original ) (raw )2018 Book Review - Fuhrmann, Arnika, Ghostly Desires, Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema, Durham NC: Duke University Press (2016), in Journal of Southeast Asian Studies, 49(1): 173-175.
Peter A Jackson
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Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema by Arnika Fuhrmann (Review)
Mashinka Firunts Hakopian
Journal of Cinema and Media Studies, 2018
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Peter Jackson, Review, "Ghostly desires: queer sexuality and vernacular Buddhism in contemporary Thai cinema," by Arnika Fuhrmann. Durham: Duke University Press, 2016.
Arnika Fuhrmann
Journal of Southeast Asian Studies, 2018
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David Teh, Book Review, "Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema by Arnika Fuhrmann"
Arnika Fuhrmann
2018
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Book review, "On Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema by Arnika Fuhrmann." Duke University Press, 2016.
Arnika Fuhrmann , Megan Sinnott
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"INTRODUCTION. Buddhist Sexual Contemporaneity," in Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema (Duke University Press, 2016)
Arnika Fuhrmann
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Syndromes and a Century: Contemporary Queer Thai Cinema
Arnika Fuhrmann
The Oxford Handbook of Queer Cinema, 2021
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(2014) ‘The supernatural and post-war Thai cinema’ Horror Studies Vol. 5/2 pp. 157–169.
Mary J Ainslie
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"Nang Nak—Ghost Wife: Desire, Embodiment, and Buddhist Melancholia in a Contemporary Thai Ghost Film"
Arnika Fuhrmann
Discourse: Journal for Theoretical Studies in Media and Culture, 2009
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Brett Farmer, "Impermanent Longings." Review, Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema, by Arnika Fuhrmann, Durham, NC: Duke University Press, 2016.
Arnika Fuhrmann
GLQ, 2018
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(2014) ‘Horror Film in Thailand’, Special Edition of Horror Studies, Vol 5/2. (with Ancuta, K)
Mary J Ainslie
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Contemporary Thai horror film: a monstrous hybrid
Mary J Ainslie
2012
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Drowned Voices – Drowned Identities: Queer Identities in Southeast Asian Art Cinema
Danielle Verena Kollig
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The very first series of Thai queer cinemas--what was happening in the 1980s’?
Oradol Kaewprasert
2005
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From Filth-Ghost to Khmer-Witch: Phi Krasue's Changing Cinematic Construction and its Symbolism. (2014)
Benjamin Baumann
Horror Studies, 2014
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Wer Aesthetics in Contemporary Queer Thai Cinema
Nguyen Tan Hoang
Camera Obscura: Feminism, Culture, and Media Studies, 2018
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Itinerant Cinema: The Social Surrealism of Apichatpong Weerasethakul
David Teh
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The Legacy of Emmanuelle: Oriental Desire and Interracial Encounters in European Films Set in Thailand 1974-1980
Alexander J . Klemm
Proceedings Article - 13th International Conference on Humanities and Social Sciences, Khon Kaen, Thailand, 2017
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Mysterious Object of Desire The Haunted Cinema of Apichatpong Weerasethakul
Angela O'Hara
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The Politics and Aesthetics of Non-Representation: Re-Imagining Ethnographic Cinema with Apichatpong Weerasethakul
Isaac Marrero-Guillamón
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"Making Contact: Contingency, Fantasy, and the Performance of Impossible Intimacies in the Video Art of Araya Rasdjarmrearnsook"
Arnika Fuhrmann
positions: asia critique, 2013
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Notes on camp films in authoritarian Thailand
Malinee Khumsupa
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2000 An explosion of Thai identities: global queering and re-imagining queer theory 1
Peter A Jackson
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A Ghostly Touch: Embodied Rhythms of Loss and Retrieval in the Cinema of Apichatpong Weerasethakul
Bowdoin Journal of Cinema
Bowdoin Journal of Cinema, 2022
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Emergent queer identities in 20th century films from Southeast Asia
Ben Murtagh
Routledge eBooks, 2022
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MARTONOVA, A. (2012) The national idea in the contemporary Thai cinema: images, plots, characters. // Art Studies Quarterly, Institute for Art Studies, Bulgarian Academy of Sciences, issue 3, p.30-37 [full text in Bulgarian, abstract in English]
Andronika M Martonova
Националната идея в съвременното тайландско кино: образи, сюжети, персонажи.
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Lovesick, The Series: adapting Japanese ‘Boys Love’ to Thailand and the creation of a new genre of queer media
Thomas Baudinette
South East Asian Research, 2019
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From filth-ghost to Khmer-witch: Phi Krasue’s changing cinematic construction and its symbolism
Benjamin Baumann
Horror Studies, 2014
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Thai social context in apichatpong weerasethakul 's films
Science Park Research Organization & Counselling
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Between the Local and the Global: The Cultural Geopolitics of Apichatpong Weerasethakul's Film Aesthetics
Nick Mercer
Linguistics, Literature and Culture: Millennium Realities and Innovative Practices in Asia (Cambridge Scholars Publishing), 2012
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Disciplining the boundaries of South Asian women's sexuality: an analysis of the representation of women in independent South Asian 'lesbian' cinema
gurbax matoo
2015
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Family dramas: film and modernity in Thailand
Annette Hamilton
Screen, Vol 33, Issue 3, pp. 259-273, 1992
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Exploring the Dolphy Bakla: Queerness in Philippine Cinema
Mikee N Inton-Campbell
2018
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Saka and the Abject: Masculine Dominance, the Mother and Contemporary Malay Horror Films
Jamaluddin Aziz
Asian Journal of Women's Studies, 2014
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Cultural Politics of Gender and Sexuality in Contemporary Asia
Danielle Antoinette Hidalgo
University of Hawaii Press eBooks, 2017
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