How we talk about the work is the work: Performing critical writing (original) (raw)

Orley E. & K. Hilevaara. 2018. An Introduction In Five Acts. In K.Hilevaara & E.Orley (eds) The Creative Critice: Writing As/About Practice, Routledge

Emily Orley

The Creative Critic, 2018

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Writing for the contemporary theatre: towards a radically inclusive dramaturgy

Cathy Turner

Studies in Theatre and Performance, 2010

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Performing/Writing/Learning Bodes and Texts: Critical Pedagogies and Performances in the Composition Classroom

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Writing Through the Visual and Performing Arts

Sue Starfield

2021

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The Function of Critical Theory in Tertiary Creative Writing Programmes

Paul Dawson

Southern Review, 1997

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‘Exploring intersections between creative and critical writing: the interview’

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English: Shared Futures, English Association’s ‘Essays and Studies’ series, Vol 71, 2018

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To Write or Not to Write? The Contested Nature and Role of Writing in Arts Practice Research

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Journal of Research Practice, 2018

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Manifesto Now! Book Review for the Journal of Dramatic Theory and Criticism, Spring 2016

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Performative Writing as a Method of Inquiry With the Material World: The Art of the Imperative

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LEARNing Landscapes, 2020

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Performing (Re)Writing: Moving Through Modes of Textual Engagement

Tiffane Levick

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‘Letting it breathe’: Writing and performing the words of others

Helena Enright

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3 essays 3 endings: art research | theatre writing

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Theories in the Flesh and Flights of the Imagination: Embracing the Soul and Spirit of Critical Performative Writing in Communication Research

Robert Gutierrez-Perez

Women's Studies in Communication, 2019

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From Watching to Reading – Theorizing a Performative Manuscript

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Creating for the Stage and Other Spaces: Questioning Practices and Theories

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Creating for the Stage and Other Spaces: Questioning Practices and Theories, 2021

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Writing from within the creative process

Emma Göransson

2010

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''Why do we have to write?”: Practice-based theses in the visual and performing arts and the place of writing.

Sue Starfield, Louise Ravelli

Insights into academic genres. Berkenkotter, C., Bhatia, V. K. & Gotti, M. (Eds.), , 2012

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Performative Writing as Training in the Performing Arts

Patrick Santoro

2019

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Learning to write critically : drama as pedagogy and the implications for cultural criticism

ching-kiu stephen CHAN

2012

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Colleague-Criticism: Performance, Writing, and Queer Collegiality (co-authored by Jill Dolan and Paul Bonin-Rodriguez)

Jaclyn Pryor

Liminalities: A Journal of Performance Studies, 2009

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Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix

Tomaž Toporišič

Creating for the Stage and Play, Arti della Performance: orizzonti e culture, Collana diretta da Matteo Casari e Gerardo Guccini:, 2021

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Words at Play: Creative Writing and Dramaturgy

Felicia H Londré

2005

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Workshop Review: Writing in Creative Practice: Exploring Layers of Meaning,

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Performance Studies International Conference #29 University of London ~ Central School of Drama and Speech ASSEMBLE: Writing with 30 Hands / Workshop on Collaborative Authorship

Sozita Goudouna

2024

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"Authoring Performance: the Director in Contemporary Theatre"

Avra Sidiropoulou

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Colleague-Criticism: Performance, Writing, and Queer Collegiality

Jill Dolan

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Real Fiction: Theatre as Creative Research

Scott Welsh

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Performance as Product, Process and Pedagogy: Laboring for Truth as Artist and Academic

Jo Ronan

PARtake: The Journal of Performance as Research, 2021

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Criticism as a Creative Act

Dean Wilcox

2010

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Under Construction: Working at the Intersections of Composition Theory, Research, and Practice

Chris Anson

College Composition and Communication, 1999

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A World Divided - some thoughts on theatre writing and criticism

Nicholas Arnold

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Reforming Critique: Critical Making as Method and Practice

Monique Tschofen

Reviewing Comparative Literature in Canada: Issues of Scholarship, Pedagogy and Publishing in the Contemporary Conjuncture, 2020

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Book Review: Curating dramaturgies

Janek Szatkowski

Peripeti, 2022

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Moving words : five instances of dance writing

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Multiple selves, multiple voices, multiple genres: reflections in writing and art making

Marta Kawka

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