From Italy to England, the instrumental arrangements of Italian arias in London (1700-1750) (original) (raw)

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Emanuela Vai

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Daniele Sabaino, Marco Mangani

«Acta Musicologica», LXXX/2 (2008), pp. 231-250, 2008

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Bruno de Florence

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Jay Rahn

Proceedings of the Fifth Annual Hawaii International Conference on the Arts and Humanities (HICH), pp. 4098-4109, 2007

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Jeffrey Kurtzman

Journal of the American Musicological Society, 1974

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Gregory Decker

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Gianluca Colella

2015

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Júlia Coelho

2018

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Massimo Ossi, Divining the Oracle: Monteverdi’s Seconda Prattica. Chicago: University of Chicago Press, 2003. 298 pp., 2 halftones, 30 musical examples, 24 tables

Giuseppe Gerbino

Cambridge Opera Journal, 2008

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Federico Schneider

2018

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Eva Dolinsek

Socratic Lectures 7, 2022

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Jess Herdman

Musicological Explorations, 2009

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Bella Brover-Lubovsky

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Miracle Ogbor

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Barocco Padano 6, Atti del XIV Convegno internazionale sulla musica nei secoli XVII-XVIII, Brescia 16-18 luglio 2007, a cura di A. Colzani, A. Luppi, M. Padoan, A.M.I.S., Como 2010, pp. 700

Alberto Colzani

2010

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Monteverdi's Tonal Language Eric Chafe The Song of the Soul: Understanding "Poppea" Iain Fenlon Peter N. Miller

Massimo Ossi

Journal of the American Musicological Society, 1995

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The Cambridge Companion to Monteverdi

John Whenham

2007

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Jessie Ann Owens

Alto Polo: Essays on Italian Music in the Cinquecento, ed. Richard Charteris, 1990

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Gregory Camp

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II. A Critical Commentary on the Missa in Illo Tempore

Jeffrey Kurtzman

Rice Institute Pamphlet - Rice University Studies, 1978

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Marco Mangani

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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1

Russell Murray

1989

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"The Order of Things: A Reappraisal of Vincenzo Galilei’s Fronimo Dialogues, 1568 and 1584”

Peter Argondizza

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Emiliano Ricciardi

Notes 68, no. 2 (December 2011): 344-46, 2011

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Bella Brover-Lubovsky

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Marco Mangani

Philomusica on-line, 2013

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Monteverdi, Marenzio, and Battista Guarini's "Cruda Amarilli." Music and Letters Vol. 89, No. 3 (Aug., 2008), pp. 311-336

Massimo Ossi

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The (un)Natural Baroque: Giambattista Marino and Monteverdi's Late Madrigals

Roseen Giles

2016

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Illuminato Aiguino and the Persistence of Commixture in Late Sixteenth-Century Italian Music Theory

Carlos C. Iafelice

Philomusica online , 2021

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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio

Russell Murray

1989

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Imitative Polyphonic Density and Cadential Plan for Two Motets of the Mid-Sixteen-Century

Marcos Pupo Nogueira, Fernando L C Pereira

MUSICA THEORICA, Journal of the Brazilian Society for Music Theory and Analysis @ TeMA 2016 - ISSN 2525-5541, 2016

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Re-Reading "Poppea": Some Thoughts on Music and Meaning in Monteverdi’s Last Opera

Tim Carter

Journal of the Royal Musical Association, 1997

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Notes on the new edition of Marcello's Il teatro alla moda

Klára Škrobánková

Theatralia

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Monteverdi a San Marco. Venezia 1613–1643, eds. Marco di Pasquale, Rodolfo Baroncini, Lucca 2020

Bartłomiej Gembicki

Muzyka, 2021

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