original ) (raw )Barnabás Zemlényi-Kovács: Precarious Universalism. Towards a Critical Analysis of Contemporary Neoabstract Painting [In Dalma Kollár (ed.): Microtomy. Budapest Gallery, 2021]
Barnabás Zemlényi-Kovács
Dalma Kollár (ed.): Microtomy. Budapest Gallery, 2021
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Facing Catastrophe. István Farkas, painter of the École de Paris and his master, László Mednyánszky.
Csilla Markója
Forsaken World: Farkas István (1887-1944), 2020
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Different Aspects of Popular Culture in Hossin AliZabehìs Paintings
Bagh-e Nazar Journal
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The „Pop Problem” – Pop Art and East Central Europe, in: Ludwig Goes Pop + The East Side Story, Katalin Timár Katalin ed., cat. Ludwig Museum – Museum of Contemporary Art, Budapest, 2015, 116–129.
Dávid Fehér
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Kisantal, Tamás and Anna Menyhért, eds. Művészet és hatalom: a Kádár-korszak művészete [Art and Power: Art During the Kádár-Epoch]. Budapest: L’Harmattan Kiadó, 2005. Pp. 190. Ágnes Vashegyi MacDonald, Langara College, Vancouver Művészet és Hatalom. A Kádár-korszak Művészete [Art
Anna Menyhért
2012
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Doctoral Dissertation - "The Exiled Modern Artist: Nostalgia, Antinostalgia, and Allegorical Thinking in Witold Gombrowicz, Zbigniew Herbert, Henryk Grynberg, Gëzim Hajdari, Giorgio de Chirico, Andrey Tarkovsky and Nadav Lapid"
Jora Vaso
2020
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The Spirit of Montage: The "Surrealist" Mineshafts of Hungarian Visual Arts
Sándor Hornyik
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A megfestett valóság. A fotórealizmus kezdetei Magyarországon / Painted Reality. The Beginnings of Photorealism in Hungary, in: Édentől keletre. Valóságváltozatok / East of Eden Versions of Reality, exhibition cat., Ludwig Museum, Erőss Nikolett ed., Budapest, 2012, 14-39.
Dávid Fehér
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Art and the State in Modern Central Europe (18th – 21st Century), Programme of the Conference and Book of Abstracts (final version), (Zagreb, June 30 - July 3, 2021)
Josipa Alviž
Art and the State in Modern Central Europe (18th – 21st Century), 2021 Programme and Book of Abstracts of the Conference Art and the State in Modern Central Europe (18th – 21st Century) Faculty of Humanities and Social Sciences, University of Zagreb 30 June 2021 – 3 July 2021, Zagreb, Croatia, 2021
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ICONIC_CATHEGORISATION_IN_ART_SEMIOTICS_TLGOBBETT_2016-17[tlg].docx
Tania L E T I Z I A Gobbett
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Five Years, in: Suzanne Mészöly–Szekeres Andrea (szerk.): SCCA Bulletin 1991–1994, Soros Center for Contemporary Arts, Budapest, 1994, 15–22.
Andras Zwickl
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Relations and Reality. Avant-Garde Artists and Applied Arts beyond the 3Ts, in: Promote, Tolerate, Ban: Art and Culture in Cold War Hungary, Isotta Poggi and Cristina Cuevas-Wolf eds., Getty Research Institute, Los Angeles, 2018, 57–70.
Dávid Fehér
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Merse Pál Szeredi, Gábor Dobó, Redefining the Role of Art and Artist: The Idiosyncratic Avant-Garde of Lajos Kassák, in Flouquet – Kassák – Léonard: The Architecture of Images during the Interwar Period (EN/NL), ed. Adriaan Gonnissen (Oostende, Mu.ZEE, 2018), 153–183 (invited).
Merse Pál Szeredi , Gabor Dobo
2018
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Hungarian art +/- Europe, Contested Spheres, Kassak Muzeum, 2016
Gabor Dobo
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Call for papers for the conference Art and the State in Modern Central Europe (18th – 21st Century), Faculty of Humanities and Social Sciences, University of Zagreb, Zagreb, Croatia, 30 June-3 July 2021
Jeremy F Walton , Dragan Damjanovic , Ana Ereš , Lovorka Magas Bilandzic , Josipa Alviž , Jasmina Nestic
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Turks, Jews, and Other Germans in Contemporary Art: An Introduction
Peter Chametzky
The Massachusetts Review, 2019
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Mutually Tangent Canons. Western Art Trends in Hungary during the „Long 1960s”, in: Within Frames: Art of the Sixties in Hungary (1958-1968), Judit Borus ed., exh. cat. Hungarian National Gallery, Budapest, 2017, 110–131.
Dávid Fehér
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The case of the drawings in the Makris-Margaritis Collection, Anthivola,/Wzorniki z kolekcji Makrisa-Margaritisa, Painting-patterns from the Makris-Margaritis Collection
Maria Nanou
Kατάλογος Έκθεσης, Cracow, Arsenal of the Princess Czartoryski Museum, Branch of the National Museum, 12 October 2007-13 January 2008, Athens 2007, σ. 8-14 (στα πολωνικά και στα αγγλικά)
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Dorota Jarecka
A Reader in East-Central-European Modernism 1918–1956, 2019
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Deadline extended - Call for papers for the conference Art and the State in Modern Central Europe (18th – 21st Century), Faculty of Humanities and Social Sciences, University of Zagreb, Zagreb, Croatia, 30 June-3 July 2021
Dragan Damjanovic , Jeremy F Walton , Franci Lazarini , Lovorka Magas Bilandzic
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Dávid Fehér
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Thinking the Phenomenon of Image Through the Poetics of Contemporary Expanded Painting / Atvaizdo Fenomeno Refleksija Šiuolaikinės Išplėstinės Tapybos Poetikoje
Mark Titmarsh
Creativity studies, 2012
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Beatriz Eugenia Vallejo Franco
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The Re- and Dematerialization of the Object (of Art) Through the Analysis of Hungarian Examples from the Late 20th and 21st Century
Tatai Erzsébet
2013
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Personal Account of Nationalism and Art
Sezgin Boynik
The Whale that Was a Submarine: Contemporary Positions from Albania and Kosovo, Ludwig Museum, Budapest, 2016, pp. 63-77
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Upon the Concrete, the Reductive, and the Spiritual in Modern Art
Lech Lechowicz
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The crisis of the genre and the symptoms of style: the problem of monumentality in the new Russian art / Кризис жанра и симптомы стиля: проблема монументальности в новом русском искусстве
Alexander O. Kotlomanov
Vestnik SPbSU. Arts [Вестник СПбГУ. Искусствоведение], 2019
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A. Markowska, Introduction, in: Politics of Erasure. From „Damnatio Memoriae’ to Alluring Void, ed. A. Markowska, Polish Institute of World Art Studies&Tako Publishing House, Warsaw –Toruń 2014, pp. 9-12
Anna Markowska
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Barnabás Zemlényi-Kovács: The Art of Aporia. The Network of Holocaust Representation in the Oeuvre of Gerhard Richter [In Kinga Bódi (ed.): Gerhard Richter. Truth in Semblance. Hungarian National Gallery, 2021]
Barnabás Zemlényi-Kovács
Kinga Bódi (ed.): Gerhard Richter. Truth in Semblance. Hungarian National Gallery, 2021
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Socialist (modernist) artworks recycled: On the fate of monumental works by Gyula Hincz
Barbara Dudás
Studies in Visual Arts and Communication, 2021
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(Dis)figuring Reality. New Forms of Figuration in Hungarian Painting (1957-1975), in: Sándor Hornyik, Edit Sasvári and Hedvig Turai eds.: Art in Hungary 1956-1980: Doublespeak and Beyond, Thames & Hudson, London, 2018, 136–159.
Dávid Fehér
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Phd_Theses_summary_ Virginija Vitkiene. The Eloquence of Materiality in the Lithuanian Contemporary Art.
Virginija Vitkiene
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From the imperfection avant-garde aesthetic to the "fascinating fascism". Idea, symbol and art as mass manipulation tools in the National Socialism aesthetic
Javier Mateo Hidalgo
Re-visiones, 2019
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Building Constructively. Works on paper by Russian Avant-garde and Moscow Non-conformist artists in the Collection of Prints and Drawings of the Museum of Fine Arts in Budapest. An acquisition and reception history.
Kinga Bódi
Bulletin du Musée Hongrois des Beaux-Arts (2015-2016), nos.120-121, pp. 165-214., 2015
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Giuseppe Capriotti, Valentina Živković -Iconology at the Crossroads. Seventh International Conference of Iconographic Studies (Rijeka, May 23 - 24, 2013)
Valentina Živković , Giuseppe Capriotti , Centar ikonografskih studija (Center for Iconographic Studies)
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