Dark Water: Rememory, Biopower, and Black Feminist Art (original) (raw)

Magic Water: The Symbolic and Healing Nature of Water in Black Children's Literature

JoLLE, 2021

Water, particularly in the lives of Black Americans, has historically been characterized by its danger, offering up notions of fear, horror, and death. Ironically, Black children's schooling experiences regarding "literature" have been described similarly. Throughout this essay, I take up Sharpe's (2016) wake work and King's (2019) black shoal as I detail my own experiences with water alongside my reading journey. I explicate how both reading and water can and have served as sites of trauma and healing and what that can tell us about how, as educators of Black children, we might more meaningfully think about the texts we select for students and how we teach them. I conclude with three texts and accompanying questions that may provide educators with an entrée into discussing the healing nature of water with Black students.

Reframing Katrina: The Color of Disaster in Spike Lee’s When the Levees Broke

Environmental Communication, 2011

Spike Lee’s four-hour HBO documentary film When the Levees Broke about Hurricane Katrina and its aftermath uses the tragic events around the storm as an occasion to consider the continued significance of race and class in the inequitable distribution of environmental hazards in the United States, while at the same time celebrating traditional New Orleans culture. Lee’s film gives voice to those who were directly affected by the Katrina disaster and reminds us that for historical and socio-political reasons African-American and other minority perspectives on issues of sustainability are necessarily different from those of mainstream environmentalists. Through its powerful presentation of these alternative perspectives and needs, When the Levees Broke raises awareness for the fact that any concept for a ‘‘sustainable’’ New Orleans that does not address the enormous class and race-based inequities within the city will be unjust and thus fundamentally flawed.

"A Hand Out Over the Water": Racial Terror, Black Maternal Loss, and Cross-Ethnic Passages of Reclamation

Palimpsest: A Journal on Women, Gender, and the Black International, 2020

The present study attends to those whom experience modern vessels of racialized state-sanctioned violence in America banish their children from the world of the living and misname them – the black mothers of children killed by police in recent decades. To mother in the afterlife of terror is to contend with a public sphere that indicts their children and shields the assailants. Their determinations to compel state intervention reveal expressions of resistance that comprise cross-ethnic migrations of cultural memory. Mourning black immigrant mothers locate a citadel for their grievances in the witnessing of African American mothers. Critically, their testimonies entrench the cases in remembrances of the nation’s past anti-black abuses. Forbidding an expulsion of a history of color-coded death from the present, black mothers’ gathering of haunting legacies from foreign homeplaces crafts a net of language that resurrects the slain from the fixtures of a hegemonic discourse that accepts their fates.

African Americans and the Mississippi River: Race, history and the environment

Thesis Eleven, 2019

Long touted in literary and historical works, the Mississippi River remains an iconic presence in the American landscape. Whether referred to as ‘Old Man River’ or the ‘Big Muddy,’ the Mississippi River represents imageries ranging from pastoral and Acadian to turbulent and unpredictable. But these imageries – revealed through the cultural production of artists, writers and even filmmakers – did not adequately reflect the experiences of everyone living and working along the river. The African-American community and its relationship to the Mississippi River down the ages is occluded by these discourses. In focusing on this alternate history, namely the African-American experience with the Mississippi River, the overarching framework of this paper will consist of three lenses on the river as: refuge, labor, and cultural icon. From the moment of their arrival, the intersection of their lives with the Mississippi River reveals a history where the river offers freedom, oppression, escape...