The Diva in Modern Italian Culture (original) (raw)

The Diva in Modern Italian Culture’, special issue of Italian Studies, 70:3 (2015) with Clorinda Donato

Katharine (Kate) Mitchell

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The rise of the diva on the sixteenth-century commedia dell'arte stage

Rosalind Kerr

Choice Reviews Online, 2015

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“From Piazze to Courts: the Actresses’ Role in the Refashioning of Commedia dell’Arte.” Italian Culture 39.2 (2021): 1-19.

Nicla Riverso

https://www.tandfonline.com/eprint/SJWUINSSSM4QDAKPJQFZ/full?target=10.1080/01614622.2021.1988212

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Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-] Conceptions via the Rivalry of Maria Callas and Renata Tebaldi

Sarah Pozderac-Chenevey

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Writing and Performing Female Identity in Italian Culture

Virginia Picchietti

2017

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• ‘Whore-ocracy’: Show girls, the beauty trade-off, and mainstream oppositional discourse in contemporary Italy’, Italian Studies, 2011, Vol. 66: 3, 2011.

Danielle Hipkins

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The Arts of the Prima Donna in the Long Nineteenth Century

Rachel Cowgill

Journal of Modern Italian Studies, 2013

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“Fighting Eve: Women on the Stage in Early Modern Italy.” Quaderni d’Italianistica 37, 2 (2016): 23-47.

Nicla Riverso

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ANIMATING PERFORMANCE: TRACING VENICE'S RESONANT DIVA ATTRAVERSO IL PALCO E LA SOGLIA

Claudia R E N E Wier

Dissertation, 2020

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The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage

Rosalind Kerr

Early Theatre, 2008

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Arias for an Untold Want: The Queer Desire of the Diva Film

Dolores McElroy

Oxford Handbook of Queer Cinema, 2021

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Brioni, Cecilia and Simone Brioni (2018) "Transnational ‘Italian’ Stardom: Lara Saint Paul and the Performativity of Race", Italian Studies 73.3

Simone Brioni, Cecilia Brioni

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ASECS 2023, CFP nr. 12: Backstage and Behind the Scenes: Italian Women and the (Family) Business of Theater

Elisa Cazzato

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Singing gender: Contested discourses of womanhood in Tuscan-Italian verbal art

Brooke Bocast

Pragmatics, 2010

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It only takes a moment. Relatedness, performance and politics among Drag Queens in Milan (an abstract)

Marcello Francioni

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The Televisual Apotheosis of the Diva in István Szabó's Meeting Venus

Heather Hadlock

Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age, 2016

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The Evolution of the Gratification of the Prima Donna in Late Seventeenth-century Opera.

Regan Campbell

2018

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[REVIEW] Diva Nation: Female Icons from Japanese Cultural History

Rebecca Hausler

New Voices in Japanese Studies

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Opera and gender studies

Heather Hadlock

The Cambridge Companion to Opera Studies, 2012

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Performing Celebrity and Anna Renzi's Cross-Dressed Performance as Ergindo

Claudia R E N E Wier

Theatre Survey (Cambridge University Press), 2023

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Public behavior, music and the construction of feminine identity in the Italian Renaissance

Stefano Lorenzetti

Recercare, XXIII (2011)

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Transnational ‘Italian’ Stardom: Lara Saint Paul and the Performativity of Race

Simone Brioni

Italian Studies

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Women, Opera and the Public Stage in Eighteenth-Century Venice

Britta Kägler, Eva-Maria Schreiner

Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023

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• ‘Who wants to be a TV Show girl? Auditions, talent and taste in contemporary Italian popular cinema’, The Italianist, 32, 2012, pp. 154-190

Danielle Hipkins

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Exhibiting Italianità: Anna Magnani and Sophia Loren as Madri della Patria.

Julia Khrebtan-Hörhager

Communication, Culture & Critique, 2019

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Introduction, The Diva's Gift to the Shakespearean Stage (Oxford UP)

Pamela Allen Brown

The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata , 2021

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Italian Star Studies (review article)

Catherine O'Rawe

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Idealizing the Ambiguous Female Hero: Judith’s Iconography in 17th-Century Italian Paintings(Panel "Idealizing Women in the Italian Renaissance II – Art, Myth, and Imagination" CAIS annual conference Toronto 2018)

Mathilde Legeay

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“It’s Not Over Till the Fat Lady Sings”: The Weight of the Opera Diva

Serena Guarracino

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Street Cries and Street Fights: Anna Magnani, Sophia Loren and the 'popolana'

Sarah Culhane

The Italianist, 2017

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'Bad’ Girls Gone ‘Good,’ or Veronica Franco’s Tactics of Gendered (Re)presentations

Benedetta Lamanna

2018

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Haworth, R. (2017) “Scandal, Motherhood and Mina in 1960s Italy,” Modern Italy. Cambridge University Press, 22(3), pp. 247–260. doi: 10.1017/mit.2017.38.

Rachel Haworth

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Medals and chamber pots for Faustina Bordoni: Celebrity and material culture in early eighteenth-century Italy

Huub van der Linden

Journal for Eighteenth-Century Studies, 2017

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Theorizing the Woman Performer

Helen E M Brooks

The Oxford Handbook of the Georgian Theatre, 1737-1832, 2014

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"Kelley Harness, Echoes of Women’s Voices: Music, Art, and Female Patronage in Early Modern Florence, University of Chicago Press, 2006", Renaissance and Reformation / Renaissance et Réforme 32.3 (2009) p.121-125.

Pascale Duhamel

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