[PREPRINT] THE ANTHROPOCENE, WAR AND THE NEW BESTIALIZATION OF THE HUMAN A Popular Visual Media Perspective (original) (raw)

Shifting Enemies Face: Representation of Terrorism by Hollywood

Talayeh Ghofrani

5th International Conference in Communication and Media Studies "Think Peace, Talk Peace, Cultivate Peace" , 2018

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The Naturalization of “Good” Violence in Recent Films About the War on Terror

Alejandro Botia

2017

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Terrorism in Popular Media: How Hollywood Represent Muslim Terrorist

Mundi Rahayu

Social Science Research Network, 2020

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Scripted Fantasies and Innovative Orientalisms: Media, Youth, and Ideology in the Age of the "War on Terror"

Courtney B Cook, PhD, Noah De Lissovoy

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Conflict, Image, Narrative: Hollywood in the Middle East

Daniel Binns

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Violence and War in Culture and the Media

Athina Karatzogianni

Violence and War in Culture and the Media, 2011

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Critical Discourse Analysis of American Films on Arab Muslims: A Hegemonic Discourse or Clash of Cultures?

nour bajuwaiber

DergiPark (Istanbul University), 2024

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Screens of Terror: representations of war and terrorism in film and television since 9/11

Philip Hammond

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Discourses of counter-Islamic-threat-mobilization in post-9/11 documentaries

Yiannis Mylonas

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Warfare on the Conceptual Battlespace: Third Cinemas Transformation of War on Terror Discourse

Kela Caldwell

2016

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“Are we shootin’ people or what?”: critical reflections of war in popular films / Jamaluddin Aziz, Mohd Nor Shahizan Ali and Fuzirah Hashim

Fuzirah Hashim

2011

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Chapter 2: Cinema and Terror

Gianni Wise

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Nitzan Ben-Shaul: A Violent World: TV News Images of Middle Eastern Terror and War

Courtney Radsch

International Journal of Communication, 2007

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Review of Reframing 9/11: Film, Popular Culture and the “War on Terror” , Continuum. ISBN: 978-1-4411-1905-6.

Jeff Birkenstein

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Messham-Muir, Kit. ‘History’s Actors in the Theatre of War: Images, Myths and the Frame in the War on Terror’. antithesis 22, (2012): 143-155

Kit Messham-Muir

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Media, Wars and Identities - Part One

Jiri Nekvapil

2007

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Media, Wars and Identities - Part Two

Jiri Nekvapil

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CRITICAL DISCOURSE ANALYSIS OF AMERICAN FILMS ON ARAB MUSLIMS: A HEGEMONIC DISCOURSE OR CLASH OF CULTURES? AMERİKAN FİLMLERİNİN ARAP MÜSLÜMANLARI ÜZERİNDEKİ ELEŞTİREL SÖYLEM ANALİZİ: HEGEMONİK BİR SÖYLEM Mİ, KÜLTÜRLER ÇATIŞMASI MI

nour bajuwaiber

EURASIAN JOURNAL OF MEDIA, COMMUNICATION AND CULTURE STUDIES (EMC) , 2024

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A Violent World: Tv News Images of Middle Eastern Terror and War

nitzan ben shaul

2007

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Review of "Surviving Images: War, Cinema and Cultural Memory" from Middle East Journal, Autumn 2015, Vol. 69 Issue 4, p. 651.

Kamran Rastegar

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Representations of war: from the New Wave to the New Millennium

Jonathan Ervine

2009

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The Muslim World in Post‐9/11 American Cinema: A Critical Study, 2001–2011KaremBayraktarogluJefferson, NC: McFarland & Company, 2018. $39.95. ISBN: 978‐1476666679

Kerem - Bayraktaroglu

Digest of Middle East Studies, 2019

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Sanz Sabido, R.M. (2009) “When the ‘Other’ Becomes ‘Us’: Mediated Representations, ‘Terrorism’ and the ‘War on Terror’”, PLATFORM: Journal of Media and Communication, Vol.1 (June 2009): 67-82.

Ruth Sanz Sabido

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The Figure of the Terrorist in Literature and Visual Culture, ed. Maria Flood and Michael C. Frank; Edinburgh University Press, 2023 (Table of Contents and Introduction)

Michael C Frank

The Figure of the Terrorist in Literature and Visual Culture (Edinburgh: Edinburgh University Press, 2023), 2023

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Words, Images, Enemies: Macro-Securitization of the Islamic Terror, Popular TV Drama and the War on Terror

Bezen Coskun

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Representing torture in Zero Dark Thirty (2012): Popular culture as a site of norm contestation. Media, War & Conflict (online first).

Gabi Schlag

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The rise of dark americana: depicting the war on terror on screen

David Jones

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The Discursive Representation of Islam and Muslims in Movies

Fikret Güven

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Taking Aim : New Documentary and War

Jeffrey Geiger

2008

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Screen Image of Muslim Women in the Popular Post-9/11 Films on War on Terror

Muhammad Shaban

Pakistan Journal of Gender Studies, 2017

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The Spectacularization of Subjectivity: Media Knowledges, Global Citizenry, and the New World Order

Peter McLaren

1992

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Book review: disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse

Julian Schmid

2017

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The Cultural Representation of the Cooperating Arab in Pre- and Post-911 American Cinema

Khalid CHAOUCH

Proceedings of the 1st Annual International Conference on Cultures and Languages in Contact, 2013

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Examining the Critical Role American Popular Film Continues to Play in Maintaining the Muslim Terrorist Image, Post 9/11

Rubina Ramji

Journal of Religion and Film, 2016

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Screening terror: Hollywood, the United States and the construction of danger

Klaus Dodds

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