Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch (original) (raw)

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Christine Gengaro

Journal of Film Music, 2010

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David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb)

Annette Davison

Music Analysis

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Paula Musegades

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15. Music Structuring Narrative – A Dialogue

Ian Christie

Stories, 2018

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A music semiotic perspective on the Italian industrial cinema of the economic miracle: the technology paradigm and the modes of audiovisual representation

Alessandro Cecchi

In: Film Music: Practices, Theoretical and Methodological Perspectives. Studies around Cabiria Research Project (ed. by Annarita Colturato), Torino: Kaplan 2014, pp. 241-263, 2014

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Film Music and the Unfolding Narrative

Annabel Cohen

2013

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Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene

David Ryan

CINEJ Cinema Journal, 2011

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Listening to Ravel, Watching Un coeur en hiver: Cinematic Subjectivity and the Music-film

Julie Brown

2004

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Musical moments and numbers in Austrian silent cinema

Claus Tieber

The Soundtrack, 2020

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Melodies of Desire and Darkness: Personifying Eros and Thanatos Through Film Music in Morte a Venezia and La Pianiste

fatma betül ataş

Türkiye Film Araştırmaları Dergisi, 2023

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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction

David Roche

Miranda, 2021

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Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index

Anthony J. Fonseca

Journal of Film Music, 2010

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Mediating the ‘idea of One’: Arvo Pärt’s pre-existing music in film

Kaire Maimets-Volt

Estonian Academy of Music and Theatre Dissertations 4, 2009

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Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: University of Oxford Press, 2018

Nathan Platte

Journal of the Society for American Music

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Review of Claudia Gorbman, ed., Unheard Melodies: Narrative Film Music

Richard Littlefield

1990

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"Composing the Past: Music and the Sense of History in Hollywood Spectacles of the 1950s and early 1960s", published in Screening the Past Issue 5, 1998.

Hannu Salmi

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Robynn Stilwell

Journal of Film Music, 2009

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Foreword to Unheard Possibilities. Reappraising Classical Film Music Scoring and Analysis

Frank Mehring

2021

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Interpretation and Underscoring: Modest Constructivism and the Issue of Nondiegetic versus Intra-diegetic Music in Film (in Music and the Moving Image 2016, 9:2, 39-57)

Tobias Pontara

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Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series

giorgio biancorosso

Current Musicology, 2007

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The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film

Josep Torelló, Josephine Swarbrick

Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 2019

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The Not-so-fantastical Gap Between Music Studies and Film Studies

Emilio Audissino

2017

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Criticality and Film Music

Richard Stopford

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"Film Music as Embodiment" In Maarten Coëgnarts and Peter Kravanja (eds.) Embodied Cognition and Cinema. Leuven: Leuven University Press, 2015: 81-112.

Juan Chattah

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Haneke’s La Pianiste (2001), Parody and the Limits of Film Music Satire

Julie Brown

Tonspuren: Musik im Film: Fallstudien 1994–2001, ed. Andreas Dorschel, 2005

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From Unheard to Meaningful: When Music Takes Over in Film

Anna Katharina

Springer eBooks, 2023

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The «Musicalisezd Image»: A Joint Aesthetic of Music and Image in Film

Josephine Swarbrick

2019

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Rosa Chalkho

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Interaction between Music and Image in Film – Presumptions and Typology

Antanas Kučinskas

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Film Music between Interdisciplinarity and Multidisciplinarity

Francesco Finocchiaro

«Lithuanian Musicology», XXIV, pp. 70-80, 2023

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A new way of experiencing a score_The use of unconventional music for Haneke's enigmatic film Caché.pdf

Alberto Sueri

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Epilogue: The Dawn of Sound Cinema

Francesco Finocchiaro

Musical Modernism and German Cinema from 1913 to 1933, 2017

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Cinematic Precedence: Wagner: music, drama and musical dramaturgy

Edward Primrose

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"The Functions of Sound and Music in Tarkovsky's Films", Audio Technologies for Music and Media International Conference (pp. 12-19), Bilkent University, 31 October-1 November 2013, Ankara, Turkey.

Metin Colak

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Story-Music / Discourse-Music: Analyzing the Relationship Between Placement and Function of Music in Films

Valerio Sbravatti

Music and the Moving Image, 2016

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