ed by Wyndham Thomas (review)
Anthony Gritten
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Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002
Lydia Goehr
Current Musicology, 2002
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THE ROUTLEDGE COMPANION TO PHILOSOPHY AND MUSIC
Iztok Mervic
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