Part 1. The Question of Portraiture in the Renaissance Part 2. Self-Portrait as an Expression of Modernity (original) (raw)

On painted portraiture in Seventeenth-Century Rome

Patrizia Cavazzini

Roemisches Jahrbuch der Bibliotheca Hertziana, 2015

View PDFchevron_right

Portraiture. Facing the Subject, Manchester UP 1997

Joanna Woodall

1996

View PDFchevron_right

Self-Portraiture in Contemporary Italian Art: Giulio Paolini and Carlo Maria Mariani

Bente Kiilerich

Studi in onore di A.C. Quintavalle, A. Calzona e.a. ed, 2007, 605-612.

View PDFchevron_right

“Propria Figura”: The Advent of Facsimile Portraiture in Italian Art

Laura Jacobus

The Art Bulletin

View PDFchevron_right

Studies of Early Modern Portraiture

Charlotta Krispinsson

Swedish Art Historiography: Institutionalization, Identity, and Practice, 2022

View PDFchevron_right

Women in Frames: the gaze, the eye, the profile in Renaissance portraiture 1988

Patricia Simons

History Workshop Journal History 25 (Spring 1988)

View PDFchevron_right

Portrait Painting in 16th century Europe

Lai del Rosario

View PDFchevron_right

Reconsidering the origins of portraiture: instead of an introduction

Mateusz Grzęda, Marek Walczak

„Journal of Art Historiography”, 17, 2017, s. 1-35, 2017

View PDFchevron_right

CFP: ON PORTRAITURE. THEORY, PRACTICE AND FICTION (LISBON, 26-28 APR 21

Annemarie Jordan Gschwend

View PDFchevron_right

On The Death Of Portraiture

paula cohen

The Yale Review, 2003

View PDFchevron_right

The Aesthetics of Portraiture : An Annotated Reading List

Hans Maes

View PDFchevron_right

Introduction: Portraitomanie and Intermediality in Nineteenth-Century France

Kathrin Yacavone, Érika Wicky

L’Esprit créateur, 2019

View PDFchevron_right

Portraits in painting and photography

Cynthia Freeland

Philosophical Studies, 2007

View PDFchevron_right

Netherlandish Portraiture - Fifteenth and Sixteenth Centuries

Niall Cunniffe

View PDFchevron_right

"Ancient History" of the Selfie Portrait: Reflecting the Body

Michael W. Purdy

View PDFchevron_right

Selfies and Self-Portraiture - Undergraduate dissertation, University of Kent, 2015

Nigel Ip

2015

View PDFchevron_right

Vasari and Portraiture: Function, Aesthetics and Propaganda

Joseph Hammond

Journal of Art Historiography, 2023

View PDFchevron_right

[2008] Los límites del retrato / The Limits of Portraiture

Juan Luis González García

View PDFchevron_right

FLEETING GLANCE AT A PORTRAIT

Eva Jonisová, Peter Lančarič

ON THE EDGE - Conference Proceedings from the International Scientific Conference held online on 22nd Apri 2020, 2020

View PDFchevron_right

Self-Portraiture

Christopher S Wood

Oxford Philosophical Concepts: Self-Knowledge, ed. Ursula Renz, Oxford University Press, 2017

View PDFchevron_right

Renaissance Artists' Portraits and the Moral Judgement of Taste

Philipp Zitzlsperger

The Journal of Art Historiography, 2017

View PDFchevron_right

EXAMPLE OR ALTER EGO ? ASPECTS OF THE PORTRAIT HISTORIÉ IN WESTERN ART FROM ANTIQUITY TO THE PRESENT

Eric Moormann, Stephan Mols

View PDFchevron_right

WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS

Rosa Lena Reed Robinson

WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS , 2017

View PDFchevron_right

introduction- The time of the portrait.pdf

Melinda Hinkson

View PDFchevron_right

A FACELESS SOCIETY? PORTRAITURE AND THE POLITICS OF DISPLAY IN EIGHTEENTH-CENTURY ROME: A FACELESS SOCIETY?

Sabrina Norlander Eliasson

Art History, 2007

View PDFchevron_right

What is a portrait?

Hans Maes

View PDFchevron_right

A FACELESS SOCIETY? PORTRAITURE AND THE POLITICS OF DISPLAY IN EIGHTEENTH-CENTURY ROME

Sabrina Norlander Eliasson

View PDFchevron_right

From the Face to the Aura. Leonardo da Vinci’s Sfumato and the History of Female Portraiture, Inventing Faces. Rhetorics of Portraiture between Renaissance and Modernism. Ed. by Monika Körte etc., Munich 2013, pp. 67-83.

Frank Zöllner

View PDFchevron_right

Making up the Portrait (Review of the exhibition Portraits publics, portraits privés 1770-1830, and Tamar Garb’s The Painted Face: Portraits of Women in France 1814-1914)

A. Cassandra Albinson

Oxford Art Journal, 2008

View PDFchevron_right

The Visual Culture of the Selfie from the Perspective of "Culture of Narcissism": The Issues of the Selfie as the Self-Portrait within Art History

Konrad Chmielecki

Perspektywy Kultury, 3(46), 2024

View PDFchevron_right

Recent approaches to the study of Roman portraits

Barbara E Borg

Perspective La Revue De L Inha Actualites De La Recherche En Histoire De L Art, 2012

View PDFchevron_right

A Visual Economy of Individuals. The Use of Portrait Photography in the Nineteenth-Century Human Sciences

Andreas Broeckmann

View PDFchevron_right

“Painting for the Ladies: Gender and Portraiture in 18th Century Paris,” in Alexander Roslin, (Stockholm Nationalmuseum, 2007): 68-72

Melissa Lee Hyde

View PDFchevron_right

Catalogue, in Moroni. The Riches of Renaissance Portraiture, exhibition catalogue, New York 2019, pp. 58-243.

Simone Facchinetti

View PDFchevron_right

Constructed Identities: Portraiture in World Art

Jean Borgatti

View PDFchevron_right