Barnett Newman's The Wild: Painting as Spatial Intervention (original) (raw)

Figures of the Unpresentable. The Dance-like Reception of Barnett Newman’s Art,

Ewelina Jarosz

‘Zeszyty Artystyczne’ no. 33, University of Arts in Poznan. Print ISSN: 1232-6682, 2018

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A World for Us: On the Prefiguration of Reconciliation in Barnett Newman's Painting

Daniel Neofetou

Journal of Contemporary Painting, 2019

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The Affect of Painting as a Physical Space

Joanne mcgonigal

2018

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Paintings as Walls: Peter Blake, Jackson Pollock, and the Myth of Unframed Space

Helen A Harrison

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Perception Expectation and Meaning in Barnett Newman's "Stations of the Cross" Series

Jeffrey Katzin

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Bridging the Generation Gaps in Barnett Newman's Who's Afraid of Red, Yellow and Blue Paintings, American Art, 2005

Sarah K. Rich

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Instantiating ideas of limitless space: thinking through painting

lucila maddox

2015

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'Introduction' in Peripheral Vision: Contemporary Australian Art 1970-94

Charles Green

Craftsman House, 1995

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Great moments in American painting : dogged looks from the other side of the fence

shep steiner

1997

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'It is a place, Makom, where each man may be called up': Being and time in Barnett Newman's art

Richard Mather

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How artworks modify our perception of the world

Alfredo Vernazzani

2021

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Re-envisioning vision: artistic explorations in the territories of perception

Annie Briard

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Grounding the Landscape: Epistemic Aspects of Materiality in Late-Nineteenth-Century American Open-Air Painting

Noam Gonnen

Arts

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Art within Time: Lyotard, Barnett Newman, and Tarkovsky

Conor Ross

2019

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Emplacement and Displacement: Perceiving the Landscape Through Aboriginal Acrylic Painting

Fred Myers

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An Exceptional Vantage Point: Remarks on Nestor's Kruger Untitled" Room" at the Contemporary Art Gallery in Vancouver

Yam Lau

Espace Sculpture

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‘On A Clear Day You Can See Forever’: The Colonial Panorama and the Theatre of Landscape

Anita Callaway

Australian journal of art, 1994

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Surface Tension: The Late Modernist Picture Plane as Internally Inconsistent Interface

Jason Hoelscher

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Where Words and Images Speak for Themselves: Landscape (Re)presentation and Word-Image Dichotomy in James Benning’s Deseret (1995)

Kornelia Boczkowska

Image [&] Narrative , 2017

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Translating the Ideas of the Artist as a State of Uncommon Awareness: The Eternal Creator of Space and Time beyond Canvas Appeal

Zeekeyi Yibowei

Arts and Design Studies, 2016

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Making Space: transitional phenomena in the making of a series of artworks

Patricia Townsend

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Emplacement and Displacement: Perceiving the Landscape Through Aboriginal Australian Acrylic Painting

Fred Myers

Ethnos, 2013

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Drawing and the subjectivity of the 'other'

Mirjana Lozanovska

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Screen and Layered Depth: Surrealist Painting and the Conceptualization of Mental Space

Haim Finkelstein

Res: Anthropology and aesthetics

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The Rhetoric of the Frame: Essays on the Boundaries of the Artwork

Paul Duro

The Journal of Aesthetics and Art Criticism, 1998

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Beyond the Frame: Art, Ecology and the Aesthetics of Nature

Kate Rigby

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Expanding landscapes: Articulating metamodernity in painting after Land art

Rebecca Partridge

The Journal of Contemporary Painting , 2024

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Picturing Autonomy: David Smith, Photography, and Sculpture

Sarah Hamill

Art History, 2014

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'Chaos and Awe: Painting for the 21st Century. Catalogue essay

simon morley

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The Disquieting Image: Tracing the Visual Essay

Luisa Greenfield

Artistic Research Strategies for Embodiment, 2015

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Barnett Newman, the Print Maker

Joanna McFarlane

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"Undoing the Human: *Wild* Art and a Poetics of Ecology"

Andrew Goodman

Hyphen Journal 3.1: Ecologies, 2022

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François Evangelista - Where Are the Wild Things? - Bachelor of Visual Art Synopsis, 2014

François Evangelista

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THINKING SPACE, ADVANCING ART: CASSIRER AND CROWTHER

IOANNA KOPSIAFTI, Elena Fell

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Drawing, Place and the Contemporary Sublime

Stephen Felmingham

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