From the Gesamtkunstwerk to the Music Drama (original) (raw)

Richard Wagner and the Politics of Music-Drama

The Historical Journal, 2004

Modernism after Wagner by Juliet Koss. University of Minnesota Press, Minneapolis, U.S.A., London, U.K., 2009. 416 pp., illus. Trade, paper. ISBN: 978-0-8166-5158-0; ISBN 978-0-8166-5159-7

Joy Calico

Leonardo, 2012

View PDFchevron_right

The Fade Out: Metaphysics and Dialectics in Wagner

Eugene A Clayton Jr

The Fade Out: Metaphysics and Dialectics in Wagner, 2020

View PDFchevron_right

The Case of Wagner Against the Grain: The Disagreement Between Nietzsche and Adorno, and its Relevance Today

João Pedro Cachopo

Parrhesia: A Journal of Critical Philosophy, 2014

View PDFchevron_right

Romanticism as Modernism: Richard Wagner’s “Artwork of the Future”

Guenter Zoeller

Palgrave Handbooks in German Idealism, 2020

View PDFchevron_right

Reading Right from Left: Hans Mayer and Postwar Wagner Reception (Article), Opera Quaterly 30.2/3 (2014): 228-245

Nicholas Vazsonyi

View PDFchevron_right

Sunk in the Mystic Abyss: Wagner’s ‘Choral’ Orchestra

Laurence Dreyfus

View PDFchevron_right

Cinematic Precedence: Wagner: music, drama and musical dramaturgy

Edward Primrose

View PDFchevron_right

The Labyrinth of the Soul:: Wagner’s Musical Lament

Miguel Ribeiro-Pereira

2016

View PDFchevron_right

Kevin Karnes, _A Kingdom not of this World: Wagner, the Arts, & Utopian Visions in fin-de-siècle Vienna_ (OUP, 2013)

David Trippett

Nineteenth-Century Music Review (2015), online first

View PDFchevron_right

Dieter Borchmeyer, Richard Wagner. Theory and TheaterDie Götter tanzen Cancan. Richard Wagners Liebesrevolten

Hans Vaget

The Germanic Review: Literature, Culture, Theory, 1994

View PDFchevron_right

Interpreting Wagner (review)

Linda Hutcheon

University of Toronto Quarterly, 2004

View PDFchevron_right

Was Nietzsche Ever a True Wagnerian? Nietzsche’s Late Turn to and Early Doubt About Richard Wagner

Martine Prange

Nietzsche-Studien, 2011

View PDFchevron_right

JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER Cambridge: Cambridge University Press, 2001 pp. xvi 447, ISBN 0 521 23532 4

David Buch

Eighteenth Century Music, 2004

View PDFchevron_right

German Opera: From the Beginnings to Wagner (review)

Kevin Amidon

Notes, 2002

View PDFchevron_right

The ‘Telephone of the Beyond ’: Friedrich Nietzsche’s Ethical Critique of Richard Wagner’s Artistic Program (2015)

Herbert Hanreich

View PDFchevron_right

"Richard Wagner and Nineteenth-Century Music Criticism," in Wagner in Context, ed. David Trippett (Cambridge: Cambridge University Press, 2024), 390–398.

Alexander Wilfing

Wagner in Context, 2024

View PDFchevron_right

Review: Wagner's Meistersinger: Performance, History, Representation

Kevin Amidon

Music and Letters, 2004

View PDFchevron_right

Love in the time of Bismarck Roger Scruton, Death-Devoted Heart: Sex and the Sacred in Wagner's ‘Tristan and Isolde’ . Oxford: Oxford University Press, 2004. 248 pp

Karol Berger

Cambridge Opera Journal, 2006

View PDFchevron_right

Richard Wagner's concepts of history

Alan Anbari

2007

View PDFchevron_right

Wagner and the post-modern

John Deathridge

Cambridge Opera Journal, 1992

View PDFchevron_right

The Influence of Richard Wagner on 20th century Literature

Dániel Nagy

2018

View PDFchevron_right

Review of Gundula Kreuzer, _Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera_ (University of California Press, 2018)

Thomas Grey

The Opera Quarterly, 2019

View PDFchevron_right

Nota Bene 56 N B Paris and the Awakening of Wagner's Nationalism

Jelisaveta Mojsilovic

View PDFchevron_right

review of Wagner and His World

Sanna Pederson

View PDFchevron_right

Wagner and the Wonder of Art: An Introduction to Die Meistersinger (review)

Joseph So

University of Toronto Quarterly, 2009

View PDFchevron_right

Review of Gundula Kreuzer's "Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera" (Oakland: University of California Press, 2018)

Alexander K. Rothe

Current Musicology, 2018

View PDFchevron_right

The power of Wagner

Michael Chant

View PDFchevron_right

Richard Wagner’s Essays and musical-dramatic output as a source of Thomas Mann’s inspiration.

Gvantsa Ghvinjilia

Revista do Laboratório de Dramaturgia (LADI) da Universidade de Brasília, Ano: 2023, ISSN: 2525-9105, 2024

View PDFchevron_right

‘How to React in France Against Hitlerian Pseudo-Wagnerism’: The Reception of Richard Wagner in Paris, 1933

Rachel Orzech

View PDFchevron_right

Review of Kevin C. Karnes, A Kingdom not of this World: Wagner, The Arts, and Utopian visions in Fin-de-Siècle Vienna (Oxford: Oxford UP, 2013)

David Larkin

View PDFchevron_right

Paris and the Awakening of Wagner's Nationalism

Jelisaveta Mojsilovic

Nota Bene: Canadian Undergraduate Journal of Musicology, 2016

View PDFchevron_right

JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER

David J Buch

Eighteenth-century Music, 2004

View PDFchevron_right

The Sovereignty of the New Man After Wagner: Artist and Hero, Symbolic History, and the Staging of Origins

Stefanos Geroulanos

View PDFchevron_right

‘Oh show us....’: Opera and/as Spectatorship in Aufstieg und Fall der Stadt Mahagonny

Kevin Amidon

Brecht Yearbook, 2004

View PDFchevron_right

From the Gesamtkunstwerk to the Music Drama (original) (raw)

Related papers