The “Pre-Postmodern” Ethnomusicology of Zora Neale Hurston (original) (raw)
Body, time, and the others: African-American anthropology and the rewriting of ethnographic conventions in the ethnographies by Zora Neale Hurston and Katherine Dunham
Serena I Volpi
2014
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Anthroparody: Zora Neale Hurston’s “The Characteristics of Negro Expression” and the Real Characteristics of Black Expression
Jon Woodson
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Zora Neale Hurston, Biographical Criticism, and African Diasporic Vernacular Culture
Jason Frydman
Melus: Multi-ethnic Literature of The U.s., 2009
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Black Feminism's Minor Empiricism: Hurston, Combahee, and the Experience of Evidence
Lindsey Andrews
Catalyst: A Journal of Feminism, Theory, and Technoscience, 2015
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Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity
Samantha Pinto
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Zora Neale Hurston’s Controversial Relation to the Harlem Renaissance
Salam Alali
International Journal of Language and Literary Studies
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“My Soul Was with the Gods and My Body in the Village”: Zora Neale Hurston, Franz Boas, Melville Herskovits, and Ruth Benedict
Mark Helbling
Prospects, 1997
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Zora Neale Hurston in the Making
Nicholas Rinehart
Public Books, June 12, 2018.
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The Discovery of Race in African American Literature - Du Bois, Johnson, and Hurston (SHORT Literary Analysis)
Christopher Butson
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Conjuring Pasts and Ethnographic Presents in Hurston's Modernity
LeRhonda S Manigault-Bryant, James Manigault-Bryant
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Beyond Hurston and Wright; Toward West and Walker
Sara Rutkowski
Literary Legacies of the Federal Writers’ Project, 2017
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Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity
Patricia Coloma Peñate
2012
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how it feels: a study of race and ontology in the work of Zora Neale Hurston
Jada Reid
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Cultural Hegemony and Resistance as Depicted in Zora Neale Hurston‟s Colour Struck
SMART M O V E S J O U R N A L IJELLH, Dr. Nishtha Mishra
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What is Zora Neale Hurston's Barracoon?: the failure of scholarship in the presence of the modernist esoteric
Jon Woodson
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Spirituality, and Conjuring, According to Zora Neale Hurston and Dr. Daryl Dance: A Folk Heritage
T. EUGENE
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"The Sonic Politics of Black Experimentalism: Critical Forum Introduction," College Literature 46.1 (2019): 257-59.
Teagan Bradway
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THE AFRO-SURREALIST APPROACH TO NOVELS BY TWO BLACK WOMEN: A COMPARATIVE ANALYSIS OF Z. N. HURSTON’S THEIR EYES WERE WATCHING GOD AND M. BÂ’S SO LONG A LETTER
Patchani E Patabadi
Particip'Action - Revue interafricaine de Littérature, Linguistique et Philosophie / Literature, Linguistics and Philosophy, 2022
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"Play it cool, and dig all jive": The Influence of the Black Oral Tradition on Zorah Neale Hurston and Langston Hughes
Willem van Amerongen
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A matter of consciousness – Introducing Zora Neale Hurston and Katie G. Cannon
Hans Engdahl
HTS Teologiese Studies / Theological Studies
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Seeing It for Wearing It: Autoethnography as Black Feminist Methodology
Layla D Brown, Ph.D.
Taboo: The Journal of Culture and Education, 2019
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Thinking Like an Ethnographer
Kristina Baines
2019
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Practices of Enchantment: The Theater of Zora Neale Hurston
Katherine Biers
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The Problem of Being Black in Zora Neale Hurston's Color Struck
hana ghani
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African American Criticism as LoisTyson's "Critical Theory Today"
S. A.
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Rhodes, Willard. 1956. Towards a Definition of Ethnomusicology
Iztok Mervic
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THEORY AT WORK: AFRICAN-AMERICAN /AFRICAN TEXT, HISTORY AND CULTURE
Jayshree Singh
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African Americans, Identity and Cultural Meaning: Poetics of Being Black?
Wendy Wilson-Fall
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Ethnomusicology and Values (1997)
Jeff Todd Titon
Ethnomusicology, 1997
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The Reluctant Folklorist: Jon Y. Lee, Paul Radin, and the Fieldwork Process
Anthony Buccitelli
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Gods of Physical Violence, Stopping at Nothing: Masculinity, Religion, and Art in the Work of Zora Neale Hurston
Peter Powers
Religion and American Culture-a Journal of Interpretation, 2002
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Blackness, Colorism, and Epidermalization of Inferiority in Zora Neale Hurston’s Color Struck: A Fanonian Reading of the Play
Mahshid Mirmasoomi
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Lying Up a Nation: Zora Neale Hurston and the Local Uses of Identity
Adam Ewing
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Seeing Through the Inner-Eyes of Sylvia Wynter, Frantz Fanon and Cedric Robinson: Black Studies Alterity Perspective as a Black Radical Project Beyond Man and Toward the Human
Ebony Rose
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Writing as an Act of Self-Embodiment: Hurston, Moody, and Angelou Combat Systemic Racial and Sexual Oppression
Tara Hembrough
Journal of African American Studies, 2016
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