INCONGRUOUS IMAGES: “BEFORE, DURING, AND AFTER” THE HOLOCAUST (original) (raw)

The Legacy of Auschwitz in Photography and Art

Anna Ouza

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Representations of the Holocaust in the Cold War Eastern Bloc: the Early Decades: Programme & abstracts (Berlin, 9–10 June, 2023)

Agata Pietrasik, Daniel Véri

2023

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Photographs, Symbolic Images, and the Holocaust: On the (Im)possibility of Depicting Historical Truth

Judith Keilbach

History and Theory, 2009

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“Researching and Remembering the Holocaust in Central Europe – New Sources, Methods and Approaches” Budapest, 3-7 September 2018

Andrea Peto, Anna Ullrich

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Choosing Not to Look: Representation, Repatriation, and Holocaust Atrocity Photography 1

Susan A Crane

History and Theory, 2008

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'TAKING THE ARCHIVES OUT OF HOLOCAUST RESEARCH: THE CASE OF THE ORTHODOX PERPETRATORS IN CONTEMPORARY ROMANIA', Adina Babeș-Fruchter, Ana Bărbulescu, eds., The Holocaust in South-Eastern Europe: Historiography, Archives Resources and Remembrance (Wilmington: Vernon Press, 2021), 263-291.

Ionut Biliuta

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The Visuality of the Holocaust Today

Gabriel Mayer

Advances in Social Sciences Research Journal, 2019

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„Digitalized Memories of the Holocaust in Hungary in the Visual History Archive” in Holocaust in Hungary 70 years after. Eds. Randolph Braham, András Kovács, CEU Press, Budapest, 2016. pp. 253-261.

Andrea Peto

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Jews among the Peoples: Visual Archives in German Prison Camps during the Great War

margaret olin

Anthropology in Wartime and War Zones, ed. Monika Sheer and Reinhard Johler. Bielefeld: Transcript Verlag, 255-277., 2010

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Sofija Grandakovska: On Holocaust Photography

Sofija Grandakovska

The Jews from Macedonia and the Holocaust: History, Theory, Culture, 2011

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Art of the Holocaust until 1989: Beyond an East/West Divide: Programme & abstracts (Budapest & online, 8–10 June, 2022)

Daniel Véri, Agata Pietrasik

Art of the Holocaust until 1989: Beyond an East/West Divide: Programme & abstracts, 2022

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Ways of Looking: Transcending Time and Space through Photography at the Holocaust Memorial, Berlin

Irit Dekel

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Where Art Met History: Holocaust Exhibitions in Early Postwar Hungary

Daniel Véri

The Journal of Holocaust Research, 2023

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Photographs as Historic Documents: An Examination of Two of Evgenii Khaldei’s Budapest Photos

Peter Pastor

Slavic Review, 2017

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Gaelle Fisher, Review of Romania and the Holocaust. Events-Contexts-Aftermath, Simon Geissbühler, ed., Ibidem Verlag, Stuttgart, 2016, Seehepunkte, 17 (2017), Nr 7/8.

Witold Wojciech Medykowski

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Simon Geissbühler (ed.): Romania and the Holocaust. Events - Contexts - Aftermath, Hannover: Ibidem 2016, in: sehepunkte 17 (2017), Nr. 7/8 [15.07.2017],

Gaëlle Fisher

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Roberto Frankenberg’s Traces: Locating the Holocaust in the Landscapes of Central-Eastern Europe

Emily-Rose Baker

Invisible Wounds: Negotiating Post-Traumatic Landscapes, 2020

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Commissioned Memory. Official Representations of the Holocaust in Hungarian Art (1955–1965)

Daniel Véri

Kata Bohus, Peter Hallama, Stephan Stach (eds.): Growing in the Shadow of Antifascism. Remembering the Holocaust in State-Socialist Eastern Europe, CEU Press, 2022, 175–206., 2022

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Memory, Trauma, and the Matter of Historical Violence: The Controversial Case of Four Photographs From Auschwitz

Katherine Lawless

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“Recycling the Orphan Photograph: The New Life of Jewish Objects”, Visual Studies 31/1 (2016): 63-76.

Ewa Stanczyk

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Private photos and Holocaust testimony: A complex relationship

Maiken Umbach

Holocaust Studies, 2022

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On Photographing Nazi Camps

Gary Weissman

Shofar, 2019

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“Their turn came the next day”: In-between Spaces of the Holocaust and its Photographical Representation

Janine Fubel

New Microhistorical Approaches to an Integrated History of the Holocaust, 2023

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Art after the Eastern Bloc: Artistic engagement with the trauma of the Holocaust after 1989 in Poland and Hungary – Never forget! by Lőrinc Borsos

Jan Elantkowski

VERNICHTEN – VERGESSEN – VERDRÄNGEN. Die Shoah und ihr Nachbeben bis in die Gegenwart (The Shoah and its aftermath up to the present day), 2023

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Georges Didi-Huberman, ‘Images in Spite of All: Four Photographs from Auschwitz’

Wolfgang Brückle

Photography and Culture 4, 2011

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“Children’s Erratic Memories of the Holocaust: On Cross-Cutting Exchanges in Exhibitions and Visual Projects about Child Survivors and Children of Survivors.” Martor. The Museum of the Romanian Peasant Anthropology Review

Dana Mihailescu

In Martor. The Museum of the Romanian Peasant Anthropology Review (Special Issue on Children, November 2013)

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International Workshop within the Framework of the European Holocaust Research Infrastructure (EHRI),Yad Vashem, Jerusalem: Expanding the Perspective on Holocaust Art: The Female Experience during the Holocaust as Expressed in Women's Art (1939-1948). February 2015: (English)

Mor Presiado

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Hidden Traces. Memory, Family, Photography, and the Holocaust

Ludmila Birsan

2013

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"The Absent Jewish Child: Photography and Holocaust Representation in Poland", Journal of Modern Jewish Studies 13/3 (2014), 360-380.

Ewa Stanczyk

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Dealing with the past in the present : why displaying the art of holocaust is important

Andrea Witcomb

2010

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(2016) Storyboards of Remembrance. Representations of the Past in Visitors’ Photography at Auschwitz, in: Memory Studies, October 2016, 9 (4)

Till Hilmar

2016

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“Legacies of a Traumatic Past in Romanian Jews’ Artworks. Review of Exhibition Crossroads: Jewish Artists during the Holocaust.” Images. A Journal of Jewish Art and Visual Culture

Dana Mihailescu

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International Colloquium "Contemporary Memorialisation of the Holocaust in Central and Eastern European Countries", October 11-12, Bucharest

Sonia Catrina

INSHR EW, 2019

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Secular Icons: Looking at Photographs from Nazi Concentration Camps

Cornelia Brink

History & Memory, 2000

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The Holocaust in the post-communist memory discourse in Romania: the case of the monuments and memorial sites to the victims of the Iasi pogrom of June 1941

Angeliki Mouzakiti

Mare Ponticum, 2020

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