Butterflies on Sweet Land? Reflections on Opera at the Edges of History (original) (raw)

The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast

João Pedro Cachopo

The Opera Quarterly, 2018

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Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde

nick till

Transposition, 2019

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[Review of Hebert Lindenberger, Situating Opera: Period, Genre, Reception (Cambridge UP, 2010)], Modern Drama 55.2 (Summer 2012): 274–276.

Samuel Dwinell

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"Meanwhile, Let's Go Back in Time": Allegory, Actuality, and History in Robert Ashley's Television Opera Trilogy

David Gutkin

The Opera Quarterly

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'Welcome to the Renaissance/Where everything is new': Finding Ourselves in Dramatisations of Theatrical History

Richard O'Brien

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Operatics: The Interdisciplinary Workings of Opera

Linda Hutcheon

University of Toronto Quarterly, 2012

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A Note from the Guest Editor (introduction to "Opera and the Avant-Garde")

Arman Schwartz

Opera Quarterly 30, 2014

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Staging Crisis: Opera aperta and the 1959 Venice Biennale Commissions

Harriet Boyd-Bennett

The Opera Quarterly, 2014

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Today, Tomorrow, and In-Between: Straub/Huillet, the Schoenbergs, and the Gendered Micropolitics of Operatic Performance in Von heute auf morgen

Kevin Amidon

Feminist German Studies, 2021

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MICHAL GROVER-FRIEDLANDER, Operatic Afterlives, New York, Zone Books, 2011, pp. 253 (ISBN 978-1-935408-06-2)

Nicola Badolato

2012

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Opera as Politics

Leta Miller

California History, 2015

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9. Flat Bayreuth: A Genealogy of Opera as Screened

Gundula Kreuzer

Amsterdam University Press eBooks, 2019

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The Good, the Bad and the Ugly? On Dangerous Liaisons Between Opera, Current Affairs and Cinema

Paolo Giorgi

highSCORE Proceedings 2011, edited by Ingrid Pustijanac, highSCORE Center, Pavia, 2012, pp. 57-68, 2012

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'Bourgeois Opera: Death in Venice and the Aesthetics of Sublimation'

Christopher Chowrimootoo

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Opera, Ethnicity, and Class: Understanding the Social Dynamics of Taste through Puccini's "Madama Butterfly"

Margaret Daly

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Building an opera repertoire : the example of the Festival d'Aix-en-Provence (1948-1964)

Apolline Gouzi

Tosc@ - Junior Scholar Opera Conference (University of Bayreuth), 2021

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The Search for the Past: Postmodern Historical Consciousness in the Operas of Istvan Anhalt

Colleen L Renihan

Journal of the Society for American Music, 2013

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Review Essay: Opera's Inconvenient Truths in the Anthropocene Age

Kirsten Paige

The Opera Quarterly, Vol. 37/1 (January), 2021

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Gesture, Temporality, and the Politics of Engagement in Opera on Film

Colleen L Renihan

Music, Sound, and the Moving Image, 2014

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opera’s search for transcendence Claudio E. Benzecry, The Opera Fanatic: Ethngraphy of an Obsession (Chicago, University of Chicago Press, 2011).

Andrew Moravcsik

2011

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The "operatic of opera" in music history pedagogy - exploring the temporal narrativization of opera

Liisamaija Hautsalo

Nordic Research in Music Education, 2021

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The "operatic of opera" in music history pedagogy - exploring the temporal narrativization of opera 1

Heidi M Westerlund

Nordic Research in Music Education , 2021

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The Queering of the Opera

Derek L Williams

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Opera History, the Travel Edition

Jonathan Hicks

Cambridge Opera Journal, 2021

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Retrospect Opera: Reviving Britain's Operatic Past

Christina Fuhrmann

Nineteenth-Century Music Review

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Re-imagining Operatic Objects: Commentary on 'Phenomena, Poiesis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera'. Empirical Musicology Review, 12/3-4 (2017), 272-276.

Georgia Volioti

2017

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Feminist endings: challenges of operatic staging in the twenty-first century

Lola San Martín Arbide

CarmenAbroad.org, 2020

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Alien Divas and Samples Sirens: A Brief Mapping of Opera in Popular Music from 1980-2005

Eve Klein

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Horse in Motion: On the ‘Rationalities’ of Cinema and Opera

Ulrich Meurer

Kintophne Vol. 1, Nr. 1, 2014

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Singing Of Conquest? Opera, History, And The Ambiguities Of European Imperialism

peter rietbergen

Romanticism, Cultural Heritage and the Nation

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Production as Criticism: Staging Wartime Rape in the Opera Canon

Margaret Cormier

Cambridge Opera Journal

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‘Oh show us....’: Opera and/as Spectatorship in Aufstieg und Fall der Stadt Mahagonny

Kevin Amidon

Brecht Yearbook, 2004

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Deviant Opera: Sex, Power, and Perversion on Stage

Axel Englund

2020

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Sarah Collins, ‘The Elision of Difference, Newness and Participation: Edward J. Dent’s Cosmopolitan Ethics of Opera Performance’ in Music History and Cosmopolitanism, eds Anastasia Belina-Johnson, Kaarina Kilpiö, and Derek B. Scott (London and NY: Routledge, 2019), 117-130

Sarah Collins

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Opera and gender studies

Heather Hadlock

The Cambridge Companion to Opera Studies, 2012

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