Entrando por uma porta lateral; Going through a side-entrance (original) (raw)

1995, Catálogo de exposição - FotoGrafia: a experiência alemã nos anos 1950; PhotoGraphy: the german experience in the 50's

Catalog of an exhibition about the relation between photography and drawing taking into account selected images of a portfolio organized by the german photographer Otto Steinert. It was sent to Foto Cine Clube Bandeirante and was shown in The Museum of Modern Art of São Paulo, in 1955, in a exhibition called "Otto Steinert and his pupils". São Paulo: A.S. Studio, 1995.

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fotoform and Otto Steinert in Brazil

2015

Lecture presented at the International Symposium Arbeit am Bild, in Essen, Germany, on November 28th, 2015. The event was promoted by Museum Folkwang and Folkwang Universität der Künste.

The Exhibition Design in the 29th São Paulo Biennial: Moving Image Art Works Inside the Modernist Pavilion

Screen Conference 2019, 2019

This paper discusses the moving image art works in large-scale exhibition, focusing on the 29th São Paulo Biennial (2010) and audiovisual installation as "D'Est" by Chantal Akerman and "Pretty Much Every Film and Video Work from about 1992 until Now" by Douglas Gordon. It aims to phenomenologically analyse the architecture and the exhibition design, considering the relation between the viewers, the space and the works. The São Paulo Biennial is held in the Pavilion Ciccillo Matarazzo a building designed by the architect Oscar Niemeyer. The modernist Pavilion is a heritage-listed building and was originally constructed to house agricultural fairs. The 29th Biennial was known for the large number of moving image artworks inside the Pavilion. Curated by Moacir dos Anjos and Agnaldo Farias, the theme of the exhibition "There is always a cup of sea to sail in" was inspired by the Brazilian poet Jorge de Lima. Therefore, the paper would like to highlight the relation between the exhibition design and the installation works inside the Pavilion, considering problematics issues like the sound and the luminosity in the building.

Artistic research reports - Brazil

Artistic research reports, 2022

The 32nd ANPPOM congress in Brazil, last month, was informative, to say the least. Held in the northeastern coastal city of Natal, with the southern hemisphere's spring well underway, the biotope was more conducive to exploration than the European Autumn I came from. Airconditioning was necessary, of course, even in

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“Prints, Artistic Education, Access and the Circulation of Images in Portugal”, in As Academias de Belas Artes de Rio de Janeiro, Lisboa e Porto (1816–1836): Ensino, Artistas, Mecenas, Coleções, eds. Maria João Neto, Marize Malta (Lisbon: Caleidoscópio, 2016), 367–379