IASPM US Interview Series: Jennifer Stoever, The Sonic Color Line (original) (raw)
Related papers
Politics of Listening: The Sonic Color Line: Race and the Cultural Politics of Listening
Politics of Listening: The Sonic Color Line: Race and the Cultural Politics of Listening
Stoever, The Sonic Color Line: Race & the Cultural Politics of Listening
Listening Backward: Sonic Intimacies and Cross-Racial, Queer Resonance
Performance Matters, 2020
Listening to Listening: A Conversation on Voice and Race
Royal Musical Association Research Chronicle
Feminist Review
INTIMATE PUBLICS: HEARING RACE IN RADIO AND PODCASTS
Race and Media Book Subtitle: Critical Approaches , 2020
Journal of Popular Music Studies, 2019
Amplified Listening to Race and Gender in Fiamma Montezemolo’s Echo and Stephanie Dinkins’s N’TOO
Media-N | The Journal of the New Media Caucus Spring 2022: Volume 18, Issue 1, Pages 102–120, 2022
Nicole Brittingham Furlonge, Race Sounds. The Art of Listening in African American Literature
Transatlantica, 2018
Listening beyond the border: Self-representation, witnessing, and the white sonic field sonic field
Law Text Culture, 2020
Sound, Gender, and the Color Line
Hearing voices in the dark: Deploying Black sonicity as a strategy in dramatic performance
2012
Sound and Activism: Listening and Responsibility
Americas: A Hemispheric Music Journal, 2022
Current Musicology, 2021
Blackness beyond witness Black Vernacular phenomena and auditory identity
Philosophy and Social Criticism , 2009
Black lives matter and music: protest, intervention, reflection
Ethnic and Racial Studies, 2019
Teaching and Teacher Education, 2024
“Hear What You Want”: Sonic Politics, Blackness, and Racism-Canceling Headphones
Current Musicology, 2017
Race Sounds, 2018
Hearing Knowledge into Action: Mobilizing Sound for Multicultural Imaginaries
International Journal of Multicultural Education
Radical Philosophy Review, 2014
Ethnography, Sound Studies and the Black Atlantic
Current Musicology, 2020
Decolonizing Sound: Experimenting Otherness in the 1960s and 2010s
Decolonizing Sound: Experimenting Otherness in the 1960s and 2010s, 2014
Framing Illegality: Sonic Culture, Power, and the Politics of Representation
GERARDO ENRIQUE PEREZ ARELLANO
2010
Sonic Art as Critique of the Listening Act
Leonardo Music Journal, 2016
Critical Sonic Practice: Decolonizing Boundaries in Music Research
2021
Music, Noise, and Discourse: Pathways for Queer Agency in the Modern Sonic Landscape
Intersections | Cross-Sections, 2019
Race Sounds: The Art of Listening in African American Literature
2018
Music and Anti-Racism: Musicians’ Involvement in Anti-Racist Spaces
Popular Music and Society
“I Matter”: Analyzing Self-Care, Racial Performativity, and Podcasting*
2017
JOSE ANGUIANO, Marbella Uriostegui
Journal of Hispanic Higher Education, 2020