original ) (raw )Aspects of Middle Byzantine Sculptural Decoration: Constantinople & the Periphery (South Greece)
Sotirios Fotakidis
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‘The Art that Does Not Think’: Byzantine ‘Decorative Arts’ – History and Limits of a Concept
Alicia Walker
Studies in Iconography, 2012
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"Early Christian and Byzantine Sculpture on Samothrace", 23rd International Congress of Byzantine Studies, Belgrade, 22-27 August 2016
Evangelos A Papathanassiou
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Review Essay: The Status of the Visual in Byzantine Culture: On Some Recent Developments in Byzantine Art History
Glenn Peers
Florilegium
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Classical trends in Byzantine and Western Art in the 13th and 14th centuries
Elena Papastavrou
Daim F. & Drauschke J. (Eds) Byzanz - Das Römerreich im Mittelalter. Peripherie und Nachbarschaft, Monographien des Römisch-Germanischen Zentralmuseums Mainz, 2010
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"Middle Byzantine Sculptors at Work: Evidence from the Lower City Church at Amorium," La sculpture byzantine, VIIe-XII siecles, BCH Suppl. 49 (2008), pp. 487-513
ERIC IVISON
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"The Refashioning of Byzantine Artistic Traditions in the Monastic Mural Cycles of Medieval Moldavia" - The 94th Annual Meeting of the Medieval Academy of America (University of Pennsylvania, March 9, 2019)
Alice Isabella Sullivan
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BYZANTINE PAINTING TREATISES, I QUADERNI DEL MEDIAE AETATIS SODALICIUM
Konstantinos Vapheiades
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Images of Authority in Late Antiquity. Public Portrait Sculpture in the East (A.D. 300-600) in I. Baldini et al. (eds.), The Silk and the Blood. Images of Authority in Byzantine Art and Archaeology, 2019, 145-52
Georgios Deligiannakis
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Τhe “Speaking” Decoration: Inscriptions on Αrchitectural Sculptures of the Middle Byzantine Church, in Chr. Stavrakos (ed.), Inscriptions in the Byzantine and Post-Byzantine History and History of Art, Wiesbaden 2016, 389-403.
Georgios Pallis
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Late, Middle, and Early Byzantine Sculpture in Palaiologan Constantinople, in Spolia Reincarnated, ed. I. Jevtić and S. Yalman, Istanbul 2018, 139-150
Nicholas Melvani
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“Art and Architecture in the Balkans and the Lower Danube Regions” (with M. Mihaljević and Lj. Milanović) in the Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600, eds. M.A. Rossi and A. I. Sullivan (London and New York: Routledge, 2024), 44-61.
jelena bogdanovic , Marina Mihaljević
2024
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Inscriptions from Meteora: Evidence for society and economy of Thessalia, International Conference Art Readings 2017, Old Art Module, March 31st-April 2nd, Byzantine and Post-byzantine Art, Crossing Borders
Katerina (Aikaterini-Konstantina) Kontopanagou
2017
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Archaeology of a World of Changes. Late Roman and Early Byzantine Architecture, Sculpture and Landscapes Selected Papers from the 23rd International Congress of Byzantine Studies (Belgrade, 22–27 August 2016) – In memoriam Claudiae Barsanti
Dominic Moreau , Ljubomir Milanovic , BAR Publishing - British Archaeological Reports (Oxford) Ltd , isabella Baldini , Skender Bushi
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Moutafov, Emmanuel & Ida Toth. Byzantine and Post-Byzantine Art: Crossing Borders, Exploring Boundaries. In: Moutafov, E. and I. Toth (eds.). Art Readings 2017: Byzantine and Post-Byzantine Art: Crossing Borders. vol. 1, Sofia 2018, ISBN 978954859707, 11-38.
Ida Toth , Emmanuel Moutafov
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Through a Glass Brightly. Studies in Byzantine and Medieval Art and Archaeology Presented to David Buckton. Edited by Christopher Entwistle. 285mm. Pp xii plus 235, ills. Oxford: Oxbow Books, 2003. ISBN 1842170902. £50
Christopher Entwistle
The Antiquaries Journal, 2004
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ANOMALIES IN BYZANTINE ART AND ARCHITECTURE: NEW METHODOLOGICAL PERSPECTIVES, Thematic Sessions at The 24th International Congress of Byzantine Studies Venice and Padua
Marina Mihaljević
Proceedings, Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters, ed. A Rigo , 2022
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The Architectural Decoration of the Early Byzantine Churches on the West Coast of the Black Sea
Catherine Vanderheyde
Problemi na Izkoustvoto, 2 (2012), p. 6-9, 2012
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THE BYZANTINE ARCHITECTURAL SCULPTURE WITH FIGUE AT HELLESPONT
Ayse Ç . Turker
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Artistic Production in Centres and the Periphery of the Byzantine Peloponnese. Aspects of Monumental Painting in the Late Palaiologan Period, DChAE 37 (2016), 41-68.
Nektarios Zarras
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Aspects of Byzantine Art after the Recapture of Constantinople (1261-c.1300): Reflections of Imperial Policy, Reactions, Confrontation with the Latins, in J.-P. Caillet and F. Joubert, eds., Orient et Occident Méditerranéens au XIIIe siècle: les programmes picturaux, Paris 2012, pp. 41-64.
Sophia Kalopissi-Verti
2012
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EFD / JFL Edebiyat Fakültesi Dergisi / Journal of Faculty of Letters Cilt/Volume 25 Say›/Number 1 (Haziran /June 2008) The Italo-Cretan Religious Painting and The Byzantine-Palaeologan Legacy ‹talyan-Girit Dini Resimleri ve Bizans-Paleolog Miras›
Sercan Yandim
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Through a Glass Brightly: Studies in Byzantine and Medieval Art and Archaeology Presented to David Buckton
Christopher Entwistle
2003
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“Byzantine Artistic Traditions in Moldavian Church Embroideries,” in L’évolution de la broderie de tradition byzantine en Méditerranée orientale et dans le monde slave (1200–1800), eds. Joëlle Dalègre, Elena Papastavrou, and Marielle Martiniani-Reber (Paris: Presses d’Inalco, 2021), 125–160.
Alice Isabella Sullivan
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The Pseudo-Kufic Ornament and the Problem of Cross-Cultural Relationships Between Byzantium and Islam, in «Opuscula Historiae Artium», 13, 2013 (62, Supplementum), pp. 120-136. ISSN: 1211-7390.
Silvia Pedone
Opuscula Historiae Artium, 2013
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