“Albums of Conspicuous Consumption: A Composite Mirror of an 18th-Century Collector’s World,” Journal18, Issue 6 Albums (Fall 2018), http://www.journal18.org/3089. (original) (raw)

“‘World-Seizing’ Albums: Imported Paintings from ʿAcem and Hindūstān on an Eclectic Ottoman Market.”

Gwendolyn Collaço

Ars Orientalis, 2021

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Making Value from Ancient Cities to Victorian London: Lawrence Alma-Tadema’s Painting as an Image of the Victorian Art Market

Joy CADOR, Astrid Mania

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Reproducing the Golden Age: Copies after Seventeenth-Century Dutch Genre Painting in the First Half of the Eighteenth Century

Junko Aono

Oud Holland, 2008

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‘Collectors and the popularity of portrait drawings in Britain’, in The Encounter. Drawings from Leonardo to Rembrandt, ed. Tanya Cooper and Charlotte Bolland, National Portrait Gallery, London, 2017, pp. 39–51

Jeremy Wood

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Painting, from Royal to Urban Patronage

Christiane Gruber

A Companion to Islamic Art and Architecture, ed. Gülru Necipoğlu and Finbarr Barry Flood, 2017

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Historical paintings

dora puf

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A Retrospective. Selected studies on the history of art from the 12th -16th and 20th centuries: summary

Milena Bartlová

Milena Bartlová, Retrospektiva. Vybrané studie k dějinám umění 12.–16. a 20. století. UMPRUM: Praha 2018, s. 374-376, 2018

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The Mass Market for History Paintings in Seventeenth-Century Amsterdam

Angela Jager

The Mass Market for History Paintings in Seventeenth-Century Amsterdam, 2020

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Patronage and Productions of Paintings and Albums in 18th-Century Awadh

Isabelle Imbert

Journal of Islamic Manuscripts, 2021

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The Mass Market for History Paintings in Seventeenth-Century Amsterdam : Production, Distribution, and Consumption

Angela Jager

Amsterdam University Press, 2020

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The Promise of Painting: Spectres of the Baroque in Contemporary Painting (pre type set version)

Atsuhide Ito

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Introduction to Art History

Ömür Harmansah

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"Dressing a City's Demeanour: Ottoman Costume Albums and the Portrayal of Urban Identity in the Early Seventeenth Century," Textile History 48, no. 2 (Nov. 2017): 248-267.

Gwendolyn Collaço

Textile History, 2017

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Texts presented in summary, in Textes dispersés sur l’art contemporain Miscellaneous Texts On Contemporary Art , Jean-François LYOTARD, Leuven University Press 2012

Peter Milne, Vlad Ionescu

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11th École de Primtemps organized by the International Consortium on Art History, Norwich, University of West Anglia, May 20-24 , 2013

Alessandra Acocella

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The production of Art in the Age of Political Practice. Venice Biennale 1970 [presentation]

clarissa ricci

“Art for the People? Questioning Democratisation of the Art Market”, 2nd TIAMSA Conference, Vienna, 27-29 September 2018

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“ 'Quelques misérables places à remplir' : Locating Shaped Painting in Eighteenth-Century France," Zeitschrift für Kunstgeschichte, Band 80 (2017): 544-571

David E Pullins

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The Rise and Fall of Art for the Privileged Class

James E Churchill

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Review of Mary Roberts, Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth-Century Visual Culture, by Wendy Shaw, The Art Bulletin

Mary Roberts

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Valerie Gonzalez. Aesthetic Hybridity in Mughal Painting, 1526 – 1658

Iván Szántó

Abstracta Iranica, 2018

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CALL FOR PAPERS: Images of the city (19th -21th centuries)

Damien Petermann, Eliane Kuvasney

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Synthesis of Eastern and Western Art: Art Nouveau Images on Ottoman Porcelain

Suna Aydın Altay

ART-SANAT, HISTART'15 SPECIAL ISSUE , 2016

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A painting of a renaissance town: how a source grew to be a prank. The case of seventeenth-century painting from St. Anthony's in Rab.

Dušan Mlacović

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"For people of fashion' Domestic imagery and the art market in the Dutch Republic" Nederlands Kunsthistorisch Jaarboek 51 2000

Wayne Franits

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Crossing Thresholds: The Hybrid Identity of Late Nineteenth-Century Art Dealers

Christian Huemer

Jaynie Anderson, ed. Crossing Cultures: Conflict-Migration-Convergence (Melbourne: Miegunyah Press 2009), pp. 1007-1011.

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Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25

Arthur J . DiFuria

Renaissance Quarterly, 2019

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Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento

Hannah Friedman

When Michelangelo Was Modern Collecting, Patronage and the Art Market in Italy, 1450-1650, 2022

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Artists and the city: mapping the art worlds of eighteenth-century Paris (Urban History)

Hannah Williams

Urban History, 2018

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Leonardo Dal Colle History of Art Dissertation (2020-21) VC53132A

Leonardo Dal Colle

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Cabinet-en-abyme- Virtue, Knowledge, and Allegory in 17th-century Antwerp Kunstkammer Paintings (2013)

Saelan Twerdy

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Decorative Painting and Politics in France, 1890-1914

Katherine Brion

2014

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British Art Studies Issue 4 – Autumn 2016

Kate Grandjouan

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Seeing Art History: Pietro Antonio Martini's Engravings on the Exhibitions of Paris and London in 1787

Vicenç Furió

Locus Amoenus 7, 2004, p 255-270

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The Album of the World Emperor: Cross-Cultural Collecting and Album Making in Seventeenth-Century Istanbul, by Emine Fetvaci

Sinem Casale

The Art Bulletin, 2021

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“Ruins and Reputations.” Review of Nina L. Dubin, "Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert Robert" and Elizabeth C. Mansfield, "The Perfect Foil: François-André Vincent and the Revolution in French Painting," Oxford Art Journal, 36:3, December 2013, 467-470.

Richard Taws

Oxford Art Journal, 2013

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