Clara.Schumann: A Composer's Wife as Composer (original) (raw)

The (Re-)Making of Clara Wieck-Schumann: Celebrity and Gender in Biofiction

Julia Lajta-Novak

2013

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The 'Inner Voice': Musical Language and Meaning in Clara Wieck-Schumann's Compositions

Stephen Emmerson

2018

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3 Clara Schumann's Legacy As a Teacher

Natasha Loges

Clara Schumann Studies, 2021

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Virtuosity in Clara Schumann's Piano Compositions (Musicological Explorations, vol. 11, 2010)

Jacob Sagrans

2010

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Clara Schumann's collection of playbills: A historiometric analysis of life-span development, mobility, and repertoire canonization

Reinhard Kopiez

Poetics, 2009

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Schumann's Lives and Afterlives

Beate Julia PERREY

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Clara Schumann: compositora x mulher de compositor

Eliana Monteiro da Silva

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Suffering for her art: The chronic pain syndrome of pianist Clara Wieck-Schumann

Eckart Altenm, Eckart Altenmüller, Reinhard Kopiez

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Schumann

Beate Julia PERREY

Nineteenth-Century Music Review, 2004

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Characteristic Brilliance: an examination of compositional influence in Clara Schumann’s Op 5

Ruairidh Pattie

2020

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Robert and Clara Schumann, and their teacher, J.S. Bach

Michelle Rasmussen

Executive Intelligence Review, 2010

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The Woman Composer Question: Four Case Studies from the Romantic Era

Eugene Gates

Ed. D, dissertation, University of Toronto, 1992

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Robert Schumann - The reception of his early piano music

Alexandre Alcantara

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‘Clara Wieck’s A minor Piano Concerto: Formal Innovation and the Problem of Parametric Disconnect in early Romantic Music’

Benedict Taylor

Paper presented at ‘Clara Schumann (née Wieck) and her World’, University of Oxford, 15th June 2019, and AMS Annual Conference, Boston, 2nd November 2019, forthcoming in Music Theory and Analysis, 8/2 (October 2021), 2019

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Werktreue Ideology in Clara Schumann’s and Franz Liszt’s Piano Transcriptions

Deirdre Toh

Journal of the Society for Musicology in Ireland, 2023

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Program notes, 18 March 1944: Elisabeth Schumann--Songs by Franz Schubert & Hugo Wolf

Emanuel Winternitz

Metropolitan Museum of Art: Concerts for Members, 1944

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Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany by Alexander Stefaniak

Erinn Elizabeth Knyt

Notes, 2018

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Sounds and Sweet Airs: The Forgotten Women of Classical Music. Anna Beer

Cheryll Duncan

Early Modern Women-an Interdisciplinary Journal, 2018

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An Unknown Grandmother of Liszt

Michael Lorenz

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Piano – the main attraction of the Polish salon during Maria Szymanowska time. In: Annales / Académie Polonaise des Sciences - Centre Scientifique à Paris, Vol. 16

Benjamin Vogel

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The Reception of Fanny Hensel's Piano Music in Victorian Britain, 1854-1884

Paula Higgins

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Polish Female Composers in the Nineteenth Century

Magdalena Dziadek

Musicology Today

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Sounds and Sweet Airs: The Forgotten Women of Classical Music

Cheryll Duncan

2016

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Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn - By Irving Godt

Christopher Wiley

Journal for Eighteenth-century Studies, 2012

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The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls

Anatole Leikin

Performance Practice Review, 1996

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Fanny Mendelssohn Hensel: A Life of Music within Domestic Limits

Eugene Gates

Kapralova Society Journal, 2007

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The Inner Workings of Alma Deutscher's Musical Genius

Michelle Rasmussen

Executive Intelligence Review, 2017

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The Woman Composer Question: Historical and Philosophical Perspectives

Eugene Gates

Kapralova Society Journal, 2006

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Biographical Fiction to Historiographic Metafiction: Rewriting Clara Schumann

Julia Lajta-Novak

Brno Studies in English, 2011

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Music in the Romantic Era – 1825-1900

Kamerata Stradivarius

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“Fanny Davies and the Performance of Brahms’s Late Chamber Music.” In Performing Brahms: Primary Evidence, Evaluation, and Interpretation, edited by Michael Musgrave and Bernard Sherman, 170–219. London: Cambridge University Press, 2003.

George S. Bozarth

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Irving Godt, Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn. Edited by John A. Rice. Rochester, NY: University of Rochester Press, 2010. ISBN 978-1-58046-351-3

Bertil van Boer

2015

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Nadia Boulanger and Her Role in Polish Music – in the Light of Zygmunt Mycielski’s Writings1

Beata Bolesławska-Lewandowska

Polski Rocznik Muzykologiczny, 2022

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On the Task of the Music Historian

Sanna Pederson

repercussions, 1993

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The Elements of a Perfected Song Cycle: A Lecture Recital on Schumann’s Frauenliebe und Leben

Kristen Christopherson

2015

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