Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch (original ) (raw )Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index
Christine Gengaro
Journal of Film Music, 2010
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David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb)
Annette Davison
Music Analysis
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Review: Guido Heldt. 2013. Music and Levels of Narration in Film: Steps Across the Border. University of Chicago Press. In Notes: Quarterly Journal of the Music Library Association. 72:2..pdf
Paula Musegades
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15. Music Structuring Narrative – A Dialogue
Ian Christie
Stories, 2018
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A music semiotic perspective on the Italian industrial cinema of the economic miracle: the technology paradigm and the modes of audiovisual representation
Alessandro Cecchi
In: Film Music: Practices, Theoretical and Methodological Perspectives. Studies around Cabiria Research Project (ed. by Annarita Colturato), Torino: Kaplan 2014, pp. 241-263, 2014
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Film Music and the Unfolding Narrative
Annabel Cohen
2013
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Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene
David Ryan
CINEJ Cinema Journal, 2011
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Listening to Ravel, Watching Un coeur en hiver: Cinematic Subjectivity and the Music-film
Julie Brown
2004
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Musical moments and numbers in Austrian silent cinema
Claus Tieber
The Soundtrack, 2020
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Melodies of Desire and Darkness: Personifying Eros and Thanatos Through Film Music in Morte a Venezia and La Pianiste
fatma betül ataş
Türkiye Film Araştırmaları Dergisi, 2023
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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction
David Roche
Miranda, 2021
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Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index
Anthony J. Fonseca
Journal of Film Music, 2010
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Mediating the ‘idea of One’: Arvo Pärt’s pre-existing music in film
Kaire Maimets-Volt
Estonian Academy of Music and Theatre Dissertations 4, 2009
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Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: University of Oxford Press, 2018
Nathan Platte
Journal of the Society for American Music
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Review of Claudia Gorbman, ed., Unheard Melodies: Narrative Film Music
Richard Littlefield
1990
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"Composing the Past: Music and the Sense of History in Hollywood Spectacles of the 1950s and early 1960s", published in Screening the Past Issue 5, 1998.
Hannu Salmi
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Music in Films
Robynn Stilwell
Journal of Film Music, 2009
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Foreword to Unheard Possibilities. Reappraising Classical Film Music Scoring and Analysis
Frank Mehring
2021
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Interpretation and Underscoring: Modest Constructivism and the Issue of Nondiegetic versus Intra-diegetic Music in Film (in Music and the Moving Image 2016, 9:2, 39-57)
Tobias Pontara
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Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series
giorgio biancorosso
Current Musicology, 2007
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The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film
Josep Torelló , Josephine Swarbrick
Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 2019
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The Not-so-fantastical Gap Between Music Studies and Film Studies
Emilio Audissino
2017
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Criticality and Film Music
Richard Stopford
Music, Sound, and the Moving Image, 2022
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"Film Music as Embodiment" In Maarten Coëgnarts and Peter Kravanja (eds.) Embodied Cognition and Cinema. Leuven: Leuven University Press, 2015: 81-112.
Juan Chattah
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Haneke’s La Pianiste (2001), Parody and the Limits of Film Music Satire
Julie Brown
Tonspuren: Musik im Film: Fallstudien 1994–2001, ed. Andreas Dorschel, 2005
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From Unheard to Meaningful: When Music Takes Over in Film
Anna Katharina
Springer eBooks, 2023
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The «Musicalisezd Image»: A Joint Aesthetic of Music and Image in Film
Josephine Swarbrick
2019
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MUSICAL MEANING ON THE SCREEN: AN APPROACH TO SEMIOTICS FOR MUSIC IN CINEMA On meaning in music in the audiovisual field
Rosa Chalkho
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Interaction between Music and Image in Film – Presumptions and Typology
Antanas Kučinskas
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Film Music between Interdisciplinarity and Multidisciplinarity
Francesco Finocchiaro
«Lithuanian Musicology», XXIV, pp. 70-80, 2023
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A new way of experiencing a score_The use of unconventional music for Haneke's enigmatic film Caché.pdf
Alberto Sueri
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Epilogue: The Dawn of Sound Cinema
Francesco Finocchiaro
Musical Modernism and German Cinema from 1913 to 1933, 2017
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Cinematic Precedence: Wagner: music, drama and musical dramaturgy
Edward Primrose
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"The Functions of Sound and Music in Tarkovsky's Films", Audio Technologies for Music and Media International Conference (pp. 12-19), Bilkent University, 31 October-1 November 2013, Ankara, Turkey.
Metin Colak
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Story-Music / Discourse-Music: Analyzing the Relationship Between Placement and Function of Music in Films
Valerio Sbravatti
Music and the Moving Image, 2016
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