original ) (raw )Renaissance Artists' Portraits and the Moral Judgement of Taste
Philipp Zitzlsperger
The Journal of Art Historiography, 2017
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Sabrina Norlander Eliasson
Art History, 2007
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“Propria Figura”: The Advent of Facsimile Portraiture in Italian Art
Laura Jacobus
The Art Bulletin
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A FACELESS SOCIETY? PORTRAITURE AND THE POLITICS OF DISPLAY IN EIGHTEENTH-CENTURY ROME
Sabrina Norlander Eliasson
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Deborah Mazza
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Between the Living and the Dead: Use, Reuse, and Imitation of Painted Portraits in Late Antiquity
Grace Stafford
Journal of Roman Archaeology, 2022
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Jonathan K Nelson
Bad Reception: Negative Reactions to Italian Renaissance Art, ed. by Diletta Gamberini, Jonathan K. Nelson, and Alessandro Nova, special number of the Mitteilungen des Kunsthistorischen Institutes in Florenz LXIII (2021), pp. 15-31, 2020
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Recent approaches to the study of Roman portraits
Barbara E Borg
Perspective La Revue De L Inha Actualites De La Recherche En Histoire De L Art, 2012
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Risky Business: Commissioning Portraits in Renaissance Italy
Jonathan Nelson
SSRN Electronic Journal, 2019
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The collaborative authorship of pictorial invention in seventeenth-century Italy: Patron, adviser, and artist at palazzo Carignano
Huub van der Linden
The artist as reader: On education and non-education of early modern artists, eds Heiko Damm, Michael Thimann, e Claus Zittel (Leiden: Brill, 2013), 2013
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Irving Lavin
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'The surest measure of perfection': approaches to imitation in seventeenth-century French art and theory
Paul Duro
Word & Image: A Journal of Verbal/Visual Enquiry , 2009
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Mary Sheriff Publications
The Art Bulletin 69:1, 1987
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"Indecent Bodies in Early Modern Visual Culture: An Introduction", in: Indecent Bodies in Early Modern Visual Culture. Amsterdam: Amsterdam University Press 2023, pp. 15‒37 (Fabian Jonietz, Mandy Richter & Alison G. Stewart)
Mandy Richter , Fabian Jonietz
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Resemblance as a Passing Quality: Liotard, La Tour, and the Question of Le Faire in Eighteenth-Century Portraiture
Marianne Koos
Zeitschrift für Kunstgeschichte, 2024
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Renaissance Ideas about Self-Portrayal
Norman Land
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Portraiture. Facing the Subject, Manchester UP 1997
Joanna Woodall
1996
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Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self-Portraits, and the Patron's Role
Azar Rejaie
2006
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Representation, Replication, Reproduction: The Legacy of Charles V in Sculpted Rulers' Portraits of the Sixteenth and Early Seventeenth Century
Thomas Kaufmann
Austrian History Yearbook, 2012
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Face Value: Toward a Theory of Eighteenth-Century Portraiture
Bradford K Mudge
Eighteenth-Century Life, 2023
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"Anticamente moderna et modernamente antica:” Imitation and the ideal in 16th-century Italian painting
Melinda Schlitt
International Journal of The Classical Tradition, 2004
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The Portrait. From private object of art to Symbol of Collective Memory, in The challenge of the object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012, pp. 357-359
Tommaso Casini
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Review, Prusac M. From Face to Face: Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, revised edition. Leiden – Boston, Brill (Monumenta Graeca et Romana, 18) 2016
Ewa Bugaj
Eirene. Studia Graeca et Latina, 2019
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Caricature in the Carracci Academy: Experiments at the Limits of Recognition
C. Kaye Rawlings
Master's Thesis, 2017
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Against Portraiture
David Freedberg
Luca del Baldo (ed.), The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn, 2020
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A very puissant spurre: Authors, Scholars and the Exemplary Role of the Portrait Bust in the Eighteenth Century
Malcolm Baker
Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa, 2018
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Vasari and Portraiture: Function, Aesthetics and Propaganda
Joseph Hammond
Journal of Art Historiography, 2023
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Michelangelo Merisi da Caravaggio and Valentin de Boulogne: Repetition, Competition, and Invention in Seventeenth-Century Rome
Anthony M . Huffman
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Portrait Painting in 16th century Europe
Lai del Rosario
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Body, Mind, and Soul: On the So-Called Platonic Youth at the Bargello, Florence. In: Aporia as Subject in Early Modern Art, ed. by Alexander Nagel and Lorenzo Pericolo, Routledge: London, 2010
Dr. Jeanette Kohl
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PAINTING AND ~ EXPERIENCE IN FI.FTEENTH CENTURY ITALY A primer in the social history qfpictorial sryle SECOND EDITION
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Recarving, Reuse, and Re-Membrance: A Case Study into Late-Antique Portraiture Practices
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The Protracted Portrait of a Lady: Eighteenth-Century Caricature Portrait Negotiations
Mihaela Irimia
2008
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The Laws of Bienseance and the Gendering of Emulation in Eighteenth-Century French Art Education
Laura Auricchio
Eighteenth-Century Studies, 2003
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Charlotta Krispinsson
Swedish Art Historiography: Institutionalization, Identity, and Practice, 2022
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