Performing identity and place in Wellington’s Cuba Street carnival
Shelley Brunt
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Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp
matthew bannister
Perfect Beat, 2012
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Home , Land and Sea : Situating music in Aotearoa New Zealand
Glenda Keam
2014
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Many voices: Music and national identity in Aotearoa/New Zealand (edited by Henry Johnson)
Bruce Cohen
2012
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Fiesta', Affirming Cultural Identity in a Changing Society: A Study of Filipino Music in Christchurch, 2008
Kim Rockell
2009
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The ASB Polyfest: The Construction of Transnational Pacific Cultural Spaces in Auckland, Aotearoa New Zealand
Michelle Ladwig Williams
Pacific Arts, 2022
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Music of place: the performance of identity in contemporary Australian community music festivals
Michelle Duffy
2001
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Review (2008) of Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics, by Jocelyne Guilbault
Benjamin Fraser
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The Festivalisation of Pacific Cultures in New Zealand: Diasporic flow and identity within 'a Sea of Islands'
Jared Mackley-Crump
PhD Thesis, 2012
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Musical Politics: Protest and Dissent in Aotearoa New Zealand
Alison Booth
Cidades, Comunidades e Territórios, 2021
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Jump Up! Caribbean Carnival Music in New York City
David Aarons
Caribbean Quarterly, 2020
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Musicultural Identity and Intersecting Geographic Contexts in Oceania
trevor thwaites
Intersecting Cultures in Music and Dance Education, 2016
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The Sounding of the Notting Hill Carnival: Music as Space, Place and Territory
Julian Henriques
2014
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Introduction: Power, Performance and Play: Caribbean Carnival and the Cultural Politics of Emancipation
Emily Zobel Marshall
Caribbean quarterly, 2019
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Community Music in Australia and New Zealand Aotearoa
Shelley Brunt
Community Music Today, 2013
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Music as Critical Social Theory: Developing Intersectional Feminist Praxis Through Music in Aotearoa (New Zealand)
Bonnie-Estelle Trotter-Simons
2023
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(2019) 'It's not all Sequins and Bikinis? Power, Performance and Play in the Leeds and Trinidad Carnival'. Turning Tides: Caribbean Intersections in the Americas and Beyond. Heather Cateau and Milla Riggio, eds. (Kingston, Jamaica: Ian Randle Publishers).
Emily Zobel Marshall
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Navigating the Cultural Marketplace: Negotiating the Folk in Trinidadian Performance
Meida McNeal
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(2017) ‘Popular Political Culture and the Caribbean Carnival’. Zobel Marshall, Emily, Farrar, Max & Farrar, Guy. Soundings, Issue 67 (Lawrence and Wishart).
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Under Heartbeat City's golden sun: Māori and the margins of performing the ultimate urban
Tāwhanga M L Nopera
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A We Dis?! : The Contestation of Jamaica's Post-Independence Identity in the Festival Song Competition
Carolyn Sinclair McCalla
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New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’
Matt Mollgaard
Back Story Journal of New Zealand Art, Media & Design History
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Exploring Music in a Globalized World 01 / 2017
andrea hollington
2017
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Come a Long Way: Bob Marley, Reggae, and Aotearoa / New Zealand Popular Culture
matthew bannister
Rock Music Studies, 2019
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Commemorating Gallipoli through music: remembering and forgetting
Burcu YILDIZ
Ethnomusicology Forum , 2019
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Van Wolputte S.; Bleckmann, L. (2012) “The ironies of pop: local music production and citizenship in a small Namibian town.” Africa 82(3):413-436.
Steven Van Wolputte
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Roots reggae from Cape Town to Helsinki : an ethnographic study of local belonging and cosmopolitan imagination in Rastafarian reggae music
Tuomas Järvenpää
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Lines of Drift: Festival Participation and Performing a Sense of Place
Michelle Duffy
Popular Music, 2000
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Discordant Beats of Pleasure Amidst Everyday Violence: The Cultural Work of Party Music in Trinidad
Jocelyne Guilbault
Musicultures, 2013
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Short Steps to Social Freedom - Jazzing and Salsa in Cape Town
Jade Gibson
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Indigenizing the Mainstream: Music Festivals and Indigenous Popular Music
Liz Przybylski
2021
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Island sounds in the global city: Caribbean popular music and identity in New York
Ruth Glasser
2001
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(2020) Carnival, Calypso and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing
Emily Zobel Marshall
Caribbean Literature in Transition, vol 3, edited by Ronald Cummings and Alison Donnell (Cambridge University Press: 2020), 2020
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The State of the Festival: Performing Politics and Cultural Exchange
Dr Linda E Dankworth
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Cultural Production, Identity Politics, and Historical Context of Four Musical Traditions in Latin America and the Caribbean
Jud Wellington
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