On Sleep and Oblivion in Post-Soviet Film (original) (raw)

This Is Not a Pipe: Soviet Historical Reality and Spectatorial Belief in Perestroika and Post-Soviet Cinema

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Olga Gradinaru

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Stephen Norris, "Blockbuster History in the New Russia: Movies, Memory, and Patriotism"

Anthony Anemone

The Journal of Modern History, 2014

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From the Poetry of Late Socialism to the Dogmatism of Democracy: The Cinema of the Former Eastern Bloc before and after the Collapse of Communism

Lucian C Tion

Territories: A Trans-Cultural Journal of Regional Studies , 2020

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The Militarization of the Past in Russian Popular Historical Films

Egor Isaev

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Silence in Otar Iosseliani's "Fallen Leaves": An Exploration of Negative Space in Soviet Film History

Anna Tropnikova

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The Fog of Stagnation: Explorations of Time and Affect in Late Soviet Animation

Anna Fishzon

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Politics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil War

Egor Isaev

International Public History, 2018

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Soviet Cinema and the enemies of Soviet values: East-West relations through the lens of Soviet movies

Mariam Zibzibadze

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“‘Something nice to remember:’ Silence and Memory Between Generations in Two Gulag Films.” In Politics of Memory in Post-communist Europe, the 5th Yearbook of The Institute for the Investigation of Communist Crimes and Memory of the Romanian Exile (IICCMER), vol.1, Zetabooks, 2010, pp.115-127.

Oana Popescu-Sandu

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The Soviet Past Spoils Romanian Documentary Cinema: Adrian Pîrvu‟s Everything Will Not Be Fine and Leontina Vatamanu‟s Siberia in the Bones - Bright Lights

Lucian C Tion

Bright Lights Film Journal, 2020

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The Crisis of the Soviet Action-Image: Towards a Deleuzian Taxonomy of Thaw Cinema

Sergey Toymentsev

New Europe College Yearbook, 2018

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The Odyssey of Communism: Visual Narratives, Memory and Culture

Oana Celia Gheorghiu

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Post-Stalinist cinema and the myth of world war II: Tarkovskii's ‘Ivan's childhood’ (1962) and Klimov's ‘come and see’ (1985)

Denise J. Youngblood

Historical Journal of Film, Radio and Television, 1994

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Review: The Imperial Trace: Recent Russian Cinema by Nancy Condee, and Cinepaternity: Fathers and Sons in Soviet and Post- Soviet Film edited by Helena Goscilo and Yana Hashamova

John A. Riley

Scope, 2012

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The use of cultural memory in reinforcing contemporary Russian patriotism: A case study of the film "Stalingrad" (2013)

Laura Roop

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“Something Nice to Remember”. Silence and Memory between Generations in Two Gulag Films

Oana Popescu-Sandu

History of Communism in Europe, 2010

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THIRTY YEARS SINCE THE FALL OF COMMUNISM - VISUAL NARRATIVES, MEMORY AND CULTURE

Oana Celia Gheorghiu

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Ethnography, Incongruity, History: Soviet Poetic Cinema

Elizabeth A Papazian

The Russian Review, 2023

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Review of Marina Rojavin, Tim Harte (eds): Soviet Films of the 1970s and Early 1980s

Bogdan Popa

Apparatus Journal, 2022

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The Russian Cinema of the Dissolution

Tomasz Rawski, Katarzyna Roman-Rawska

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"Window to Europe”: social and cinematic phantasms of the Post-Soviet Subject", in Les Nouvelles Liasons Dangereuses (Luisa Passerini, Liliana Ellena, Alexander Geppert, eds.) Berghahn Publishing, 2010, pp. 95 – 113.

Almira Ousmanova

2009

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Solidarity and the Aesthetics of Pain: Soviet Documentary Film and the Vietnam War

Kristin Roth-Ey

International Review of Social History, 2024

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Birgit Beumers, editor. "Russia on Reels: The Russian Idea in Post-Soviet Cinema."

Anthony Anemone

The Slavic and East European Journal, 2001

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The imperial trace: recent Russian cinema

N. Condee

2009

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Photographic Passages to the Past in Eastern European Non-Fiction Films

Melinda Blos-Jáni

Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema (ed. by Ágnes Pethő), 2020

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The Cinematic Bodies of Eastern Europe and Russia

Elzbieta Ostrowska

The Cinematic Bodies of Eastern Europe and Russia

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War Narratives in Russian Cinema

Andrey Makarychev

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The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe by Olga Gershenson

Alexander Etkind

Shofar: An Interdisciplinary Journal of Jewish Studies, 2014

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Review of Evgeny Dobrenko, _Stalinist Cinema and the Production of History: Museum of the Revolution_ (Yale 2008)

Anne Eakin Moss

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Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s

Paula Michaels

Historical Journal of Film, Radio and Television, 2009

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Making Soviet melodrama contemporary: conveying ‘emotional information’ in the era of Stagnation

Joshua First

Studies in Russian and Soviet Cinema, 2008

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Poetic cinema: a genealogy of the 'poetic' in Soviet and post-Soviet critical discourse

Olga Kim

Studies in Russian and Soviet Cinema , 2022

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Cinema in the mirror of the Soviet and Russian film criticism

Alexander Fedorov

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