INCONGRUOUS IMAGES: âBEFORE, DURING, AND AFTERâ THE HOLOCAUST (original ) (raw )The Legacy of Auschwitz in Photography and Art
Anna Ouza
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Representations of the Holocaust in the Cold War Eastern Bloc: the Early Decades: Programme & abstracts (Berlin, 9–10 June, 2023)
Agata Pietrasik , Daniel Véri
2023
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Photographs, Symbolic Images, and the Holocaust: On the (Im)possibility of Depicting Historical Truth
Judith Keilbach
History and Theory, 2009
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“Researching and Remembering the Holocaust in Central Europe – New Sources, Methods and Approaches” Budapest, 3-7 September 2018
Andrea Peto , Anna Ullrich
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Choosing Not to Look: Representation, Repatriation, and Holocaust Atrocity Photography 1
Susan A Crane
History and Theory, 2008
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'TAKING THE ARCHIVES OUT OF HOLOCAUST RESEARCH: THE CASE OF THE ORTHODOX PERPETRATORS IN CONTEMPORARY ROMANIA', Adina Babeș-Fruchter, Ana Bărbulescu, eds., The Holocaust in South-Eastern Europe: Historiography, Archives Resources and Remembrance (Wilmington: Vernon Press, 2021), 263-291.
Ionut Biliuta
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The Visuality of the Holocaust Today
Gabriel Mayer
Advances in Social Sciences Research Journal, 2019
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„Digitalized Memories of the Holocaust in Hungary in the Visual History Archive” in Holocaust in Hungary 70 years after. Eds. Randolph Braham, András Kovács, CEU Press, Budapest, 2016. pp. 253-261.
Andrea Peto
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Jews among the Peoples: Visual Archives in German Prison Camps during the Great War
margaret olin
Anthropology in Wartime and War Zones, ed. Monika Sheer and Reinhard Johler. Bielefeld: Transcript Verlag, 255-277., 2010
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Sofija Grandakovska: On Holocaust Photography
Sofija Grandakovska
The Jews from Macedonia and the Holocaust: History, Theory, Culture, 2011
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Art of the Holocaust until 1989: Beyond an East/West Divide: Programme & abstracts (Budapest & online, 8–10 June, 2022)
Daniel Véri , Agata Pietrasik
Art of the Holocaust until 1989: Beyond an East/West Divide: Programme & abstracts, 2022
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Ways of Looking: Transcending Time and Space through Photography at the Holocaust Memorial, Berlin
Irit Dekel
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Where Art Met History: Holocaust Exhibitions in Early Postwar Hungary
Daniel Véri
The Journal of Holocaust Research, 2023
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Photographs as Historic Documents: An Examination of Two of Evgenii Khaldei’s Budapest Photos
Peter Pastor
Slavic Review, 2017
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Gaelle Fisher, Review of Romania and the Holocaust. Events-Contexts-Aftermath, Simon Geissbühler, ed., Ibidem Verlag, Stuttgart, 2016, Seehepunkte, 17 (2017), Nr 7/8.
Witold Wojciech Medykowski
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Simon Geissbühler (ed.): Romania and the Holocaust. Events - Contexts - Aftermath, Hannover: Ibidem 2016, in: sehepunkte 17 (2017), Nr. 7/8 [15.07.2017],
Gaëlle Fisher
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Roberto Frankenberg’s Traces: Locating the Holocaust in the Landscapes of Central-Eastern Europe
Emily-Rose Baker
Invisible Wounds: Negotiating Post-Traumatic Landscapes, 2020
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Commissioned Memory. Official Representations of the Holocaust in Hungarian Art (1955–1965)
Daniel Véri
Kata Bohus, Peter Hallama, Stephan Stach (eds.): Growing in the Shadow of Antifascism. Remembering the Holocaust in State-Socialist Eastern Europe, CEU Press, 2022, 175–206., 2022
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Memory, Trauma, and the Matter of Historical Violence: The Controversial Case of Four Photographs From Auschwitz
Katherine Lawless
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“Recycling the Orphan Photograph: The New Life of Jewish Objects”, Visual Studies 31/1 (2016): 63-76.
Ewa Stanczyk
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Private photos and Holocaust testimony: A complex relationship
Maiken Umbach
Holocaust Studies, 2022
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On Photographing Nazi Camps
Gary Weissman
Shofar, 2019
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“Their turn came the next day”: In-between Spaces of the Holocaust and its Photographical Representation
Janine Fubel
New Microhistorical Approaches to an Integrated History of the Holocaust, 2023
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Art after the Eastern Bloc: Artistic engagement with the trauma of the Holocaust after 1989 in Poland and Hungary – Never forget! by Lőrinc Borsos
Jan Elantkowski
VERNICHTEN – VERGESSEN – VERDRÄNGEN. Die Shoah und ihr Nachbeben bis in die Gegenwart (The Shoah and its aftermath up to the present day), 2023
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Georges Didi-Huberman, ‘Images in Spite of All: Four Photographs from Auschwitz’
Wolfgang Brückle
Photography and Culture 4, 2011
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“Children’s Erratic Memories of the Holocaust: On Cross-Cutting Exchanges in Exhibitions and Visual Projects about Child Survivors and Children of Survivors.” Martor. The Museum of the Romanian Peasant Anthropology Review
Dana Mihailescu
In Martor. The Museum of the Romanian Peasant Anthropology Review (Special Issue on Children, November 2013)
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International Workshop within the Framework of the European Holocaust Research Infrastructure (EHRI),Yad Vashem, Jerusalem: Expanding the Perspective on Holocaust Art: The Female Experience during the Holocaust as Expressed in Women's Art (1939-1948). February 2015: (English)
Mor Presiado
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Hidden Traces. Memory, Family, Photography, and the Holocaust
Ludmila Birsan
2013
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"The Absent Jewish Child: Photography and Holocaust Representation in Poland", Journal of Modern Jewish Studies 13/3 (2014), 360-380.
Ewa Stanczyk
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Dealing with the past in the present : why displaying the art of holocaust is important
Andrea Witcomb
2010
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(2016) Storyboards of Remembrance. Representations of the Past in Visitors’ Photography at Auschwitz, in: Memory Studies, October 2016, 9 (4)
Till Hilmar
2016
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“Legacies of a Traumatic Past in Romanian Jews’ Artworks. Review of Exhibition Crossroads: Jewish Artists during the Holocaust.” Images. A Journal of Jewish Art and Visual Culture
Dana Mihailescu
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International Colloquium "Contemporary Memorialisation of the Holocaust in Central and Eastern European Countries", October 11-12, Bucharest
Sonia Catrina
INSHR EW, 2019
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Secular Icons: Looking at Photographs from Nazi Concentration Camps
Cornelia Brink
History & Memory, 2000
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The Holocaust in the post-communist memory discourse in Romania: the case of the monuments and memorial sites to the victims of the Iasi pogrom of June 1941
Angeliki Mouzakiti
Mare Ponticum, 2020
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