original ) (raw )Opera and gender studies
Heather Hadlock
The Cambridge Companion to Opera Studies, 2012
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The Queering of the Opera
Derek L Williams
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Production as Criticism: Staging Wartime Rape in the Opera Canon
Margaret Cormier
Cambridge Opera Journal
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Review of Naomi André, Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Opera (2006)
Kristina Guiguet
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Today, Tomorrow, and In-Between: Straub/Huillet, the Schoenbergs, and the Gendered Micropolitics of Operatic Performance in Von heute auf morgen
Kevin Amidon
Feminist German Studies, 2021
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The Touch of Opera, or, Can a Feminist Forgive Anything for a Good Tune?
Tiina Rosenberg
Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance, 2016
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Deviant Opera: Sex, Power, and Perversion on Stage
Axel Englund
2020
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Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance
Tiina Rosenberg
2016
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Women, Opera and the Public Stage in Eighteenth-Century Venice
Britta Kägler , Eva-Maria Schreiner
Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023
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The opera audience as an emotional community 2010
Kim Kemmis
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Storytelling in Opera and Musical Theater - Overture
Nina Penner
Storytelling in Opera and Musical Theater, 2020
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Wolf claims that ‘[t]he wonder of the musical is its ability to do double duty – to promote conservative values and to provide empowering representations of women, sometimes simultaneously’ (Wolf, 2002: viii). Explore this assertion with reference to The Sound of Music and Mamma Mia!
Analiese Lancaster
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Queer Opera
Andrew Sutherland
Lexington Books, 2023
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The Good, the Bad and the Ugly? On Dangerous Liaisons Between Opera, Current Affairs and Cinema
Paolo Giorgi
highSCORE Proceedings 2011, edited by Ingrid Pustijanac, highSCORE Center, Pavia, 2012, pp. 57-68, 2012
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Operatic Texts: Ours, Yours, and Mine
Steven Huebner
2020
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« Musical dramaturgy », The Oxford Handbook of Opera, ed. Helen Greenwald, Oxford : Oxford University Press, 2014, 177-205
Damien Colas Gallet
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Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press
Elliott S . Cairns
Current Musicology, 2011
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[Review by David Amelang.] The Diva's Gift to the Shakespearean Stage. Agency, Theatricality, and the Innamorata.
Pamela Allen Brown
Bulletin of the Comediantes, 2024
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Theatre Survey 51:2 (November 2010) # American Society for Theatre Research 2010
Dr. Claudia R E N E Wier
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A Note from the Guest Editor (introduction to "Opera and the Avant-Garde")
Arman Schwartz
Opera Quarterly 30, 2014
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Operatics: The Interdisciplinary Workings of Opera
Linda Hutcheon
University of Toronto Quarterly, 2012
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Emotional Truth in Opera Performance - Chapter 1
Oliver Torr
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Defamiliarisation and Resignification on the Contemporary Operatic Stage: Claus Guth’s “Don Giovanni” (2008)
Aldo Roma
“Biblioteca Teatrale”, 2016
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The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast
João Pedro Cachopo
The Opera Quarterly, 2018
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The Eternal Lament of Hecuba: Women in the Aftermath of the Trojan War in 20th and 21st Century Opera
Αγγελική Κορδέλλου
Aggeliki Kordellou, 2024
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[Review of Hebert Lindenberger, Situating Opera: Period, Genre, Reception (Cambridge UP, 2010)], Modern Drama 55.2 (Summer 2012): 274–276.
Samuel Dwinell
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Women's Involvement in Theatrical Production
Natasha Korda
A New Companion to Renaissance Drama, 2017
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'Men and/or Women. Gender Ambiguity and Performance Practice in Stagings of G. F. Handel's Operas and Oratorios (originally published in 'Haendel après Haendel', Musicorum n° 14, Tours, 2013, by special permission of Laurine Quetin, editor of Revue Musicorum)
Ivan Ćurković
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'Bourgeois Opera: Death in Venice and the Aesthetics of Sublimation'
Christopher Chowrimootoo
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Review of Masculinity in Opera: Gender, History, and New Musicology. Edited by Philip Purvis.
Amanda Hsieh
2016
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The Goddess and the Nymph: Characterisation of Female Protagonists in Two English Baroque Operas
Cathal Twomey
2015
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Butterflies on Sweet Land? Reflections on Opera at the Edges of History
Gundula Kreuzer
Representations, 2021
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Heroes, Dames, and Damsels in Distress: Constructing Gender Types in Classical Hollywood Film Music
Rebecca Fülöp
2012
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Singing in the Age of Capitalist Realism The Pervert's Guide to (Post)Opera
Jelena Novak
The Sound of Žižek, 2022
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ASECS 2023, CFP nr. 12: Backstage and Behind the Scenes: Italian Women and the (Family) Business of Theater
Elisa Cazzato
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