From Woman to Woman. Exhibiting Genealogy – Carla Accardi’s Origine, 1976 (original) (raw)
Unexpected Artists. The Cooperativa Beato Angelico in the Context of 1970s Feminism
Maria Bremer
Römisches Jahrbuch der Bibliotheca Hertziana, 44 | 2019/2020
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Cooperativa Beato Angelico Art and feminism in Rome in the Seventies in Panel : ‘Herstories from Italy’, Sunday 13/12/2015.
Katia Almerini
2015
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Challenging Feminist Art History. Carla Lonzi's Divergent Paths, in V. Horne, L. Perry (eds) Feminism and Art History Now, London, I. B. Tauris 2017
Giovanna Zapperi
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Feminism and Art in Postwar Italy. The Legacy of Carla Lonzi
Giovanna Zapperi, Francesco Ventrella
2020
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Spaces of self-consciousness: Carla Accardi's environments and the rise of Italian feminism
Leslie Cozzi
Women & Performance: a journal of feminist theory, 2011
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BOOK REVIEW: ‘Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi’, edited by Francesco Ventrella and Giovanna Zapperi
Maria Bremer
Maria Bremer, BOOK REVIEW Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi, Third Text Online, http://www.thirdtext.org/bremer-carlalonzi, 22 October 2021
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Exhibition Review: The Unexpected Subject: 1978 Art and Feminism in Italy; Anna Maria Maiolino: Love Becomes Revolutionary
Elisa Adami
Art Monthly, 2019
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Notes on the Index, Continued: Italian Feminism and the Art of Mirella Bentivoglio and Ketty La Rocca1
Leslie Cozzi
Cahiers d’études italiennes, 2013
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Carla Lonzi: Encountering American art
Judith Kirshner
Feminism and Art in Postwar Italy :The Legacy of Carla Lonzi, 2021
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C. Canziani and F. Ventrella, ‘From Art History to Life Writing: Anna Banti’s Feminist Resonance’, in S. Hecker and C. Ramsey-Portolano, eds, Female Cultural Production in Modern Italy. Literature, Art and Intellectual History (Palgrave McMillan, 2023), pp. 83-101.
Francesco Ventrella, Cecilia Canziani
Female Cultural Production in Modern Italy. Literature, Art and Intellectual Histor, 2023
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Exploring the Body: Women's Art in Italy's 1970s
Alix Chagué
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Women in Art: Presences, Traditional Narration, and Historiographic Problems. The Reception of Italian and Slavic Female Artists in Italy and Abroad
Anna Maria Panzera
Actual Problems of Theory and History of Art: Vol. 11, 2021
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L’Esposizione Beatrice women artists and feminine subjectivity in Fin de siecle Florence, Abstract
Cassandra M Sciortino
Abstracts 2022, College Art Association of America, Inc. , 2022
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"Artistic Tradition and Feminine Legacy in Elena Ferrante's Troubling Love" -- article in 'California Italian Studies' 6(1), 2016
Stiliana Milkova
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Marjorie Och, “Italian Women Artists from Renaissance to Baroque, National Museum of Women in the Arts, March16-July 15, 2007,” Early Modern Women: An Interdisciplinary Journal 2 (2007): 193-97.
Marjorie Och
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Artistic Tradition and Feminine Legacy in Elena Ferrante’s L’amore molesto
Stiliana Milkova
California Italian studies, 2016
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Suzanne Santoro's Towards new expression: An Interference in Carla Lonzi's Theory of Sexuality and Aesthetics
Sara Colantuono
Palinsesti N. 9 (2020): "Yet who is the Genius?" Women's Art and Criticism in Postwar Italy II , 2020
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The Women of Rococo Art and the Rococo World
Codie Barry
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“Non più Cenerentole!” The Società delle Artiste at the 1906 Mostra Nazionale di Belle Arti in Milan
Chiara Iorino
2019
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The First Biography of Artemisia Gentileschi: Self-Fashioning and Proto-Feminist Art History in Cristofano Bronzini’s Notes on Women Artists.
Sheila Barker
Mitteilungen des Kunsthistorischen Institutes, 60.3, 2018
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'The Old Woman as Art Critic: Speech and Silence in Response to the Passions from Annibale Carracci to Denis Diderot' Journal of the Warburg and Courtauld Institutes (2008)
Sheila McTighe
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Iconic Experience in Art and Life: Surface/Depth Beginning with Giacometti's Standing Woman
Jeffrey C Alexander
Culture, Theory & Society, 2008
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Italian Women Artists from Renaissance to Baroque (review)
Sally Quin
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M.A. Trasforini (2006), Discrepant Cosmopolitanisms and Traveling Women Artists , in De Cecco E., (ed.) (2006), Passaggi a Sud Est. Sguardi di artiste tra storie, memorie, attraversamenti, Catalogue of Exhibition, Biennale Donna, Gallerie d’Arte Moderna e Contemporanea, Ferrara, pp. 67-76.
Maria Antonietta Trasforini
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Isabella D’Este\u27s Evolution of Art Patronage: A Study of a Renaissance Woman Through Iconographic and Feminist Perspectives
Katie Reinkemeyer
2021
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'Carla Lonzi's Art Writing and the Resonance of Separatism', European Journal of Womens Studies, 21: 3 (2014), pp. 282-287
Francesco Ventrella
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Idealizing the Ambiguous Female Hero: Judith’s Iconography in 17th-Century Italian Paintings(Panel "Idealizing Women in the Italian Renaissance II – Art, Myth, and Imagination" CAIS annual conference Toronto 2018)
Mathilde Legeay
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The feminine in contemporary art : representation and contamination in the work of Helen Chadwick, Michèle Roberts and Helena Almeida
Maria Luisa Coelho
2012
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Marjorie Och, review of Norma Broude and Mary D. Garrard, editors, Reclaiming Female Agency: Feminist Art History After Postmodernism, SECAC Review 15/1 (2006): 49-51.
Marjorie Och
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Franco Sacchetti on Women as Artists
Norman Land
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RACAR : Revue d'art canadienne Canadian Art Review Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino's Advice to Women in his Reggimento e costumi di donna
Catherine Harding
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The great fresco painting of the Italian feminist movements
Sveva Magaraggia
2005
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Leaning towards Us: Women Artists Painting Themselves (Anguissola, Gentileschi, Labille-Guiard, Cassatt, and Beaux)
Ileana Marin
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Behind Those Screens" -Bringing Women Forth: Christina Rossetti and Elizabeth Siddal
Mariana Bicudo Cunha
Anglo Saxonica, 2020
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Tactics in Search of a Strategy? Feminist Politics, the Curatorial Field and Contemporary Art
Angela Dimitrakaki
2012
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