Choosing Not to Look: Representation, Repatriation, and Holocaust Atrocity Photography 1 (original) (raw)

"Unconscionable" or Communicable? The Transference of Holocaust Photography In Cyber Space

Brian N . DeLevie

View PDFchevron_right

Private photos and Holocaust testimony: A complex relationship

Maiken Umbach

Holocaust Studies, 2022

View PDFchevron_right

Dealing with the past in the present : why displaying the art of holocaust is important

Andrea Witcomb

Out of the Dark the Emotional Legacy of the Holocaust, 2010

View PDFchevron_right

INCONGRUOUS IMAGES: “BEFORE, DURING, AND AFTER” THE HOLOCAUST

Leo Spitzer

History and Theory, 2009

View PDFchevron_right

Lessons and Legacies IX: Memory, History, and Responsibility: Reassessments of the Holocaust, Implications for the Future

John Roth

2009

View PDFchevron_right

Photographs, Symbolic Images, and the Holocaust: On the (Im)possibility of Depicting Historical Truth

Judith Keilbach

History and Theory, 2009

View PDFchevron_right

Memory, Trauma, and the Matter of Historical Violence: The Controversial Case of Four Photographs From Auschwitz

Katherine Lawless

View PDFchevron_right

Provoking Taboos: Representing Holocaust Art Today

Julia Faisst

KULT_online 28 (2011)

View PDFchevron_right

More than Meets the Eye – The Intricate Relationship between Selfies at Holocaust Memorial Sites and Their Subsequent Shaming

Christin Zühlke

Eastern European Holocaust Studies, 2022

View PDFchevron_right

On Photographing Nazi Camps

Gary Weissman

Shofar, 2019

View PDFchevron_right

Representing the Holocaust: Lee Miller’s Concentration Camp Photographs as ‘Modern Memorials’

Lynn Hilditch

2015

View PDFchevron_right

Chapter 7: The Holocaust and Perpetration in War Museums

Stephan Jaeger

The Second World War in the Twenty-First-Century Museum, 2020

View PDFchevron_right

Secular Icons: Looking at Photographs from Nazi Concentration Camps

Cornelia Brink

History & Memory, 2000

View PDFchevron_right

The Legacies of the Spectatorship of Pain The work of James Nachtwey and the effect of atrocity photography on post Holocaust collective memory

Sasha Morse

View PDFchevron_right

Addressing Holocaust distortion. Guidelines and Recommandations for Memorials and Museums

Stefania Manca, silvia guetta

IHRA Report, 2022

View PDFchevron_right

The ‘Defamiliarizing’ Aspect of Art about the Holocaust: New Curatorial Strategies of Display

Diana I . Popescu

Holocaust Studies: A Journal of Culture and History 18 (1), (Summer 2012), pp. 102-118.

View PDFchevron_right

Sofija Grandakovska: On Holocaust Photography

Sofija Grandakovska

The Jews from Macedonia and the Holocaust: History, Theory, Culture, 2011

View PDFchevron_right

The Visuality of the Holocaust Today

Gabriel Mayer

Advances in Social Sciences Research Journal, 2019

View PDFchevron_right

‘I see their hatred’. Ethics of witnessing and The Missing Image – an intervention in Austria’s Holocaust memory space'

Diana I . Popescu

Journal of visual art practice , 2020

View PDFchevron_right

Holocaust Memorials: The Emergence of a Genre

Harold Marcuse

The American Historical Review, 2010

View PDFchevron_right

Ethics and aesthetics of Holocaust memory

Inge Birgitte siegumfeldt

Nordisk Judaistik/Scandinavian Jewish Studies, 2017

View PDFchevron_right

Shaping Holocaust remembrance through Nazi photographs A multimodal analysis of Israeli schoolbooks

Nurit Peled-Elhanan

Shaping Holocaust remembrance through Nazi photographs A multimodal analysis of Israeli schoolbooks, 2024

View PDFchevron_right

Misremembering the Holocaust: Universal Symbol, Nationalist Icon, or Moral Kitsch? (2010)

Ross Poole

Amy Sodaro, Adam Brown & Yifat Guttman, eds., Memory and the Future: Transnational Politics, Ethics, and Society (London & New York: Palgrave Macmillan, 2010).

View PDFchevron_right

Choosing Not to Look

Susan A Crane

View PDFchevron_right

Holocaust: Outline, Topics, and Photos, to teach

Edith Shaked

View PDFchevron_right

To Selfie or Not to Selfie: Photography and the Process of Memory-Making at Former Concentration Camps

Erica Fagen

View PDFchevron_right

Visualizing the Holocaust: Documents, Aesthetics, Memory (review)

Dora Apel

Shofar: An Interdisciplinary Journal of Jewish Studies, 2010

View PDFchevron_right

Messham-Muir, Kit. ‘Dark Visitations: The Possibilities and Problems of Experience and Memory in Holocaust Museums.’ Australian & New Zealand Journal of Art: Art and Ethics. 4:2, 5:1 (2004): 97-111

Kit Messham-Muir

2004

View PDFchevron_right

Are Holocaust Victims Jewish? Looking at Photographs in the Imperial War Museum Holocaust Exhibition

Hannah Holtschneider

Normative Judaism? Jews, Judaism and Jewish Identity, 2012

View PDFchevron_right

Holocaust Cinema in the Twenty-first Century: Memory, Images, and the Ethics of Representation

Damiano Garofalo

2017

View PDFchevron_right

On the Abuses in Research of the Holocaust Experience

Jacek Leociak

Zagłada Żydów. Studia i Materiały

View PDFchevron_right

Memorializing Genocide II--Later Holocaust Documentaries.docx (2018)

Gary Jason

Reason Papers, 2018

View PDFchevron_right

Picturing Jasenovac: Atrocity Photography Between Evidence and Propaganda

Jovan Byford

Fotografien aus den Lagern des NS-Regimes, 2018

View PDFchevron_right

Revisiting Holocaust Representation in the Post-Witness Era

Diana I . Popescu

Diana I. Popescu and Tanja Schult, Palgrave Macmillan 2015

View PDFchevron_right

Remembering Ideological Identities: Transference of Holocaust Memory through Artistic Expression A Master's Thesis for the Degree Master of Arts (Two Years) in Visual Culture

Tania Norell

View PDFchevron_right