The Diva in Modern Italian Culture (original ) (raw )The Diva in Modern Italian Culture’, special issue of Italian Studies, 70:3 (2015) with Clorinda Donato
Katharine (Kate) Mitchell
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The rise of the diva on the sixteenth-century commedia dell'arte stage
Rosalind Kerr
Choice Reviews Online, 2015
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“From Piazze to Courts: the Actresses’ Role in the Refashioning of Commedia dell’Arte.” Italian Culture 39.2 (2021): 1-19.
Nicla Riverso
https://www.tandfonline.com/eprint/SJWUINSSSM4QDAKPJQFZ/full?target=10.1080/01614622.2021.1988212
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Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-] Conceptions via the Rivalry of Maria Callas and Renata Tebaldi
Sarah Pozderac-Chenevey
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Writing and Performing Female Identity in Italian Culture
Virginia Picchietti
2017
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• ‘Whore-ocracy’: Show girls, the beauty trade-off, and mainstream oppositional discourse in contemporary Italy’, Italian Studies, 2011, Vol. 66: 3, 2011.
Danielle Hipkins
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The Arts of the Prima Donna in the Long Nineteenth Century
Rachel Cowgill
Journal of Modern Italian Studies, 2013
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“Fighting Eve: Women on the Stage in Early Modern Italy.” Quaderni d’Italianistica 37, 2 (2016): 23-47.
Nicla Riverso
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ANIMATING PERFORMANCE: TRACING VENICE'S RESONANT DIVA ATTRAVERSO IL PALCO E LA SOGLIA
Claudia R E N E Wier
Dissertation, 2020
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The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage
Rosalind Kerr
Early Theatre, 2008
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Arias for an Untold Want: The Queer Desire of the Diva Film
Dolores McElroy
Oxford Handbook of Queer Cinema, 2021
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Brioni, Cecilia and Simone Brioni (2018) "Transnational ‘Italian’ Stardom: Lara Saint Paul and the Performativity of Race", Italian Studies 73.3
Simone Brioni , Cecilia Brioni
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ASECS 2023, CFP nr. 12: Backstage and Behind the Scenes: Italian Women and the (Family) Business of Theater
Elisa Cazzato
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Singing gender: Contested discourses of womanhood in Tuscan-Italian verbal art
Brooke Bocast
Pragmatics, 2010
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It only takes a moment. Relatedness, performance and politics among Drag Queens in Milan (an abstract)
Marcello Francioni
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The Televisual Apotheosis of the Diva in István Szabó's Meeting Venus
Heather Hadlock
Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age, 2016
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The Evolution of the Gratification of the Prima Donna in Late Seventeenth-century Opera.
Regan Campbell
2018
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[REVIEW] Diva Nation: Female Icons from Japanese Cultural History
Rebecca Hausler
New Voices in Japanese Studies
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Opera and gender studies
Heather Hadlock
The Cambridge Companion to Opera Studies, 2012
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Performing Celebrity and Anna Renzi's Cross-Dressed Performance as Ergindo
Claudia R E N E Wier
Theatre Survey (Cambridge University Press), 2023
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Public behavior, music and the construction of feminine identity in the Italian Renaissance
Stefano Lorenzetti
Recercare, XXIII (2011)
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Transnational ‘Italian’ Stardom: Lara Saint Paul and the Performativity of Race
Simone Brioni
Italian Studies
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Women, Opera and the Public Stage in Eighteenth-Century Venice
Britta Kägler , Eva-Maria Schreiner
Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023
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• ‘Who wants to be a TV Show girl? Auditions, talent and taste in contemporary Italian popular cinema’, The Italianist, 32, 2012, pp. 154-190
Danielle Hipkins
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Exhibiting Italianità: Anna Magnani and Sophia Loren as Madri della Patria.
Julia Khrebtan-Hörhager
Communication, Culture & Critique, 2019
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Introduction, The Diva's Gift to the Shakespearean Stage (Oxford UP)
Pamela Allen Brown
The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata , 2021
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Italian Star Studies (review article)
Catherine O'Rawe
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Idealizing the Ambiguous Female Hero: Judith’s Iconography in 17th-Century Italian Paintings(Panel "Idealizing Women in the Italian Renaissance II – Art, Myth, and Imagination" CAIS annual conference Toronto 2018)
Mathilde Legeay
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“It’s Not Over Till the Fat Lady Sings”: The Weight of the Opera Diva
Serena Guarracino
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Street Cries and Street Fights: Anna Magnani, Sophia Loren and the 'popolana'
Sarah Culhane
The Italianist, 2017
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'Bad’ Girls Gone ‘Good,’ or Veronica Franco’s Tactics of Gendered (Re)presentations
Benedetta Lamanna
2018
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Haworth, R. (2017) “Scandal, Motherhood and Mina in 1960s Italy,” Modern Italy. Cambridge University Press, 22(3), pp. 247–260. doi: 10.1017/mit.2017.38.
Rachel Haworth
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Medals and chamber pots for Faustina Bordoni: Celebrity and material culture in early eighteenth-century Italy
Huub van der Linden
Journal for Eighteenth-Century Studies, 2017
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Theorizing the Woman Performer
Helen E M Brooks
The Oxford Handbook of the Georgian Theatre, 1737-1832, 2014
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"Kelley Harness, Echoes of Women’s Voices: Music, Art, and Female Patronage in Early Modern Florence, University of Chicago Press, 2006", Renaissance and Reformation / Renaissance et Réforme 32.3 (2009) p.121-125.
Pascale Duhamel
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