The Living Theatre and the Italian Culture: a Dialogue (1961-1968) (original) (raw)
C. Bino, S. Locatelli, Performing Communities. Italian Experiences and Challenges, PER-FORMING THE SOCIAL. EDUCATION, CARE AND SOCIAL INCLUSION THROUGH THEATRE, edited by Claudio Bernardi and Giulia Innocenti Malini, Franco Angeli, 2021, pp. 155-165.
Carla M Bino
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L’anello che non tiene 24, nos. 1–2 (2012) “Theatre and Theatricality in Modern and Contemporary Italian Literature and Media.” Guest editor.
Stefano Boselli
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Theatre and Theatricality in Modern and Contemporary Italian Literature and Media. [Three separate panels, nine presenters]
Stefano Boselli
Midwest Modern Language Association, Chicago, Illinois, 5 November 2010.
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Socially Engaged Theatre and Performance in Italy: Politics, Ethics and Aesthetics
Roberta Gandolfi
2021
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Tom Behan, Dario Fo: Revolutionary Theatre, Pluto Press, London, 2000, pp., ISBN 0-7453-1357-4 pbk, 170 pp., $18.95
Geoff Haywood
Modern Italy
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Popular Theatre in Naples: The Sceneggiata
Raffaele Furno
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Language under Attack: The Iconoclastic Theatre of Societas Raffaello Sanzio
Gabriella Calchi Novati
'TRI - Theatre Research International' 34:1, 50-65, 2009
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Contemporary Theatres in Italy
Sergio Lo Gatto
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National theater and the age of revolution in Italy
Carlotta Sorba
Journal of Modern Italian Studies, 2012
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“Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini’s Salò and Mauri’s Intellettuale.” TDR: The Drama Review, 63:1 (Spring 2019): 64-82.
Olga V Solovieva
Olga V. Solovieva, 2019
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Gray Mornings of Tolerance. Pasolini’s 'Calderón' and the Living Theatre of New York (1966-1969)
Pieter Vanhove
Studi Pasoliniani, 2011
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Arti performative e sfide sociali, ed. by Roberto Ciancarelli, Fabiola Camuti, Aldo Roma, special issue of “Biblioteca Teatrale”, n. 133, gennaio-giugno 2020
Aldo Roma, Fabiola Camuti
Biblioteca Teatrale, 2020
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Theatrical Insurrection: Gabriele d'Annunzio in Fiume, Kaleidoscope, N. 7, June 2010 (Eng.)
Francesco Spampinato
Kaleidoscope, 2010
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REVIEW_Francesca Italiano and Irene Marchegiani. Percorsi: l’Italia attraverso la lingua e la cultura. 3rd ed
Daria Bozzato
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'Brothers in Arms: Middebrow Impegno and Homosocial Relations in the Cinema of Petraglia and Rulli', in Intellectual Communities and Partnerships in Italy and Europe, ed. by Danielle Hipkins (Peter Lang, 2012), pp. 149-67
Catherine O'Rawe
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Albanese, Angela, “Valentina Valentini, New Theater Made in Italy 1963-2013”, Spazi tra le nuvole. Lo spazio nel fumetto, Eds. G.V. Distefano, M. Guglielmi, L. Quaquarelli, Between, VIII.15 (2018), http://www.betweenjournal.it (http://ojs.unica.it/index.php/between/issue/view/106/showToc)
Angela Albanese
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Pier Paolo Pasolini’s Manifesto per un Nuovo Teatro - an avant-garde theatre in the face of Bourgeois conventions
Catrina Daly
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From the school to the educating community. Practices of social theatre in Italy as a new form of activism
giulia innocenti malini
ArtsPraxis, 2019
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Patricia Gaborik. Mussolini’s Theatre: Fascist Experiments in Art and Politics
Andrea Sartori
Annali d’Italianistica, 40, 519-522, 2022
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Italian Cinema in the Twenty- First Century: Representing the Precarious Subject
Malvina Giordana
Italian Industrial Literature and Film, Edited by C. Baghetti, J. Carter and L. Marmo, Peter Lang, Oxford-New York, 2021
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Theatre: inside and out (1945-1978)
laura peja
F. COLOMBO, ed., MEDIA AND COMMUNICATION IN ITALY: HISTORICAL AND THEORETICAL PERSPECTIVES", 2019
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“Vital Theater: Pirandello, Marinetti, and Lebensphilosophie"
Michael Subialka
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3) The Comerio’s production: theatrical experience and documentation in the “film of truth”. The case of material about Edoardo Ferravilla in the Cineteca Italiana in Milan. [9° Seminario sobre los antecedentes y orígenes del cine, noviembre 2013]
Marcello Seregni
2014
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Il pupo emigrato: dal teatro allo schermo
Federico Pacchioni
Italian Canadiana
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The Theatre of Socìetas Raffaello Sanzio (review) (2009)
Rebecca Groves
Modern Drama, 2009
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The Living Theatre and the French 1968 Revolution: Of Political and Theatrical Crises
Emeline Jouve
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Tetti, strade e condomini: l’abitare collettivo nel cinema italiano del dopoguerra / Rooftops, streets and blocks: the “collective living” in the Italian post-war cinema.
Elisa Uffreduzzi
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“At the Margins of Rome, at the Margins of the World. The Hawks and the Sparrows and Sacro GRA as Peripatetic Analyses of Capitalist Society” in the Journal of Italian Cinema and Media Studies, 7:1. January 2019 pp. 35-53
Eleonora Sartoni
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The Perception of Asja Lacis in Italy: Impact on Theatre, Education, and Politics
Eugenia Casini Ropa
Culture Crossroads
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“All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian American Sceneggiata.”
Reba Wissner
Mid-Atlantic Popular Culture and American Culture (MAPACA) Almanack, 2010
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Illustrazione e giornalismo come critica d’arte. Scipione e Mafai, «L’Italia Letteraria» e il racconto dell’arte europea nell’Italia fascista degli anni Trenta. Canadian Association for Italian Studies 2019 International Conference Program Orvieto (TR) Italy, June 13-16
Michela Morelli
2019
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From " Esposizione " to " Laborintus II " : transitions and mutations of «a desire for theatre»
Angela Ida De Benedictis
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Attore per caso, antifascista per scelta. Memorie caotiche di Enrique Irazoqui / Accidental Actor, Antifascist by Choice. Enrique Irazoqui's Chaotic Recollections gathered by Valerio Carando, in Lucca Film Festival 2014. Catalogo, Edizioni La Grafica Pisana, Pisa, 2014, pp. 163-170
Valerio Carando
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The theatralization of the crisis in the dialectic between Dario Fo, Beppe Grillo and Gianroberto Casaleggio
Armando Rotondi
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“The Spectacle of Multicultural Art and the Invisibility of Politics: A Review of the Documentary Film “L’Orchestra di Piazza Vittorio” (by Agostino Ferrente, Italy 2006). In Social Anthropology. 2009.
Paolo S H Favero
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