Choral Journal, part II (original) (raw)
The Viennese Requiem 1742-1821: Context, Structure and Style
Marie-Claire Taylor
2019
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French Requiems from the Years 1877-1963 as Thanatological Communication
Jakub Kasperski
2018
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The Book of Requiems, 1450–1550. From the Earliest Ages to the Present Period, ed. David J. Burn, Leuven 2022
Riccardo Pintus
Muzyka, 2023
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Review-Article: Luigi Cherubini. Requiem in c minor (Frieder Bernius, Carus 2010)
Fabio Morabito
Eighteenth Century Music, 2012
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The Si Placet Repertoire of 1480-1530, and: De tous biens plaine: Twenty-eight Settings of Hayne van Ghizeghem's Chanson, and: Fortuna desperata: Thirty-Six Settings of an Italian Song, and: Counterpoints on a Cantus Firmus (review)
Cathy Ann Elias
Notes, 2003
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Translation of Fauré`s Requiem, Cantique de Jean Racine; Duruflé`s motet
valerie worth
2006
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The 'Natural Aesthetics' of Human Voice in Music and Poetry: A Study in movements III and VII, mixed in fragments of Latin from the Ordinary and from the Propers of the Requiem Mass; and in movements II and III a few Hebrew words. An
Florence C S Cheng
2013
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LUIGI CHERUBINI (1760–1842) REQUIEM IN C MINOR, Kammerchor Stuttgart, Hofkapelle Stuttgart / Frieder Bernius; Carus 83.227, 2010; one disc, 46 minutes
Fabio Morabito
Eighteenth Century Music, 2012
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Glimpses of the Unwritten Tradition in Some Ars Subtilior Songs
Anne Stone
Musica Disciplina 50: 59-93, 1996
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The Si Placet Repertoire of 1480-1530/De tous biens plaine/Fortuna desperata (Music Release)
Cathy Ann Elias
Notes: Quarterly journal of the music library, 2003
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Pinget'sPassacaille: The endless sonata of the dead
Victor Carrabino
Neophilologus, 1985
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Gaël Saint-Cricq, "Organum and Memory," review of Guillaume Gross, Chanter en polyphonie à Notre-Dame de Paris aux 12e et 13e siècles, Early Music 38 (2010)
Gaël Saint-Cricq
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A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor
Jeremy Leong
1997
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Owen Rees, The Requiem of Tomás Luis de Victoria. Cambridge and New York: Cambridge University Press, 2019. xiv + 262 pp. ISBN 9781107294301
Michael Noone
Early Music History, 2020
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The Renaissance French Psalter. (The Romanian Versification of the Psalms with Huguenot melodies. On the occasion of celebrating the 450th anniversary of the first French Psalter, 1562-2012), Academy Publishing House, Bucharest, 2012 (435 pages, ISBN 978-973-27-2277-0)
Anamaria Madalina Hotoran
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'Paul Dukas's Le Sang de Méduse: the Rediscovery of a Lost Scenario', Annual Meeting of the American Musicological Society (San Francisco, 10 November 2011).
Laura Watson
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The Interpretation and Experience of the Requiem in Contemporary Culture
Martin Hoondert
2015
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New theories for old music: An analysis of Lamentations settings by Thomas Tallis and William Byrd
Enoch Jacobus
2009
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The Codex J.II.9, Torino, Biblioteca Nazionale Universitaria: Facsimile Edition. Introductory study by Isabella Data and Karl Kügle. Ars Nova 4. Lucca: Libreria Musicale Italiana, 1999. 448 pp. ISBN 88 7096 158 3
Daniel Leech-Wilkinson
Plainsong and Medieval Music, 2001
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"Emblems of Lament in Latin and Vernacular Song" in The Church and Vernacular Literature in Medieval France, ed. Dorothea Kullmann (Toronto, 2009), 224-250
Susan Boynton
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Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
David Hamrick
1996
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The Eighteenth-century Opera and the Search for a Meeting Point between Music and Declamation
IVANO CAVALLINI
Barok. Historia-Literatura-Sztuka, 2019
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Imitative polyphonic density and cadential plan for two motets of the mid sixteen-century
Marcos Fernandes Pupo Nogueira
2017
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The language of medieval music: two thirteenth-century motets
Ardis Butterfield
Plainsong & Medieval Music, 1993
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"Aut propter devotionem, aut propter sonorositatem". Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective
Felix Diergarten
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Arhid. Sebastian Barbu-Bucur, O versiune muzicală inedită a Prohodului Domnului în limba română, ediţie îngrijită şi studiu introductiv de Cătălin Cernătescu [An Unpublished Musical Version of the Lord’s Lamentation from the Romanian Tradition. Edition and Introductory Study by Cătălin Cer...
Alexandru Ioniță
Review of Ecumenical Studies, 2021
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Form and Idea in the Ars nova Motet
Anna Zayaruznaya
2010
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Arhid. Sebastian Barbu-Bucur, O versiune muzicală inedită a Prohodului Domnului în limba română, ediţie îngrijită şi studiu introductiv de Cătălin Cernătescu [An Unpublished Musical Version of the Lord’s Lamentation from the Romanian Tradition. Edition and Introductory Study by Cătălin Cernătescu...
Alexandru Ioniță
Review of Ecumenical Studies Sibiu, 2021
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“Euch wiedersehen”: Interpreting a Schumannian Allusion in Brahms’s Requiem
Laurie McManus
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Structural Issues in the Three Requiem Masses of Father José Maurício Nunes Garcia (1767-1830), and the Requiem Mass CT 190, by Damião Barbosa …
Jetro Meira de Oliveira
2002
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Ockeghem's Three-Section Motet "Salve Regina": Problems in Coordinating Pitch and Time Constructs
Jay Rahn
Music Theory Spectrum 3: 117-131, 1981
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Form Versus Manner: The Pindaric Ode and the ›Hymnal‹ Tradition in the Mid-Eighteenth Century
Sandro Jung
Zeitschrift für Literaturwissenschaft und Linguistik, 2006
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A Historical and Pragmatic Approach to Lili Boulanger’s Psaume 130, Du fond de l’abîme, part I
John Perkins
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Music and Mourning in "Serie ospedaliera"
Thomas E Peterson
Rivista di Letterature moderne e comparate, 2021
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Review: Nota Bene: Reading Classics and Writing Melodies in the Early Middle AgesBy Jan M. Ziolkowski
Sam Barrett
Early Medieval Europe, 2009
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