Sound, Gender, and the Color Line (original) (raw)
Black Women and Music: More Than the Blues (African American Music in Global Perspective) edited by Eileen M. Hayes and Linda F. Williams
Sherrie Tucker
Journal of Popular Music Studies, 2008
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Nicole Brittingham Furlonge, Race Sounds. The Art of Listening in African American Literature
Charles Joseph
Transatlantica, 2018
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For Thee We Sing: The Historical Implications of Marian Anderson's 1939 Easter Concert
Sonya Baker
The Phenomenon of Singing, 2003
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The Elocutionists: Women, Music, and the Spoken Word. By Marian Wilson Kimber. Chicago: University of Illinois Press, 2017
Bethany McLemore Stewart
Journal of the Society for American Music, 2019
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IASPM US Interview Series: Jennifer Stoever, The Sonic Color Line
Maria Murphy
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The Second Sound - conversations on gender and music
julia eckhardt
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Beyond Literature: Toni Morrison’s Musical and Visual Legacy for Black Women Artists
M. Rocío Cobo Piñero
Feminismo/s 40.2. pp. 27-51, 2022
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Sound and Feminist Modernity in Black Women’s Film Narratives
Geetha Ramanathan
Feminisms, 2015
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GEMS (Gender, Education, Music, & Society) GEMS (Gender, Education, Music, & Society) BOOK REVIEWS Anthology of Essays on Deep Listening edited by
Tom Bickley
2013
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Ear Training for History: Listening to Elizabeth Taylor Greenfield's Double-Voiced Aesthetics
Caitlin Marshall
Theatre Survey , 2023
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Themed Book Review: The Race of Sound: Listening, Timbre, and Vocality in African American Music by Nina Sun Eidsheim
Dr Natalie Hyacinth
Feminist Review
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Hearing voices in the dark: Deploying Black sonicity as a strategy in dramatic performance
Marcus McQuirter
2012
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GEMS (Gender, Education, Music, & Society) BOOK REVIEWS Arts-Integration To Enhance Student Learning Girl Scouts: How Songs Lead Them To Success Music Education, Recording Technology, And The Illusion Of Perfection The Theatre of Urban: Youth And Schooling In Dangerous Times
Anne Wessels
2013
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Review: The Race of Sound: Listening, Timbre, and Vocality in African American Music by Nina Sun Eidsheim
Nicole Furlonge
Journal of Popular Music Studies, 2019
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“It’s Awfully Important to Listen”: Ella Jenkins and Musical Multiculturalism
Gayle Wald
Current Musicology, 2019
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Library and Gallery Exhibitions as Public Scholarship: Public Engagement with Images of Ethnicity, Gender, Place, Race, and War in Illustrated Sheet Music
Theresa Leininger-Miller
Panorama
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" Shout It Out: " Patrice Rushen as polyphonist and the sounding of black women's affectability and genius
Brittnay L Proctor
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Entering the Present: Music Meets Race
Naomi Andre
2005
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Book Review: Words, Music and Gender (Michelle Gadpaille and Victor Kennedy, eds.)
Anamarija Šporčič
ELOPE: English Language Overseas Perspectives and Enquiries, 2021
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Mouth, Noise, & Nonsense: An Omnibus Review.Brandon LaBelle. Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. New York: Bloomsbury Academic, 2014.Michael Goddard, Benjamin Halligan, Nicola Spelman. Resonances: Noise and Contempo
Nicholas C Laudadio
Journal of Popular Music Studies, 2015
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Listening Backward: Sonic Intimacies and Cross-Racial, Queer Resonance
Katelyn Hale Wood
Performance Matters, 2020
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The sounds of silence: Talking race in music education
Deb Bradley
Action, Criticism, and Theory for Music Education, 2007
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On a Lesbian Relationship with Musicology: Suzanne G. Cusick, Sound Effects
Emily Wilbourne
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Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education
Jasmine Hines
Intellect Books, 2022
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Jane Gaines, Pink-Slipped: What Happened to Women in the Silent Film Industries?
Rachel Schaff
Nineteenth Century Theatre and Film, 2019
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Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century
Rachael Lansang
2019
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Sound, Aesthetics, and Black Time Studies.pdf
Julius B Fleming, Jr.
College Literature , 2019
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Fetishization of Black Female Vocality in the Blues
Poppy Frean
2018
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Cruising, Crossings & Care: Sounds of Collective Black Girlhood
Blair Ebony Smith
2019
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The Archaeology of Sound": Derek Jarman's Blue and Queer Audiovisuality in the Time of AIDS
Jacques Khalip
differences, 2010
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Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music
Hannah Bosma
Intersections: Canadian Journal of Music, 2012
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Amplified Listening to Race and Gender in Fiamma Montezemolo’s Echo and Stephanie Dinkins’s N’TOO
Gabriela Aceves Sepúlveda
Media-N | The Journal of the New Media Caucus Spring 2022: Volume 18, Issue 1, Pages 102–120, 2022
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Sounding and Signifyin’: Representation and the Theatrical Black Voice
Michael M O H A M M E D Adem
2020
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"The Sonic Politics of Black Experimentalism: Critical Forum Introduction," College Literature 46.1 (2019): 257-59.
Teagan Bradway
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Politics of Listening: The Sonic Color Line: Race and the Cultural Politics of Listening
Pedro falcón
Politics of Listening: The Sonic Color Line: Race and the Cultural Politics of Listening
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