“Life follows myth!”: A Jungian reading of Orhan Pamuk’s The Red-Haired Woman (original) (raw)
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“Literary Jung: Mythos, Individuation, and Poetics”
Interdisciplinary Discourses, Education and Analysis (IDEA) Journal Issue 1 - Myth: Intersections and Interdisciplinary Perspectives, 2021
My paper shall discuss Jung’s stance on literature, with the definitive point made that Jung’s approach to literature may be viewed as valid insofar as for him, literature and artistic creativity more generally are not reducible to analytical psychology but are in their totality analogous repositories of the same. The psychological aspect that I explore in Jungian poetics is the formation of such art in the creative self, in what is to Jung a transformative ‘psyche’, for which mythological and alchemical symbols contribute to expressions of the individuation process. Although Jung called for logos in his theories, he stressed the importance of mythos. Logos alone was not enough for understanding the psyche, and in turn, humanity; however, mythos, which can manifest as narrative or poetry with its language of symbolism and imagery, is necessary to reveal the hidden aspects of the collective unconscious in the work of individuals. I shall discuss how, for Jung, myths were narratives that both expressed and shaped the psyche, which is where poetry and psychology meet. Archetypes are not wholly discrete essences separate from empirical experience. Rather, they exist in the empirical world like transcendental truths as the constructors of individual experience.
Father and Son Relation in the Red-Haired Woman by Orhan Pamuk
2018
Bu calisma Orhan Pamuk’un (Nobel Edebiyat Odulunu 2006 yilinda kazanan ilk Turk yazari) Kirmizi Sacli Kadin adli romaninda baba-ogul iliskisini Freudyen perspektifle incelemeyi amaclamaktadir. Pamuk’un onuncu romani olan Kirmizi Sacli Kadin, Bati ve Dogu mitleri, Sophocles’in Kral Oedipus’undaki Oedipus (baba katli) ve Firdevsi’nin Şehname’sinde Rustem ve Suhrab (ogul katli) uzerinden baba-ogul iliskisini ele alir. Bu mitlerdeki babalar ve ogullarin romandaki modern uyarlamalari (buyuk-baba) Akin, (ogul ve baba) Cem ve (torun ve ogul) Enver’dir. Ayrica Akin ailesini terk edip Cem annesinden uzakta, Istanbul’a yakin bir kasaba olan Ongoren yakinlarinda kuyu ustasi Mahmut’a ciraklik yapmaya basladik-tan sonra Mahmut Cem’in babasi rolunu ustlenir. Cem ve oglu Enver farkli nedenlerle babalari tarafindan terk edilir. Bundan dolayi hircindirlar ve baba imgesine ihtiyac duyarlar. Ayrica Cem hayati boyunca ustasi/babasi Mahmut’u oldurdugunu dusunerek vicdan azabi duyar; Enver hayati boyunca...
My Red Hair is My Freedom: Image of LI- Lith in Orhan Pamuk’s Novel, the Red
2019
In this study, Gülcihan, a woman character in Orhan Pamuk’s The Red Haired Woman referring to the image of Lilith who is known as the first wife of Adam in Western Mythology was analysed. In feminist literature Lilith is one of the representatives of femme fatale/fatal woman/diabolic woman with her libertarian spirit. One of the most significant characteristics of Lilith is being an equalitarian/libertarian woman, and the other is her leading to catastrophe through her red hair’s fascinating and voluptuous effect. Similarly, Gülcihan in Orhan Pamuk’s The Red Haired Woman forms her libertarian woman identity through her red hair and she has a fatal effect leading to catastrophes in the novel. In this study, character analysis of Gülcihan in The Red Haired Woman has been targeted referring to the analogy of the image of
Appropriative Remembering: Pamuk's The Red-Haired Woman
Literary appropriation can be seen as an act of cultural remembering when considering the dialogues inherent in it which link the past with the present and thus fulfill the mnemonic function. Nobel Prizewinner Turkish author Orhan Pamuk's novel titled The Red-Haired Woman is a suitable case for such a cultural remembering with its connective appropriations of Sophocles' King Oedipus, Ferdowsi's Rostam and Sohrab (part of the Persian epic Shahnameh) Koranic and Biblical stories such as the binding of Isaac and Joseph's well. Pamuk has skillfully used the elements of these stories to shape his novel's theme, plot, character development, and temporal and spatial dynamics. In this regard, the text exemplifies not only the postmodern afterlives, receptions, remediations, and rewritings of the stories in question but also the role of creative uses of an aesthetic form, such as the novel in generating memorability. Therefore, the text gives reasonable answers to questions such as how appropriative dialogues can function as a memory act; how the forms of memory overlap, intersect, and connect each other in the fictional context. The present study investigates how we can remember the past by the agency of a novel within a framework based on the conceptual, theoretical, and methodological perspectives of appropriation, dialogism, and memory in the case of The Red-Haired Woman.
Parallelisms between Jungian Archetypes with Ibn ‘Arabi’s Concept of Ayani -Sabita (Jung’un Arketip Kavramı ile İbnü’l-Arabi’nin Âyân-ı Sâbite Kavramı Arasındaki Paralellikler), 2019
This study attempts to put forth the relationship between Carl Gustav Jung' s concept of the archetype and Muhyiddin Ibn 'Arabi' s concept of Ayani-sabita. In this context, the nature of the concepts of Muhyiddin Ibn 'Arabi' s Ayani-sabita and Jung' s concept of the archetype are examined, as well as the similarities and differences between each of the two concepts, by researching the issues of the relationship of these concepts with existence and humans. Attention is attempted to be drawn in the study' s results to the topics that the concept of Ayani-sabita, which is often unrecognized in the literature on psychology, can contribute to contemporary psychology, arriving at the conclusion that this concept may be one that can contribute to the science of psychology just as Jung' s archetype concept. Keywords Archetype • Ayani-sabita • Muhyiddin Ibn ‘Arabi • Carl Gustav Jung Öz Bu çalışmada Carl Gustave Jung’un “arketip” kavramı ile Muhyiddin İbnü’l Arabî’nin“âyân-ı sâbite” kavramı arasındaki ilişki ortaya konulmaya çalışılmıştır. Bu kapsamda Jung’un Arketip kavramı ile Muhyiddin İbnü’l-Arabî’nin âyân-ı sâbite kavramlarının niteliği, bu kavramların varlıkla ve insan ile ilişkisi konuları araştırılarak, her iki kavramın benzerlik ve farklılıkları incelenmiştir. Çalışmanın sonucunda psikoloji literatüründe çok fazla tanınmayan âyân-ı sâbite kavramının günümüz psikolojisine katkıda bulunabileceği hususlara dikkat çekilmeye çalışılmış ve bu kavramın tıpkı C. G. Jung’un arketip kavramı gibi psikoloji bilimine katkı sağlayabilecek bir kavram olabileceği sonucuna ulaşılmıştır. Anahtar Kelimeler Arketip • Âyân-ı Sâbite • Muhyiddin İbnü’l-Arabî • Carl Gustave Jung
Jung’s Shadow Archetype and Its Traces in Marina Carr’s Woman and Scarecrow, 2021
Being a country that constantly provides well-established writers to the world literature and draws attention as a kind of education country in the eyes of great writers, Ireland embodies a magnificent literary tradition and accumulation from the past to the present. Marina Carr, one of the female playwrights of the contemporary Irish theater of the twentieth century and a contrbuiton of which Ireland to the world literature, stands out among the most important female writers. The main action of Carr's plays is to reflect the psychological dilemmas of individuals who live within the borders of the country and are shaped with Irish culture. In this psychological framework, Carr, who aims to show the introversion of people with depression, often appears as an important playwright, both by rewriting myths and addressing issues that are not familiar to Irish society in her plays. Although, unlike her other plays, she did not use the strategy of rewriting myths in Woman and Scarecrow, she succeeds in giving the play a gothic atmosphere with the Scarecrow character and creates new characters suitable for her own writing style. The play Woman and Scarecrow focuses on Carr's theme of death and makes the audience feel that moment of death and the fear of death that the individual will experience upon realization that life has no meaning when faced with the reality of death. Carr aims to reflect the reality of death to the audience through a shadow character. The moment of death of an old woman who tries to come to terms with her past on her deathbed and takes her pain out of herself is an attempt by Carr to symbolize the reality of death with the characters of Woman and Scarecrow in the play. This study deals with the shadow archetype that Carl Gustav Jung handles in the context of personality theory, forming the dark side of the personality produced by the images in our subconscious, with Scarecrow character created by Carr.
Jung and the Fairy Tale, or Nosce Te Ipsum
PsyArt: An Online Journal for the Psychological Study of the Arts, 2010
The fairy tale or folk tale is the most widespread and possibly oldest form of literature: an unpretentious, dreamy type of story, without an identifiable author, recounting miraculous events that are set in some indefinite place and time. Simple as they may seem, fairy tales are not always easily accessible to a sophisticated audience. In our (post)modern times they have more or less disappeared from sight. ‘Enlightened’ minds in the past have tried to suppress them and have succeeded to the extent that fairy tales are looked upon, nowadays, as infantile material, appreciated only by the very young, or perhaps by the occasional romantic soul. In our modern, no-nonsense world of career management and clever marketing strategies, fairy tales do not count for much. Yet, fairy tales are valuable repositories of wisdom. Freud did not hesitate to analyze E.T.A. Hoffmann’s literary fairy tale Der Sandmann in order to illustrate his psychoanalytic theory of the uncanny. And Jung-oriented research tends to value fairy tales even more.