From Woman to Woman. Exhibiting Genealogy – Carla Accardi’s Origine, 1976 (original) (raw)

Unexpected Artists. The Cooperativa Beato Angelico in the Context of 1970s Feminism

Maria Bremer

Römisches Jahrbuch der Bibliotheca Hertziana, 44 | 2019/2020

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Cooperativa Beato Angelico Art and feminism in Rome in the Seventies in Panel : ‘Herstories from Italy’, Sunday 13/12/2015.

Katia Almerini

2015

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Challenging Feminist Art History. Carla Lonzi's Divergent Paths, in V. Horne, L. Perry (eds) Feminism and Art History Now, London, I. B. Tauris 2017

Giovanna Zapperi

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Feminism and Art in Postwar Italy. The Legacy of Carla Lonzi

Giovanna Zapperi, Francesco Ventrella

2020

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Spaces of self-consciousness: Carla Accardi's environments and the rise of Italian feminism

Leslie Cozzi

Women & Performance: a journal of feminist theory, 2011

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BOOK REVIEW: ‘Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi’, edited by Francesco Ventrella and Giovanna Zapperi

Maria Bremer

Maria Bremer, BOOK REVIEW Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi, Third Text Online, http://www.thirdtext.org/bremer-carlalonzi, 22 October 2021

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Exhibition Review: The Unexpected Subject: 1978 Art and Feminism in Italy; Anna Maria Maiolino: Love Becomes Revolutionary

Elisa Adami

Art Monthly, 2019

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Notes on the Index, Continued: Italian Feminism and the Art of Mirella Bentivoglio and Ketty La Rocca1

Leslie Cozzi

Cahiers d’études italiennes, 2013

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Carla Lonzi: Encountering American art

Judith Kirshner

Feminism and Art in Postwar Italy :The Legacy of Carla Lonzi, 2021

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C. Canziani and F. Ventrella, ‘From Art History to Life Writing: Anna Banti’s Feminist Resonance’, in S. Hecker and C. Ramsey-Portolano, eds, Female Cultural Production in Modern Italy. Literature, Art and Intellectual History (Palgrave McMillan, 2023), pp. 83-101.

Francesco Ventrella, Cecilia Canziani

Female Cultural Production in Modern Italy. Literature, Art and Intellectual Histor, 2023

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Exploring the Body: Women's Art in Italy's 1970s

Alix Chagué

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Women in Art: Presences, Traditional Narration, and Historiographic Problems. The Reception of Italian and Slavic Female Artists in Italy and Abroad

Anna Maria Panzera

Actual Problems of Theory and History of Art: Vol. 11, 2021

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L’Esposizione Beatrice women artists and feminine subjectivity in Fin de siecle Florence, Abstract

Cassandra M Sciortino

Abstracts 2022, College Art Association of America, Inc. , 2022

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"Artistic Tradition and Feminine Legacy in Elena Ferrante's Troubling Love" -- article in 'California Italian Studies' 6(1), 2016

Stiliana Milkova

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Marjorie Och, “Italian Women Artists from Renaissance to Baroque, National Museum of Women in the Arts, March16-July 15, 2007,” Early Modern Women: An Interdisciplinary Journal 2 (2007): 193-97.

Marjorie Och

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Artistic Tradition and Feminine Legacy in Elena Ferrante’s L’amore molesto

Stiliana Milkova

California Italian studies, 2016

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Suzanne Santoro's Towards new expression: An Interference in Carla Lonzi's Theory of Sexuality and Aesthetics

Sara Colantuono

Palinsesti N. 9 (2020): "Yet who is the Genius?" Women's Art and Criticism in Postwar Italy II , 2020

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The Women of Rococo Art and the Rococo World

Codie Barry

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“Non più Cenerentole!” The Società delle Artiste at the 1906 Mostra Nazionale di Belle Arti in Milan

Chiara Iorino

2019

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The First Biography of Artemisia Gentileschi: Self-Fashioning and Proto-Feminist Art History in Cristofano Bronzini’s Notes on Women Artists.

Sheila Barker

Mitteilungen des Kunsthistorischen Institutes, 60.3, 2018

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'The Old Woman as Art Critic: Speech and Silence in Response to the Passions from Annibale Carracci to Denis Diderot' Journal of the Warburg and Courtauld Institutes (2008)

Sheila McTighe

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Iconic Experience in Art and Life: Surface/Depth Beginning with Giacometti's Standing Woman

Jeffrey C Alexander

Culture, Theory & Society, 2008

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Italian Women Artists from Renaissance to Baroque (review)

Sally Quin

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M.A. Trasforini (2006), Discrepant Cosmopolitanisms and Traveling Women Artists , in De Cecco E., (ed.) (2006), Passaggi a Sud Est. Sguardi di artiste tra storie, memorie, attraversamenti, Catalogue of Exhibition, Biennale Donna, Gallerie d’Arte Moderna e Contemporanea, Ferrara, pp. 67-76.

Maria Antonietta Trasforini

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Isabella D’Este\u27s Evolution of Art Patronage: A Study of a Renaissance Woman Through Iconographic and Feminist Perspectives

Katie Reinkemeyer

2021

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'Carla Lonzi's Art Writing and the Resonance of Separatism', European Journal of Womens Studies, 21: 3 (2014), pp. 282-287

Francesco Ventrella

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Idealizing the Ambiguous Female Hero: Judith’s Iconography in 17th-Century Italian Paintings(Panel "Idealizing Women in the Italian Renaissance II – Art, Myth, and Imagination" CAIS annual conference Toronto 2018)

Mathilde Legeay

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The feminine in contemporary art : representation and contamination in the work of Helen Chadwick, Michèle Roberts and Helena Almeida

Maria Luisa Coelho

2012

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Marjorie Och, review of Norma Broude and Mary D. Garrard, editors, Reclaiming Female Agency: Feminist Art History After Postmodernism, SECAC Review 15/1 (2006): 49-51.

Marjorie Och

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Franco Sacchetti on Women as Artists

Norman Land

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RACAR : Revue d'art canadienne Canadian Art Review Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino's Advice to Women in his Reggimento e costumi di donna

Catherine Harding

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The great fresco painting of the Italian feminist movements

Sveva Magaraggia

2005

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Leaning towards Us: Women Artists Painting Themselves (Anguissola, Gentileschi, Labille-Guiard, Cassatt, and Beaux)

Ileana Marin

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Behind Those Screens" -Bringing Women Forth: Christina Rossetti and Elizabeth Siddal

Mariana Bicudo Cunha

Anglo Saxonica, 2020

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Tactics in Search of a Strategy? Feminist Politics, the Curatorial Field and Contemporary Art

Angela Dimitrakaki

2012

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